Most biographies of Walt Disney portray him as a creative genius who revolutionized the entertainment industry during the first half of the twentieth century. While he did transform the medium of animation, quickly becoming a household name during his late thirties, many biographies tell the story of Walt Disney’s development in a historical vacuum, separate from the historical events happening around him. However, while Walt Disney was certainly a history-influencer, historical events happening in America and the world also shaped the entertainment pioneer he would become. As the twentieth century began, a new form of entertainment, “motion pictures,” would emerge, capturing the imagination of a young boy from Missouri. Over the next several years, Walt Disney would begin to hone his art skills, overcoming a number of hurdles including numerous relocations, a brutal paper route, a deployment to Europe in the days after World War One, numerous bankruptcies, and even homelessness. It was these adversities, along with the historical events that surrounded him, that would influence the man he would become. For the first time ever, The Origins of Walt Disney tells some important stories that help to flesh out the Disney history. How instrumental was Elias Disney’s career as a carpenter in Chicago? Why did the Disneys really leave Chicago to move to Marceline, Missouri? What types of jobs did Walt perform in France in the days following World War One? How was Walt influenced by the budding industry of animation in America? In addition to answering these questions, The Origins of Walt Disney also includes a tour of the newly restored Walt Disney Birthplace, a new museum located in the childhood home of Walt Disney in Chicago, Illinois!
Gorgeous never-before-published photographs and fascinating personal memories celebrate the half-a-century career of Disney Legend Ub Iwerks, a self-taught animator who became the first to animate Mickey and Minnie Mouse and an exceptional draftsman, prolific innovator, and all-around technical genius who directly collaborated with Walt Disney to create some of the most loved moments throughout film and theme parks. Even before the creation of Mickey, Walt established a reputation as a technical leader in Hollywood and frequently relied on the counsel, expertise, ingenuity, and creativity of a kindred spirit, lifelong friend, and fellow virtuoso: Ub Iwerks. Up till now, Ub and his many technical inventions and techniques have been largely unknown by the general public. His illustrious career consisted of dozens of innovative contributions, large and small, to both animated and live-action motion pictures, as well as the fields of optics, film processes, and special effects. He was also the major force behind the design of special cameras, projectors, electronics, and audio for theme park projects, and much more. The high standard set by Walt and Ub continues to inspire artists and technicians within The Walt Disney Company as they explore new avenues of quality entertainment. Here is a one-of-a-kind appreciation to an extraordinary man and an outstanding career, a record of his many inventions and accomplishments, and a tribute from a grateful son to his remarkable father.
“The single most illuminating work on America and the movies” (The Kansas City Star): the story of how a shy boy from Chicago crashed Hollywood and created the world’s first multimedia entertainment empire—one that shapes American popular culture to this day. When Walter Elias Disney moved to Hollywood in 1923, the twenty-one-year-old cartoonist seemed an unlikely businessman—and yet within less than two decades, he’d transformed his small animation studio into one of the most successful and beloved brands of the twentieth century. But behind Disney’s boisterous entrepreneurial imagination and iconic characters lay regressive cultural attitudes that, as The Walt Disney Company’s influence grew, began to not simply reflect the values of midcentury America but actually shape the country’s character. Lauded as “one of the best studies ever done on American popular culture” (Stephen J. Whitfield, Professor of American Civilization at Brandeis University), Richard Schickel’s The Disney Version explores Walt Disney’s extraordinary entrepreneurial success, his fascinatingly complex character, and—decades after his death—his lasting legacy on America.
Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, Andr� Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture.
Technology has been called the art of the twentieth century. It is the expression of everything that makes us human. Our myths and rituals, our fantasies and creativity all find expression in our technology. The ability to forge tools by the fashioning of metal in its 'white heat' state was preceded by the creation of tools in stone. This was the first indication of humanity's capacity to shape and use the raw materials available to it. It reached its peak in the industrial revolution of the nineteenth century and today its momentum can be seen in every part of our lives. It is this combination of technological creativity and human passion which Carroll Pursell pursues in White Heat. Professor Pursell explores technology not as a succession of gadgets and gizmos but as a study of how society's values are embedded in them. Written to accompany a major television series and illustrated with some surprising and fascinating photographs, his book reveals a new layer of meaning to the devices, tools and machines which have been developed throughout human history.
Remove This Cup But Not My Will By: H.L. Grey Remove This Cup, But Not My Will continues to chronicle the lives of the Studebaker family of Houston, Texas, whose experiences provide insight into the chasm that exists between religious, political, and socio-economic groups. From differing viewpoints of morality and decency to opposing stances regarding today’s hot-button topics like gender and race relations, radical atheism, and religious extremism, the Studebaker family is indicative of the deep divide between Americans, between generations, and even within families. Even among our youngest generation, topics like drug use, homosexuality, peer pressure, and dating dominate the narrative, blurring the lines of what we perceive as right and wrong. Can we find the common ground we seek? Is today’s generation better or worse than the previous generations, and where do we go from here?
How can teachers connect with and motivate students to embrace learning? According to Jonathan C. Erwin, the secret lies in forging positive relationships with students by meeting their individual social-emotional needs. Inspiring the Best in Students includes step-by-step instructions for dozens of classroom activities for grades 3-12 that help build student-teacher relationships while teaching both content and skills. Also included is a thorough overview of William Glasser's Choice Theory and such core teaching and learning concepts as internal control psychology and total behavior. The more students are given the freedom to make choices in a safe environment while also having fun, the more their enthusiasm for learning deepens. By following the advice in this book, you can ensure that the students in your class will remain engaged and inspired to achieve their best. Note: This product listing is for the Adobe Acrobat (PDF) version of the book.
Find Your Hook. Communicate Your Message. Make Your Mark.
Author: Dan S Kennedy
Publisher: Simon and Schuster
Category: Business & Economics
More than 5 million businesses have profited from this unique step-by-step marketing system. The Ultimate Marketing Plan, 3rd Edition shows you how to put together the most promotable message possible for any product or service. Filled with practical, no-nonsense ideas that help you position your product, build buzz and make money, this updated edition includes expanded coverage on Internet marketing.
An irreverent, yet powerful exploration of race relations by the New York Times-bestselling author of The Chris Farley Show Frank, funny, and incisive, Some of My Best Friends Are Black offers a profoundly honest portrait of race in America. In a book that is part reportage, part history, part social commentary, Tanner Colby explores why the civil rights movement ultimately produced such little true integration in schools, neighborhoods, offices, and churches—the very places where social change needed to unfold. Weaving together the personal, intimate stories of everyday people—black and white—Colby reveals the strange, sordid history of what was supposed to be the end of Jim Crow, but turned out to be more of the same with no name. He shows us how far we have come in our journey to leave mistrust and anger behind—and how far all of us have left to go.