*** THE OFFICIAL NOVELIZATION AND TIE-IN TO THE UK'S NO 1 MOVIE *** Go beyond the film in the novelization of the first Assassin's Creed movie, starring Michael Fassbender and Marion Cotillard. We work in the dark to serve the light. We are assassins. Through a revolutionary technology that unlocks his genetic memories, Callum Lynch experiences the adventures of his ancestor, Aguilar, in 15th Century Spain. Callum discovers he is descended from a mysterious secret society, the Assassins, and amasses incredible knowledge and skills to take on the oppressive and powerful Templar organization in the present day.
In the summer of 1933 an amazing group of chancers, misfits and psychopaths took to the American road. Fuelled by the Depression, fast cars and cheap guns, these freelance gangsters terrorized a vast swathe of banks and drugstores across the Midwest. Bonnie and Clyde, Dillinger, Machine Gun Kelly, Baby Face Nelson, the Barker gang, Pretty Boy Floyd and others went on a crime spree that turned them into legends in their own - generally quite brief - lifetimes. As they tore across state lines, mocking the police and amassing fortunes, the gangsters had no idea that in Washington their nemesis was forming: J. Edgar Hoover's FBI. Public Enemies is the sensational story of the outlaws whose exploits became folklore, and the savage, myth-making response of those who hunted them down.
This book analyses the success and adaptation of Michael Morpurgo’s novel War Horse to stage, radio, live events, and feature film, in different cultures, on tours, and in translation. In under a decade, War Horse has gone from obscure children’s novel to arguably one of the world’s most recognisable theatrical brands, thanks to innovative puppet designs from South Africa’s Handspring Puppet Company in an acclaimed stage production from the National Theatre of Great Britain. With emphasis on embodied spectatorship, collaborative meaning-making, and imaginative ‘play,’ this book generates fresh insights into the enduring popularity of the franchise’s eponymous protagonist, Joey, offering the most in-depth study of War Horse to date.
A gripping historical adventure by a much-loved and award winning author. Soon to be a major motion picture, starring Stranger Things' Noah Schnapp. It is World War II and Jo stumbles on a dangerous secret: Jewish children are being smuggled away from the Nazis, close to his mountain village in Spain. Now, German soldiers have been stationed at the border. Jo must get word to his friends that the children are trapped. The slightest mistake could cost them their lives.
Following the royal wedding, the Diamond Jubilee and the imminent birth of Kate and William's first baby, popular sentiment towards the royal family has rarely been higher. At the centre of this surge in affection is a woman who has captured the heart of a nation and who, at the side of her husband, Prince William, is ushering in a new dawn for the United Kingdom's reigning family. For, due to planned amendments to the rules of accession to the British Crown, their first child, regardless of gender, will succeed William to the throne. This biography explores the life of the woman who has done so much to revitalize the public image of the royal family, covering her early years, her family, her time at St Andrews University and her meeting with Prince William, their early relationship and its trials, the wedding and her new official role, her style, and, of course, her pregnancy.Besides being the perfect book for admirers of this remarkable young woman, Kate: A Biography marks a crucial moment in the history of the royal line.
Recent crime films such as "Scarface," the Dirty Harry series, and "The Godfather" have captured the American imagination, but they owe a large debt to the early crime talkies such as "The Public Enemy," Paul Muni's" Scarface," and "Little Caesar." More than 1,000 entries are featured in this volume, complete with the names of directors, screen writers, and major players offering a wealth of data supported by plot evaluations. For the serious student of crime films, this work provides a comprehensive treatment of the genre. It is the only one-volume work that includes all crime sub-genres (detective, mystery, cops and robbers, and courtroom dramas) in addition to gangster films. The period between the end of the silent film (1927) and the general acceptance of the sound film (1929) is often referred to as a transition period. The majority of theaters were not wired for sound, so many films were released in both silent and sound versions. Some added only sound effects or music to the sound track, while others offered only brief segments of sound. The early 1930s marked the end of this transition period and firmly established the sound era. This volume pays homage to these early, often crude melodramas. The authors aim to preserve the memories of these films for their own generation and to introduce these works to a new generation thirsty for entertainment and knowledge.
The American Frontier in Film, Television, and History
Author: Peter C. Rollins
Publisher: University Press of Kentucky
Category: Performing Arts
American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.
Mexican American Families and Blacklisted Filmmakers in Cold War America
Author: Ellen R. Baker
Publisher: UNC Press Books
In 1950, Mexican American miners went on strike for fair working conditions in Hanover, New Mexico. When an injunction prohibited miners from picketing, their wives took over the picket lines--an unprecedented act that disrupted mining families but ultimately ensured the strikers' victory in 1952. In On Strike and on Film, Ellen Baker examines the building of a leftist union that linked class justice to ethnic equality. She shows how women's participation in union activities paved the way for their taking over the picket lines and thereby forcing their husbands, and the union, to face troubling questions about gender equality. Baker also explores the collaboration between mining families and blacklisted Hollywood filmmakers that resulted in the controversial 1954 film Salt of the Earth. She shows how this worker-artist alliance gave the mining families a unique chance to clarify the meanings of the strike in their own lives and allowed the filmmakers to create a progressive alternative to Hollywood productions. An inspiring story of working-class solidarity, Mexican American dignity, and women's liberation, Salt of the Earth was itself blacklisted by powerful anticommunists, yet the movie has endured as a vital contribution to American cinema.