Ruined Abbeys and Castles of Great Britain and Ireland

Author: William Howitt

Publisher: BoD – Books on Demand


Category: Fiction

Page: 232

View: 761

Reprint of the original, first published in 1864. Second series. The Photographic Illustrations by Thompson, Sedgfield, Ogle, and Hemphill.

The Ruined Abbeys of Great Britain (Classic Reprint)

Author: Ralph Adams Cram



Category: Architecture

Page: 454

View: 575

Excerpt from The Ruined Abbeys of Great Britain "I humbly crave leave, before I advance any farther, publickly to profess myself to be a sincere, though very unworthy Member of the Church of England, and that I have as true and as hearty Affection for her Interest as perhaps any other Person whatsoever. And yet I cannot but here publickly declare that I think it would have been more happy for Her, as well as for the Nation in general had King Henry VIII. only reformed and not destroyed the Abbeys and other Religious Houses. Monastic Institution is very ancient, and it had been very laudable had he reduced the Manner of Worship to the Primitive Form." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Victorian Photography and Literary Nostalgia

Author: Helen Groth

Publisher: Oxford University Press, USA


Category: Literary Criticism

Page: 244

View: 539

"Photography symbolized the possibility of creating an ideal archive to many Victorians, an archive in which no moment or experience need be forgotten. This seductive idea had particular appeal for a generation of writers preoccupied with their own mortality and the erosion of tradition in an age distracted by the ever-changing spectacle of the present. many early photographers and publishers shared this temporal anxiety and the nostalgic archival proclivities it induced, and these mutual preoccupations resulted in the production of the early photographically illustrated books, verse anthologies, lantern shows, guide books, magazines and cartes de visite collections which are the subject of this book. Groth argues that these various early forms of photlographic illustration reflected and contributed to a growing alignment of reading with taking a moment out of time, and of literary experience with the nostalgic reinventions of an emerging heritage culture. Nostalgia operates both creatively and regressively in this context, providing the catalyst for new cultural forms and memory practices, whilst nurturing an intrinsically conservative desire to find a refuge from the exigencies of the present in an increasingly idealized world of tradition, family, nature, and community; a world where time appeared, for a moment at least, to stand still"--Dust jacket.