Viewing African Cinema in the Twenty-First Century

Art Films and the Nollywood Video Revolution

Author: Mahir Saul

Publisher: Ohio University Press


Category: Art

Page: 248

View: 373

African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These “Nollywood” films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema. Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a unique comparison of these two main African cinema modes.

New African Cinema

Author: Valérie Orlando

Publisher: Rutgers University Press


Category: Art

Page: 200

View: 195

New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

The Oxford Encyclopedia of African Thought

Author: Abiola Irele

Publisher: Oxford University Press on Demand


Category: History

Page: 988

View: 182

From St. Augustine and early Ethiopian philosophers to the anti-colonialist movements of Pan-Africanism and Negritude, this encyclopedia offers a comprehensive view of African thought, covering the intellectual tradition both on the continent in its entirety and throughout the African Diaspora in the Americas and in Europe. The term "African thought" has been interpreted in the broadest sense to embrace all those forms of discourse - philosophy, political thought, religion, literature, important social movements - that contribute to the formulation of a distinctive vision of the world determined by or derived from the African experience. The Encyclopedia is a large-scale work of 350 entries covering major topics involved in the development of African Thought including historical figures and important social movements, producing a collection that is an essential resource for teaching, an invaluable companion to independent research, and a solid guide for further study.


Reflections on African-Americans and the Movies

Author: Nelson George

Publisher: Cooper Square Pub


Category: Performing Arts

Page: 238

View: 693

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities.

Encyclopedia of African American History, 1896 to the Present:From the Age of Segregation to the Twenty-first Century Five-volume set

From the Age of Segregation to the Twenty-first Century Five-volume set

Author: Paul Finkelman

Publisher: Oxford University Press, USA


Category: Reference

Page: 2672

View: 470

Focusing on the making of African American society from the 1896 "separate but equal" ruling of Plessy v. Ferguson up to the contemporary period, this encyclopedia traces the transition from the Reconstruction Era to the age of Jim Crow, the Harlem Renaissance, the Great Migration, the Brown ruling that overturned Plessy, the Civil Rights Movement, and the ascendant influence of African American culture on the American cultural landscape.Covering African American history in all areas of U.S. history and culture from 1896 to the present, the Encyclopedia contains approximately 1,200 fully cross-referenced entries that are all signed by leading scholars and experts, making this five-volume set the most reliable and extensive treatment to be found on African American history in the twentieth century. The set also contains 500 images and roughly 640 biographies, as well as an entry on each of the fifty states. In addition to its comprehensive coverage of African Americans, the Encyclopedia also contains entries about key figures who affected the lives of African Americans in particular and Americans in general. Unrivalled in breadth and scope, this is the preeminent source of information on this topic and is destined to become a trusted reference source for years to come.

African American Women Writers in New Jersey, 1836-2000

A Biographical Dictionary and Bibliographic Guide

Author: Sibyl E. Moses



Category: Reference

Page: 231

View: 355

Profiles more than one hundred African American women writers who were either born or resided in New Jersey, and includes listings of and excerpts from their work.

Maghrebs in Motion

North African Cinema in Nine Movements

Author: Suzanne Gauch

Publisher: Oxford University Press


Category: Africa, North

Page: 252

View: 548

Exploring films made in Tunisia, Morocco, and Algeria from 1985 to 2009, Suzanne Gauch illustrates how late post-independence and early twenty-first century North African cinema prefigured many of the transformations in perception and relation that stunned both participants and onlookers during the remarkable uprisings of the 2011 Arab Spring. Through multifaceted examinations of key films by nine filmmakers--Farida Benlyazid, Mohamed Chouikh, Nacer Khemir, Nabil Ayouch, Lyès Salem, Nadia El Fani, Tariq Teguia, Faouzi Bensaïdi, and Nejib Belkadhi--Gauch delineates the shifting relation of politics to film in the era of neoliberal globalization. Each work, she argues, taps the power inherent in cinema to destabilize patterns of perception and judgment while taking film's role as popular entertainment in new directions. Highlighting how each film taps into the mobility at the core of cinema to break through the boundaries that have long circumscribed filmmaking from North Africa, Gauch shows how this cinema continues to forge and reflect unexpected trajectories for itself and its audiences.

OAH Annual Meeting

Author: Organization of American Historians. Meeting



Category: Historians


View: 553

Africa and Trans-Atlantic Memories

Literary and Aesthetic Manifestations of Diaspora and History

Author: Naana Jane Opoku-Agyemang

Publisher: Africa Research and Publications


Category: Africa

Page: 477

View: 238


A Brief History of Film

Author: Louis D. Giannetti

Publisher: Pearson College Division


Category: Performing Arts

Page: 480

View: 198

Consolidating major figures and film movements into their decade of greatest influence or prestige, this “no-nonsense” book offers a generously illustrated, concise, and very readable history of fiction movies with an emphasis on American cinema. Eclectic in methodology and written in a plain English style that audiences can relate to, it examines the full scope of traditional film history and criticism, viewing film as both an art and an industry— as it mirrors popular audience values, social ideologies, and historical epochs.

Historical Abstracts

Twentieth century abstracts, 1914-. Part B




Category: Civilization, Modern


View: 116