How do you know if you've found the one? Can you really love the one you're with when you can't forget the one who got away? Emily Giffin, author of the New York Times bestselling novels Something Borrowed, Something Blue, and Baby Proof, poses these questions—and many more—with her highly anticipated, thought-provoking new novel Love the One You're With. Ellen and Andy's first year of marriage doesn't just seem perfect, it is perfect. There is no question how deep their devotion is, and how naturally they bring out the best in each other. But one fateful afternoon, Ellen runs into Leo for the first time in eight years. Leo, the one who brought out the worst in her. Leo, the one who left her heartbroken with no explanation. Leo, the one she could never quite forget. When his reappearance ignites long-dormant emotions, Ellen begins to question whether the life she's living is the one she's meant to live. At once heartbreaking and funny, Love the One You're With is a tale of lost loves and found fortunes—and will resonate with anyone who has ever wondered what if.
Effective Learning in the Life Sciences is intended to help ensure that each student achieves his or her true potential by learning how to solve problems creatively in laboratory, field or other workplace setting. Each chapter describes state of the art approaches to learning and teaching and will include case studies, worked examples and a section that lists additional online and other resources. All of the chapters are written from the perspective both of students and academics and emphasize and embrace effective scientific method throughout. This title also draws on experience from a major project conducted by the Centre for Bioscience, with a wide range of collaborators, designed to identify and implement creative teaching in bioscience laboratories and field settings. With a strong emphasis on students thinking for themselves and actively learning about their chosen subject Effective Learning in the Life Sciences provides an invaluable guide to making the university experience as effective as possible.
Conceptually unique, hilarious and frightening, referred to as “pornography” in The New York Times Book Review’s original review and as a “work of genius” in Newsweek’s, a: A Novel is the perfect literary manifestation of Andy Warhol’s sensibility. In the late sixties Warhol set out to turn a trade book into a piece of pop art, and the result was this astonishing account of the famously influential group of artists, superstars, addicts and freaks who made up the Factory milieu. Created from audiotapes recorded in and around the Factory, a: A Novel begins with the fabulous Ondine popping several amphetamines and then follows its characters as they converse with inspired, speed-driven wit and cut swaths through the clubs, coffee shops, hospitals, and whorehouses of 1960’s Manhattan.
A true-crime writer returns home to solve the mystery that haunted his boyhood After witnessing an execution, true-crime writer Colin Douglas starts having nightmares of himself as a boy, alone by the levee, trapped in the mud of the Mississippi River. Each night, the dreams grow worse, becoming horrid recreations of the day his childhood died. In 1959, Colin and three friends went camping on the levee, across from the tumbledown old Windsong plantation. When one of the boys disappeared, Colin went searching for him, and was approaching the old estate when he saw what appeared to be a ghost. The next day, he learned a woman had been murdered in the area—an unsolved crime that has haunted him ever since. Decades later, he attempts to solve this forgotten cold case, raking up something even dirtier than the muddy bottom of the Mississippi.
Based on his widely read columns for The New Yorker, Ian Frazier's uproarious first novel, The Cursing Mommy's Book of Days, centers on a profoundly memorable character, sprung from an impressively fertile imagination. Structured as a daybook of sorts, the book follows the Cursing Mommy—beleaguered wife of Larry and mother of two boys, twelve and eight—as she tries (more or less) valiantly to offer tips on how to do various tasks around the home, only to end up on the ground, cursing, surrounded by broken glass. Her voice is somewhere between Phyllis Diller's and Sylvia Plath's: a hilariously desperate housewife with a taste for swearing and large glasses of red wine, who speaks to the frustrations of everyday life. Frazier has demonstrated an astonishing ability to operate with ease in a variety of registers: from On the Rez, an investigation into the lives of modern day Oglala Sioux written with a mix of humor, compassion, and imagination, to Dating Your Mom, a sidesplitting collection of humorous essays that imagines, among other things, how and why you might begin a romance with your mother. Here, Frazier tackles another genre with his usual grace and aplomb, as well as an extra helping of his trademark wicked wit. The Cursing Mommy's failures and weaknesses are our own—and Frazier gives them a loving, satirical spin that is uniquely his own.
Darla Pettistone may have inherited her great aunt Dee’s Brooklyn bookstore, but it’s the store’s mascot—an oversized black cat named Hamlet—who acts like he owns the place. And when someone turns up dead, Hamlet smells something rotten in Brooklyn… As the owner of Pettistone’s Fine Books, Darla is settling nicely into her new life, even reaching an uneasy truce with Hamlet. Unfortunately, when she needs to hire a new clerk, the finicky feline decides to lend a paw to the hiring process. He chases away applicants who don’t meet his approval, finally settling on an unlikely candidate: Robert, a book-loving Goth kid who has a secret only Hamlet knows. And Hamlet can’t seem to stay out of trouble. One of the bookstore’s regular customers, a man who is renovating a local brownstone, claims he’s seen Hamlet prowling the neighborhood. When the man’s business partner is found dead, Darla discovers that Hamlet may have been the only witness to what could be murder. With the crafty cat’s help, she wonders if they just might be able to pounce on a killer...