From New York Times bestselling author Tracy Anne Warren comes the first novel in an enchanting historical romance trilogy about three princesses brought together by friendship and fate. This is Princess Emma’s story… When a royal summons from her brother arrives, Emma knows it’s time to embrace her duties as the princess of a small European kingdom, and marry the man her brother has chosen for her…a stranger she has never met. Instead she does what any self-respecting princess would do—she runs away. All she wants is one week in London. One week to experience everything life has to offer, before she is locked away in a loveless marriage forever... Former naval captain Nick Gregory has inherited a title he never wanted. As the new Earl of Lyndhurst, he chafes against his landlocked existence—until fate brings a mysterious young beauty across his path. Believing she’s an unemployed governess, Nick offers shelter and protection to the captivating girl, never guessing her true identity. Emma falls hard for Nick, but knowing they have no future, she flees once more—this time back to her royal responsibilities. But when she and Nick unexpectedly meet again, she learns that against all odds, he’s determined to make this princess his bride...
From New York Times bestselling author Tracy Anne Warren comes the second novel in an enchanting new trilogy about three princesses brought together by friendship and fate. This is Princess Mercedes’s story… While journeying home from Scotland, Princess Mercedes of Alden’s coach is set upon and her personal guard killed. Barely escaping with her life, she seeks help at a nearby inn. But with no money and looking little better than a beggar, the townsfolk think her claims of being a princess to be nothing more than a far-fetched tale. Utterly forsaken, Mercedes wonders what is to become of her. After years of soldiering, dispossessed Laird Daniel MacKinnon is finally coming home. At an inn he is confronted by a bedraggled young woman claiming to be of royal blood. Daniel doesn’t believe her wild tale, but when she asks for his protection, he agrees to serve as her bodyguard—in turn she promises to reward him handsomely once they reach London. But Mercedes is still being pursued by ruthless hunters whose motives remain unclear. As the danger increases, so does the desire she and Daniel feel for each other, until the two of them must face the greatest danger of all—falling in love.
Modeling the Feminine in Twentieth-century American Fiction and Film
Author: Sarah Rothschild
Publisher: Peter Lang Pub Incorporated
Category: Literary Criticism
What is a princess story? In this subgenre, newly defined in <I>The Princess Story, the protagonist either is a princess or is attempting to become one: the girl transforms into or identifies herself as a princess through marriage or through discovered identity, or both. Princess lessons often accompany this transformation, lessons that not only educate the fictional girl but also the reader.<BR> Cultural expectations and anxieties about the roles of girls and women are transmitted through princess stories, and the dialogic nature of feminism and patriarchy, forces for progress and forces for tradition, can be explored through their study. In this book, feminism and progress are embodied by the first, second, and third wave of feminist princess stories; patriarchy and tradition are represented by Disney Studios' princess stories. All of these stories influenced their readers, some of whom grew up to write their own princess stories, stories that reflected and - they hoped - furthered their ideological goals. Princess stories of the early 2000s are compelling in that they tensely balance romance and feminist assumptions.<BR> Anyone interested in folklore studies, feminist studies, children's literature, Disney studies, film adaptations, psychology, sociology, or theories of child development will find <I>The Princess Story: Modeling the Feminine in Twentieth-Century American Fiction and Film essential reading. When contemplating the changes made by feminists to American culture, no one figure is as worth examining as the fictional princess, and no book has yet approached the topic as thoroughly as this one.
Erudite yet readable work traces the economic evolution of Europe from 5th to 15th century. Focusing on working people, it covers breakup of feudal estates, development of small craft and large capitalist industries, and more.