The Son of Man shall choose When the time returns for the Poet Prince. He will inspire the hearts and minds of the people So as to illuminate the path of service And show them the Way. This is his legacy, This, and to know a very great love. Worldwide controversy surrounds author Maureen Paschal as she promotes her new bestseller—the explosive account of her discovery of a gospel written in Jesus’ own hand. But a scandalous headline about her lover, Bérenger Sinclair, shatters Maureen’s plans and sends her to Florence. In Tuscany, Maureen and Bérenger seek out their spiritual teacher Destino, who insists the besieged couple study one of history’s great Poet Princes: Lorenzo de’ Medici, the godfather of the Italian Renaissance. Bérenger is a Poet Prince of the ancient bloodline prophecy, and even across the centuries, his fate is intertwined with Lorenzo de’ Medici’s. Bérenger must uncover the heretical secrets of the Medici family—and the shocking truth behind the birth of the Renaissance—if he is to fulfill his own destiny. These heretical secrets were hidden for a reason, and there are those who would stop at nothing to prevent Bérenger’s assumption of his rightful role. The Renaissance comes vividly to life as Maureen decodes the clues contained within the great masterpieces of Lorenzo the Magnificent’s friends: Donatello, Botticelli, and Michelangelo. Maureen uncovers truths connected to the legend of Longinus Gaius, the Roman centurion who used pierced the crucified Jesus with his spear. Could Longinus Gaius, doomed to live forever, be someone she knows? Could his infamous Spear of Destiny, sought even by Hitler, be the key to Bérenger’s fate? As Maureen and Bérenger race to find the answers, someone is after them, hell-bent on settling a five-hundred-year old blood feud and destroying the heresy once and for all. Rich in Kathleen McGowan’s signature insights into art, architecture, and history and set in the beauty of Renaissance and present-day Italy, this is a spiritual detective story of the highest order. The Truth Against the World!
In this fresh assessment of Ovid's fascinating poem Fasti, Alessandro Barchiesi provides a new vision of the interaction between Ovid and the renowned ruler Augustus. Fasti, a poem about the holidays and feast days of the Roman calendar, was written while Ovid was in Rome and revised while he was in exile on the barbarian frontier, banished by Augustus from the cultured society of Rome. Ovid's work in exile evinces complicated motives; he addresses Augustus and begs him to lift the despised exile, but at the same time covertly critiques Augustus's "New Rome." Although recent scholarship has concentrated on the oppositions between poet and ruler revealed in Ovid's work, Barchiesi's analysis transcends the opposition of pro-Augustan or anti-Augustan readings. In a lively, vigorous narrative that relies on close textual analysis, Barchiesi underscores the important poetic choices as well as the political considerations made by Ovid in Fasti. Ultimately, his analysis leads us to a more nuanced understanding of the relationship between patrons and poets. Both scholars and general readers will find a newly meaningful and interesting Ovid in these pages. Translated with revisions from Il poeta e il principe: Ovido e il discorso Augusteo (1994).
Once there was a gospel written in Christ's own hand: a treasure of almost unimaginable magnitude, referred to by the Cathars of medieval France as The Book of Love... Fresh from her successful search for the long-hidden scrolls written by Mary Magdelene, journalist Maureen Pascal now finds herself on the trail of the legendary lost gospel known as the Book of Love. But just as there were those who would stop at nothing to seize and suppress the Book of Love seven centuries ago, so there are those today who are equally determined that its radical message should never be revealed. In a race across Italy and France, new dangers await Maureen and her lover Sinclair as they begin to uncover secrets and shine new light on the hidden corners of Christianity. Combining expert research with dazzling plot twists, The Book of Love is sure to thrill readers as they follow Maureen's search for clues through some of the world's greatest art, architecture and history, until a potentially fatal encounter reveals the Book of Love to her -- and to us.
A splendidly translated exploration of major themes in classical Arabic literature by the most inventive and provocative critic of Arabic literature in the Middle East today. In this exceptional volume, Abedlfattah Kilito argues that genre - not authorship - is at the heart of classic Arabic literature. Using simple yet lyrical language, he examines love poetry and panegyric, the Prophet's Hadith and the literary anecdote, as well as such recurring themes as memorization, plagiarism and forgery, and dream visions of the dead. Ultimately, he evokes these as an allegory for post-colonial Arab North Africa. An elegant translation faithfully captures the author's poetic finesse and makes the book easily accessible to English-speaking readers. Warmly received by critics and anthropologists, this volume is a must for scholars, students, and devotees of Arab culture.
Part I. Identification of the Dramatis Personæ in Shakespeare's Historical Plays: from K. John to K. Henry VIII. Notes on Characters in Macbeth and Hamlet. Persons and Places Belonging to Warwickshire, Alluded to in Several Plays. Part II. The Shakespeare and Arden Families, and Their Connections: with Tables of Descent
Material Culture in Medieval and Renaissance France
Author: Margaret Burland
Publisher: Yale University Press
Category: Literary Criticism
Gifts and Exchange Andrew Cowell Swords, Clubs and Relics: Performance, Identity and the Sacred Deborah McGrady 'Tout son païs m'abandonna': Reinventing Patronage in Machaut's Fonteinne amoureuse Margaret Burland Narrative Objects and Living Stories in Galeran de Bretagne Images and Portraits Peggy McCracken Miracles, Mimesis, and the Efficacy of Images Alexa Sand Vision and the Portrait of Jean le Bon Cynthia Brown Books in Performance: The Parisian Entry (1504) and Funeral (1514) of Anne of Brittany Ann Rosalind Jones Habits, Holdings, Heterologies: Populations in Print in a 1562 Costume Book George Hoffmann Montaigne's Nudes: The Lost Tower Paintings Rediscovered Plans and Procedures Jeff Persels Taking the Piss out of Pantagruel: Urine and Micturition in Rabelais David LaGuardia Interrogation and the Performance of Truth in the Registre Criminel du Châtelet de Paris Andrea Tarnowski Material Examples: Philippe de Mézières's Order of the Passion Michael Randall Sword and Subject in Du Haillan's Histoire de France (1576)
This book considers the boast of literary power to glorify or immortalize, a topos of enormous popularity. Focusing on representative figures of Renaissance humanism and the roots of the topos in antiquity, author Stephen Murphy elaborates a complex myth of poetic power. This myth, constructed with the help of such theorists as Ernst Cassirer, Giambattista Vico, Marcel Mauss, and Theodor Adorno, includes the elements of nostalgia for a primordial epoch of magical effectiveness and social centrality, the ideal of patronage as gift exchange, and the absorption of these extra-literary circumstances into literary convention.
A breathtaking and sweeping epic of a family at its breaking point, Devil’s Brood shows how Henry II and Eleanor of Aquitaine—two monumental figures once bound by all-consuming love—became the bitterest of adversaries... A.D. 1172. Henry II’s three eldest sons conspire against him and align themselves with his greatest enemy, King Louis of France, but it’s Eleanor of Aquitaine’s involvement in the plot to overthrow her husband that proves to be the harshest betrayal. As a royal family collapses and a marriage ends in all but name, the clash between these two strong-willed and passionate souls will have far-reaching and devastating consequences throughout Christendom.