Ralph Lauren’s designs vividly embody the American Dream, and he has risen to become one of the world’s foremost fashion designers. His genius lies in his innate skill for interpreting key cultural elements of Americana—whether from folk art or the preppy world of Hamptons’ socialites or Navajo motifs—and encapsulating them in appealing garments. Also a natural fit with Hollywood, he has designed costumes for films such as The Great Gatsby (1974) and Annie Hall and created countless looks for stars on the red carpet. From his ubiquitous, equestrian-tagged Polo shirts to his American-country-club take on upper-class Englishness, his skill in making aspiration accessible is second to none. Vogue on Ralph Lauren is a volume from the series created by the editors of British Vogue, featuring 20,000 words of original biography and history and studded with more than 80 images from their unique archive of photos taken by leading photographers including Bruce Weber, Patrick Demarchelier, and Mario Testino.
How the fashion industry has contributed to religious change From cross necklaces to fashion designs inspired by nuns’ habits, how have fashion sources interpreted Christianity? And how, in turn, have these interpretations shaped conceptions of religion in the United States? Religion in Vogue explores the intertwined history of Christianity and the fashion industry. Using a diverse range of fashion sources, including designs, jewelry, articles in fashion magazines, and advertisements, Lynn S. Neal demonstrates how in the second half of the twentieth century the modern fashion industry created an aestheticized Christianity, transforming it into a consumer product. The fashion industry socialized consumers to see religion as fashionable and as a beautiful lifestyle accessory—something to be displayed, consumed, and experienced as an expression of personal identity and taste. Religion was something to be embraced and shown off by those who were sophisticated and stylish, and not solely the domain of the politically conservative. Neal ultimately concludes that, through aestheticizing Christianity, the fashion industry has offered Americans a means of blending traditional elements of religion—such as ritual practice, miraculous events, and theological concepts—with modern culture, revealing a new dimension to the personal experience of religion.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The polo player with the raised mallet—everyone knows the Ralph Lauren logo. Learn the amazing story of the man who is a true American fashion icon. Born in the Bronx, even as a teenager Ralph Lauren was known for his distinctive fashion sense, having a taste for both classic preppy clothes and vintage looks like beat-up leather jackets. He got his start in the fashion business by selling ties that he designed. From ties he went on to create a global fashion empire. In this easy-to-read biography, best-selling author and Who Was? creator Jane O'Connor explains exactly how a fashion line is created—from first drawings to models strutting on the runway.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The author recounts her rise from Macy's saleswoman to creator of Mirabella magazine, describing her celebrated dismissal as editor of Vogue and offering a behind-the-scenes look at New York's beau monde. 35,000 first printing. Tour.
This alphabetically-arranged reference resource provides "information on and assessment of fashion designers active during the period from 1945 to the present."--Page ix.