This one-of-a-kind array of 100 art masterpieces, quality printed on handsome card stock, brings together the finest works from the magnificent spiritual and artistic collection of the Vatican. The Vatican is one of the most popular destinations in the world, with more than 5 million visitors each year. It is also home to some of the world's greatest and most exquisite works of art. Its museums, palaces, and grounds house Michelangelo's Sistine Chapel and his Pietà, the Raphael frescoes, and the works of Giotto, Fra Angelico, Titian, and Caravaggio, as well as the world's finest statues, manuscripts, architecture, and gardens, and its most precious religious relics.The Vatican Art Deck includes 100 6 3/8" x 6 3/8" cards highlighting the most iconic and significant works of art in the Vatican. The front side of each card shows a full-size photograph of the art while the back side provides a 200-word discussion by art historian Anja Grebe on the key attributes of the work; what to look for when viewing it; the artist's inspirations, techniques, and biographical information; the artist's impact on art history; and more. The work is also fully described with its title and the artist's name, the date of completion, the birth and death dates of the artist, the medium that was used, the size of the art (where applicable), the catalog number, and the museum in which the work of art can be found. Perfect for art lovers, students, and armchair travelers, The Vatican Art Deck is a guided tour through one of the most exquisite collections in the world.
The Trojan War Hero from Antiquity to Modern Times
Author: Timothy V. Dugan
Category: Literary Criticism
Ajax, the archetypal Greek warrior, has over the years been trivialized as a peripheral character in the classics through Hollywood representations, and by the use of his name on household cleaning products. Examining a broad range of sources—from film, art and literature to advertising and sports—this study of the “Bulwark of the Achaeans” and his mythological image redefines his presence in Western culture, revealing him as the predominant voice in The Iliad and in myriad works across the classical canon.
Where and how an artwork is presented can enhance it or detract from it, or even alter its meaning. Depending on the display, painting and sculpture can denote a religious, political, decorative, or educational significance, as well as aesthetic and commercial value. Just how powerful the effect of placement can be is demonstrated in this book by in-depth case studies and comparisons of art installations around the world and from antiquity to the present, all richly illustrated. Author Victoria Newhouse continues the investigation she began in her last book, Towards a New Museum, of the critical relationship between container and contents. Not limited to museums, Newhouse branches out to explore noteworthy displays of art in commercial galleries and in private homes and gardens, as well as in a number of unusual venues. She concludes with some guidelines for display that apply as much to the hanging of a picture in a private interior as to the installation of a museum show.