The Legend of Deathwalker continues the extraordinary tale of Druss among the Nadir started in Legend For centuries the tribes of the Nadir have suffered under the despotic tyranny of their Gothir overlords. Disunited and distrustful of one another the tribes await the coming of a Messianic warlord, who will unite them against the oppressors. Into this swirling, chaotic landscape come three men who will change the fate of the continent: Talisman, the mysterious, enigmatic Nadir warrior, haunted by his past and filled with dreams of finding the Uniter; Sieben the Poet, searching for the mysteries of life and love; and Druss the Axeman, determined to find two mystic gems to heal a mortally wounded friend. Together they will journey across a war-torn land, and descend beyond the gates of Hell, where a long-dead king holds the key to a secret that will change the world. The Legend of Deathwalker, this battle-charged tale of Druss among the Nadir, completes the circle begun with Legend and Druss the Legend. Published in 1984, David A. Gemmell's award-winning first novel, Legend, has become a classic. His most recent Drenai and Rigante books are all published as Bantam Press hardcovers and Corgi paperbacks. Hero in the Shadows, Ravenheart and Stormrider are Sunday Times bestsellers. His most recent novel, The Swords of Night and Day, is now available from Bantam Press. Widely regarded as the finest writer of heroic fantasy, David Gemmell lived in Sussex until his death in July 2006.
He was known as Druss. The Deathwalker. Though the blood of merciless butchers coursed through his veins, he had found a fragile peace through his love for beautiful, mystical Rowena. Then came the day when Druss returned to their village and found everyone dead--massacred by slavers who had stolen the women to sell for gold. Rowena was among the missing. Armed with only his powerful double-bladed ax, Snaga, Druss went after Rowena. His journey would carry him from the highest thrones of power to the deepest dungeons of depravity. Along the way, he would battle savage monsters and descend into terrifying lands of black magic and demons. Yet one thing was certain. Druss would have victory . . . or death. From the Paperback edition.
I am going to his hotel and Im going to tear his heart out! Aaron stated in anger. After I tear his heart out, I will drink from it and throw his body off the roof! Christian frowned. In doing so, our presence will become public knowledge. This is not the wise thing to do. I dont care about being wise. I want my revenge. I want to kill that man. I just may bring him here and bleed him for a week before I kill him. Katherine joined the conversation. That would be a very bad idea also. Your carelessness with generate proof that we exist. After that, they will hunt for us, she explained. I dont care! Christian, you certainly should understand how I feel. I understand you have no care as to whether we are exposed, or even if you are destroyed yourself. That is why I will not allow you to do this in that reckless manner. Allow me? Allow me? Who do you think you are? You, who have tasted the ultimate revenge, would prevent me from mine? You are in my domain!
Titus Crow and his faithful companion and record-keeper fight the gathering forces of darkness-the infamous and deadly Elder Gods of the works of H.P. Lovecraft. Cthulhu and his dark minions are bent on ruling the earth. A few puny humans cannot possibly stand against these otherworldly evil gods, yet time after time, Titus Crow drives the monsters back into the dark from whence they came. The Clock of Dreams is the third book in the Titus Crow series. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The chaos spirit had chosen the child Alexander to be its human host. But Parmenion, most powerful warrior of ancient Greece, had won a small victory over the darkness that sought to rule through Alexander. The boy's soul had not been destroyed by evil, but instead had merged with it -- and now Parmenion aided Alexander in the battle between light and dark that constantly raged within him. But there was another world, where the creatures of Greece's legends still flourished. There, the chaos spirit already ruled, through a demon king. In this Greece, there was a prophecy that a child of great power, the legendary golden child, would come and restore the fading magic of the land to the creatures of myth. The demon king believed also that devouring the heart of this fabled child would give him immortality. He believed Alexander, with the power of the chaos spirit within him, to be that child. And so he called Alexander into his world . . . Only Parmenion, guided by the seeress Derae, his lost love from another life, could hope to save Alexander from the demon king. But who could save the young prince from the chaos spirit that threatened to conquer his soul?
Publisher: Historical Dictionaries of Literature and the Arts
Category: Literary Criticism
"This Historical Dictionary of Fantasy Literature provides an invaluable guide to the current state of the field. The chronology tracks fantasy's evolution from the origins of literature until the 21st century. The introduction explains the nature of the impulse to create and shape fantasy literature, the problems in defining what it is, and the reasons for its changing historical fortunes. The dictionary includes more than 700 entries on authors, both contemporary and historical, and more than 200 entries on fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies.
Gathered together for the first time in one mega volume: THE LEGEND OF DEATHWALKER, WINTER WARRIORS and the Sunday Times bestseller HERO IN THE SHADOWS, with new introductions by the author of each novel.
'The finest film critic in Britain at the absolute top of his form' Stephen Fry 'Entertainingly incendiary stuff' Empire A hatchet job isn't just a bad review, it's a total trashing. Mark Kermode is famous for them - Pirates of the Caribbean, Sex and the City 2, the complete works of Michael Bay. Beginning with his favourite hatchet job ever, Mark tells us about the best bad reviews in history, why you have to be willing to tell a director face-to-face their movie sucks, and about the time he apologized to Steven Spielberg for badmouthing his work. But why do we love really bad reviews? Is it so much harder to be positive? And is the Internet ruining how we talk about cinema? The UK's most trusted film critic answers all these questions and more in this hilarious, fascinating and argumentative new book. 'A wry, robust and developed defence of accountable critical voices' Total Film 'Very accessible, entertaining and relevant . . . warmly recommended' Den of Geek