‘He was one of those men – one meets perhaps only two or three in a lifetime – who seem almost to suck the eyes out of your head. He was their Supreme Commander – almost their god’ SPECTRE is a merciless new enemy – a group of the world’s toughest criminals, headed by the brilliant Ernst Stavro Blofeld. When two NATO atom bombs go missing, Bond must unravel SPECTRE’s intricate plans and prevent a global catastrophe, in Fleming’s ninth 007 adventure.
While Mossad is known as one of the world's most successful terrorist-fighting organizations, the state of Israel has, more than once and on many levels, risked the lives of its agents and soldiers through unwise intelligence-based intervention. The elimination of Palestinian leaders and militants has not decreased the incidence of Palestinian terrorism, for example. In fact, these incidents have become more lethal than ever, and ample evidence suggests that the actions of Israeli intelligence have fueled terrorist activities across the globe. An expert on terror and political extremism, Ami Pedahzur argues that Israel's strict reliance on the elite units of the intelligence community is fundamentally flawed. A unique synthesis of memoir, academic research, and information gathered from print and online sources, Pedahzur's complex study explores this issue through Israel's past encounters with terrorists, specifically hostage rescue missions, the first and second wars in Lebanon, the challenges of the West Bank and Gaza, Palestinian terrorist groups, and Hezbollah. He brings a rare transparency to Israel's counterterrorist activities, highlighting their successes and failures and the factors that have contributed to these results. From the foundations of this analysis, Pedahzur ultimately builds a strategy for future confrontation that will be relevant not only to Israel but also to other countries that have adopted Israel's intelligence-based model.
“Bond. James Bond.” Since Sean Connery first uttered that iconic phrase in Dr. No, more than one quarter of the world’s population has seen a 007 film. Witty and urbane, Bond seduces and kills with equal ease — often, it seems, with equal enthusiasm. This enthusiasm, coupled with his freedom to do what is forbidden to everyone else, evokes fascinating philosophical questions. Here, 15 witty, thought-provoking essays discuss hidden issues in Bond’s world, from his carnal pleasures to his license to kill. Among the lively topics explored are Bond’s relation to existentialism, including his graduation “beyond good and evil”; his objectification of women; the paradox of breaking the law in order to ultimately uphold it like any “stupid policeman”; the personality of 007 in terms of Plato’s moral psychology; and the Hegelian quest for recognition evinced by Bond villains. A reference guide to all the Bond movies rounds out the book’s many pleasures.
The Fantastic Physics of Film's Most Celebrated Secret Agent
Author: Barry Parker
Publisher: JHU Press
Category: Performing Arts
Uses the world of James Bond to explain the principles of physics, reviews the top five Bond stunts, and includes discussion of such topics as whether the laser in Goldfinger would have cut Bond in half and if a wristwatch could actually unzip a woman's dress.
The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.
The Mabuse phenomenon is recognized as an icon of horror in Germany as Frankenstein and Dracula are in the United States. This work is a study of the 12 motion pictures and five books (and some secondary films) that make up the eight decades of adventures of master criminal Mabuse, created by author Norbert Jacques in the best-selling 1922 German novel and brought to the screen by master filmmaker Fritz Lang in the same year. Both on screen and off, the story of Dr. Mabuse is a story of love triangles and revenge, of murder, suicides, and suspicious deaths, of betrayals and paranoia, of fascism and tyranny, deceptions and conspiracies, mistaken identities, and transformation. This work, featuring much information never before published in English, provides an understanding of a modern mythology whose influence has pervaded popular culture even while the name Mabuse remains relatively unknown in the United States.
In that Rhymes and Reasons are songs, not poems, I’ve left them in the accepted patterns necessary to set them to music. There may be some repetition but rare is the song sang in its entirety without repeating verses or choruses especially, what is now considered the chorus. The earlier songs were primarily AABA or ABAC patterns which were the norm back then. As patterns evolved into the more contemporary verse-chorus mode, I’d suspect that happened because repetition of the chorus allows for more rousing concert finales in which audience might be tempted to sing along.
The Bond movies remain the longest continually running film series in movie history, and 2012 marks its fiftieth anniversary. While there have been many actors that have taken on the coveted role of James Bond, the most renowned 007 - and the one with most panache and charisma - is undoubtedly Sir Roger Moore, KBE. To celebrate the film franchise's wonderful heritage, Roger Moore has written a book that features all the Bond movies, along with a wonderfully witty account of his own involvement in them. From the girls to the villains, from the cars to the cocktails, from the gadgets to the locations, this e-book is illustrated with many iconic images from all the films plus many previously unseen shots. This is the ultimate James Bond book, written by the ultimate James Bond, with all the affection and good humour he brought to the role.