Rudiments of the Painters' Art

Or, A Grammar of Colouring, Applicable to Operative Painting, Decorative Architecture, and the Arts. With Coloured Illustrations and Practical Instructions Concerning the Modes and Materials of Painting, Etc

Author: George Field



Category: Colors

Page: 170

View: 418

The Painter

Author: Deepanjana Pal

Publisher: Random House India


Category: Literary Collections

Page: 304

View: 160

On April 29, 1848, in a small estate in Travancore, was born a boy destined to become more famous than the ruler of his kingdom. His uncle, noticing his precocious talent at art, took the teenager to the royal court at the invitation of the king to learn painting there. Ravi Varma’s debut was to come seven years later when a Danish painter arrived in court to paint the Maharaja and his wife. The twenty-year-old boldly upstaged the experienced artist, presenting the king with a more flattering painting of the royal couple at the same time as the official portrait was unveiled. Jensen, the painter, never forgave Ravi Varma, but for the young man there was no looking back. His reputation grew with each painting. For the first time, an Indian artist was using the realism and sensuality of the European oil painters and applying them to not just ordinary Indians, but to the deities as well. The artist-prince became India’s first celebrity painter. The lines to see his exhibition of mythological paintings in Bombay in 1890—the first public showing by any Indian artist—were endless; the prices he commanded were astronomical; then, when he started his own printing press, producing oleographs of his work, Raja Ravi Varma became a household name. Soon, every home had a Ravi Varma print. For the first time, comes a beautifully told, gripping account of Ravi Varma: the man who was the darling of the royal courts, but who hardly gave his own wife and children any time; the nobleman who took the revolutionary step of being an artist, yet who insisted on using the false title of raja; and the idealistic entrepreneur who bankrupted himself running a printing press, yet whose dream of bringing art to the masses became a reality. Blending fact with imagination, writing with wit and lyricism, Deepanjana Pal takes you into the life of an extraordinary man and brings him vividly alive.

Woman Behind the Painter

The Diaries of Rosalie, Mrs. James Clarke Hook

Author: Rosalie Hook

Publisher: University of Alberta


Category: Art

Page: 246

View: 242

The wife of the prominent Victorian painter of seascapes, James Clarke Hook (1819-1907), Rosalie was a trained artist and brought her artist's sensibility, her humour, and her talent for relationships to the project of writing a diary of their travels to Italy in the two turbulent years of the Risorgimento leading up to 1848. Rosalie's subsequent diary records a busy professional couple in the thick of running a country home with studio, annual trips to the bracing coastal sites where Hook painted, and their relations with famous contemporaries. Juliet McMaster, a descendant of the Hooks, provides a fascinating introduction on their professional and personal lives. The book is illustrated throughout by Hook's vivid sketches and by many of James's and Rosalie's paintings.

The Changing Status of the Artist

Author: Senior Lecturer in Art History Emma Barker

Publisher: Yale University Press


Category: Art

Page: 260

View: 921

"This is the second of six books in the series Art and its histories, which form the main texts of an Open University second-level course of the same name"--Preface.

The Painters of Barbizon

Millet, Rousseau, Diaz, Corot, Daubigny, Dupré

Author: John William Mollett



Category: Art, French


View: 332

The Philosopher, the Priest, and the Painter

A Portrait of Descartes

Author: Steven Nadler

Publisher: Princeton University Press


Category: Biography & Autobiography

Page: 248

View: 160

In the Louvre museum hangs a portrait that is considered the iconic image of René Descartes, the great seventeenth-century French philosopher. And the painter of the work? The Dutch master Frans Hals--or so it was long believed, until the work was downgraded to a copy of an original. But where is the authentic version, and who painted it? Is the man in the painting--and in its original--really Descartes? A unique combination of philosophy, biography, and art history, The Philosopher, the Priest, and the Painter investigates the remarkable individuals and circumstances behind a small portrait. Through this image--and the intersecting lives of a brilliant philosopher, a Catholic priest, and a gifted painter--Steven Nadler opens a fascinating portal into Descartes's life and times, skillfully presenting an accessible introduction to Descartes's philosophical and scientific ideas, and an illuminating tour of the volatile political and religious environment of the Dutch Golden Age. As Nadler shows, Descartes's innovative ideas about the world, about human nature and knowledge, and about philosophy itself, stirred great controversy. Philosophical and theological critics vigorously opposed his views, and civil and ecclesiastic authorities condemned his writings. Nevertheless, Descartes's thought came to dominate the philosophical world of the period, and can rightly be called the philosophy of the seventeenth century. Shedding light on a well-known image, The Philosopher, the Priest, and the Painter offers an engaging exploration of a celebrated philosopher's world and work.

The Painter's Methods and Materials

Author: A. P. Laurie

Publisher: Courier Corporation


Category: Art

Page: 250

View: 662

Techniques for painting on wood panels, paper, walls, and canvas, plus use of watercolors, balsams, resins, turpentine, varnishes, waxes, sizings, and oils. Cleaning and preservation of pictures. 48 full-page plates.

Against the Flow

Education, the Arts and Postmodern Culture

Author: Peter Abbs

Publisher: Psychology Press


Category: Education

Page: 173

View: 965

This book calls for education to become an end in itself, as opposed to the means to an end, and for a place to be found in contemporary education for the spiritual, the aesthetic and the ethical.

Painting and Experience in Fifteenth Century Italy

A Primer in the Social History of Pictorial Style

Author: Michael Baxandall

Publisher: Oxford University Press, USA


Category: Art

Page: 183

View: 300

This book is both an introduction to fifteenth-century Italian painting, and a primer in how to read social history out of the style of pictures. It examines the commercial practice of the early Renaissance picture, trade in contracts, letters, and accounts; and it explains how the visual skills and habits evolved in the daily life of any society enter into its painters' style. Renaissance painting is related for instance to experience of such activities as preaching, dancing, and gauging barrels. This second edition contains an appendix, the original Latin and Italian texts referred to throughout the book, giving the student access to all the relevant, authentic sources.

The Image of the Artist in Archaic and Classical Greece

Art, Poetry, and Subjectivity

Author: Guy Hedreen

Publisher: Cambridge University Press


Category: Art

Page: 362

View: 378

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.

The Painters of the Wagilag Sisters Story 1937-1997

Author: Wally Caruana



Category: Aboriginal Australians

Page: 174

View: 886

The narrative of the Wagilag Sisters and Wititj the Olive Python is a creation story of the Yolngu people of Central and eastern Arnhem Land. It is of central importance to their social life and rituals, ceremony and song, and the laws relating to authority, kinship, territory and marriage. The narrative also binds together groups possessing different parts of the story: the artists of the Liyagalawumirr clan and related artists from Central Arnhem Land, and the clans of Eastern Arnhem Land. This publication explores the pictorial representation of the tale across four generations of Yolngu artists, reproducing works from the 1930s to the 1990s.

The Decorative Painters' and Glaziers' Guide

Containing the Most Approved Methods of Imitating Oak, Mahogany, Maple, Rose, Cedar, Coral, and Every Other Kind of Fancy Wood; Verd Antique, Dove, Sienna, Porphyry, White Veined, and Other Marbles; in Oil Or Distemper Colour : Designs for Decorating Apartments, in Accordance with the Various Styles of Architecture; with Directions for Stenciling, and Process for Destroying Damp in Walls; Also a Complete Body of Information on the Art of Staining and Painting on Glass; Plans for the Erection of Apparatus for Annealing It; and the Method of Joining Figures Together by Leading, with Examples from Ancient Windows

Author: Nathaniel Whittock



Category: Decoration and ornament

Page: 332

View: 240

Plane Image

A Brice Marden Retrospective

Author: Gary Garrels

Publisher: The Museum of Modern Art


Category: Art

Page: 330

View: 785

Brice Marden: A Retrospective ISBN 0-87070-446-X / 978-0-87070-446-8 Hardcover, 11.5 x 9.5 in. / 240 pgs / 248 color. / U.S. $60.00 CDN $72.00 October / Art

Sexing the Border

Gender, Art and New Media in Central and Eastern Europe

Author: Katarzyna Kosmala

Publisher: Cambridge Scholars Publishing


Category: Art

Page: 275

View: 710

This innovative book represents a timely intervention in both critical discourses on video and new media art, as well as examination of gender in post-Socialist contexts. The chapters explore how encounters between art and technology have been implicated in the representation and analysis of gender, critically reflecting current debates and politics across the region and Europe. The book offers a diversity of analytical contexts, addressing interwoven histories across post-Socialist Europe, and engages the paradigms of art practice and the visual cultures such histories uphold. Contributors have given a broad interpretation to the questions of video, media and performance, as well as to mediation in relation to art and gender, reflecting on a wide range of subjects, from the curatorial role to artistic practice, cross-cultural collaboration, co-production, democracy and representation, and impasses in securing streamlined identities. The volume brings together rigorously theoretical and visually comprehensive examinations of examples of works, featuring artists such as: Bernd and Hilla Becher; Anna Daučiková; Izabella Gustowska; Judit Kele; Komar and Melamid; Andrzej Karmasz; Marko Marković; Oleg Mavromatti; Tanja Ostojić; Nebojša Šerić Šoba; Mare Tralla; Ulay and Abramović and others. Contributors: Inga Fonar Cocos, Mark Gisbourne, Marina Gržinić, Beata Hock, Katarzyna Kosmala, Paweł Leszkowicz, Iliyana Nedkova, Agata Rogoś, Boryana Rossa, Aneta Stojnić, Josip Zanki. Preface by Katy Deepwell.