Set in Brixton, 20 years after the race riots, The Dirty South follows the adventures of Bricky teenager Dennis Huggins as he drifts into the easy, dangerous life of the shotta - or drug dealer - and discovers that, hard as the struggle for respect on the streets is, the struggle for love is harder still. At least Dennis has involved parents looking out for him; too many of his friends have no guidance other than that offered by their fellow shottaz, or the dubiously motivated black Muslims. Wheatle brilliantly evokes the temptations of the thug life for young black men growing up in London's 'Dirty South' - a fast, compelling novel that offers no easy answers, but refuses to shy away from asking the difficult questions.
Carl Weber presents the second installment of an eight book series, Kingpin. Carl Weber brings the best of Urban street lit authors together, each telling their own dramatic tale of life in the streets in known cities across the USA. The second installment continues with Treasure Hernandez telling the tale of the Dirty South.
Discover the unique flavors of the South here at "Soul Recipes From The Dirty South." ... There's a little something for everyone, so why not come visit and explore our kitchen! ... A collection of some of the most world famous southern and soul food recipes in one book. Complete with some of the Hottest diets around and Healthy eating tips
OutKast, Lil Wayne, Soulja Boy, and the Southern Rappers Who Reinvented Hip-Hop
Author: Ben Westhoff
Publisher: Chicago Review Press
Rap music from New York and Los Angeles once ruled the charts, but nowadays the southern sound thoroughly dominates the radio, Billboard, and MTV. Coastal artists like Wu-Tang Clan, Nas, and Ice-T call southern rap &“garbage,&” but they're probably just jealous, as artists like Lil Wayne and T.I. still move millions of copies, and OutKast has the bestselling rap album of all time. In Dirty South, author Ben Westhoff investigates the southern rap phenomenon, watching rappers &“make it rain&” in a Houston strip club and partying with the 2 Live Crew's Luke Campbell. Westhoff visits the gritty neighborhoods where T.I. and Lil Wayne grew up, kicks it with Big Boi in Atlanta, and speaks with artists like DJ Smurf and Ms. Peachez, dance-craze originators accused of setting back the black race fifty years. Acting both as investigative journalist and irreverent critic, Westhoff probes the celebrated-but-dark history of Houston label Rap-A-Lot Records, details the lethal rivalry between Atlanta MCs Gucci Mane and Young Jeezy, and gets venerable rapper Scarface to open up about his time in a mental institution. Dirty South features exclusive interviews with the genre's most colorful players. Westhoff has written a journalistic tour de force, the definitive account of the most vital musical culture of our time.
Sexual Resistance and Imagination in the New South
Author: L.H. Stallings
Publisher: University of California Press
From the shutdown of Planned Parenthood clinics and rising rates of HIV to opposition to marriage equality and bathroom bills, the New South is the epicenter of the new sex wars. Antagonism toward reproductive freedom, partner rights, and transgender rights has revealed a new and unacknowledged era of southern reconstruction centered on gender and sexuality. In A Dirty South Manifesto, L. H. Stallings celebrates the roots of radical sexual resistance in the New South—a movement that is antiracist, decolonial, and transnational. For people within economically disenfranchised segments of society, those in sexually marginalized communities, and the racially oppressed, the South has been a sexual dystopia. Throughout this book, Stallings delivers hard-hitting manifestos for the new sex wars. With her focus on contemporary Black southern life, Stallings offers an invitation to anyone who has ever imagined a way of living beyond white supremacist heteropatriarchy.
This pathbreaking study of region, race, and gender reveals how we underestimate the South's influence on the formation of black masculinity at the national level. Many negative stereotypes of black men--often contradictory ones--have emerged from the ongoing historical traumas initiated by slavery. Are black men emasculated and submissive or hypersexed and violent? Nostalgic representations of black men have arisen as well: think of the philosophical, hardworking sharecropper or the abiding, upright preacher. To complicate matters, says Riché Richardson, blacks themselves appropriate these images for purposes never intended by their (mostly) white progenitors. Starting with such well-known caricatures as the Uncle Tom and the black rapist, Richardson investigates a range of pathologies of black masculinity that derive ideological force from their associations with the South. Military policy, black-liberation discourse, and contemporary rap, she argues, are just some of the instruments by which egregious pathologies of black masculinity in southern history have been sustained. Richardson's sources are eclectic and provocative, including Ralph Ellison's fiction, Charles Fuller's plays, Spike Lee's films, Huey Newton's and Malcolm X's political rhetoric, the O. J. Simpson discourse, and the music production of Master P, the Cash Money Millionaires, and other Dirty South rappers. Filled with new insights into the region's role in producing hierarchies of race and gender in and beyond their African American contexts, this new study points the way toward more epistemological frameworks for southern literature, southern studies, and gender studies.
From the southern influence on nineteenth-century New York to the musical legacy of late-twentieth-century Athens, Georgia, to the cutting-edge cuisines of twenty-first-century Asheville, North Carolina, the bohemian South has long contested traditional views of the region. Yet, even as the fruits of this creative South have famously been celebrated, exported, and expropriated, the region long was labeled a cultural backwater. This timely and illuminating collection uses bohemia as a novel lens for reconsidering more traditional views of the South. Exploring wide-ranging locales, such as Athens, Austin, Black Mountain College, Knoxville, Memphis, New Orleans, and North Carolina's Research Triangle, each essay challenges popular interpretations of the South, while highlighting important bohemian sub- and countercultures. The Bohemian South provides an important perspective in the New South as an epicenter for progress, innovation, and experimentation. Contributors include Scott Barretta, Shawn Chandler Bingham, Jaime Cantrell, Jon Horne Carter, Alex Sayf Cummings, Lindsey A. Freeman, Grace E. Hale, Joanna Levin, Joshua Long, Daniel S. Margolies, Chris Offutt, Zandria F. Robinson, Allen Shelton, Daniel Cross Turner, Zackary Vernon, and Edward Whitley.
The Global Southern Music Issue enhanced eBook includes all the tracks on Traveling Shoes, our special free CD and: The South meets Senegal as hip-hop goes Trans-Atlantic. Hawaiian steel guitar sways the Southern musical landscape. Poet Allen Ginsberg and bluesman James "Son" Thomas trade verses. Aussie Elvis impersonators keep the king alive. A U.K. scholar offers a new perspective on the study of the blues. Music pirates keep alive another tradition of bootlegging in the South. And much more. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.