FROM THE AUTHOR OF THE SUNDAY TIMES NUMBER ONE BESTSELLER THE CALLER. 'Good job you didn't turn on the lights ...' A student nurse has the shock of her life when she discovers her patient, prosecutor Derek Nicholson, brutally murdered in his bed. The act seems senseless - Nicholson was terminally ill with only weeks to live. But what most shocks Detective Robert Hunter of the Los Angeles Robbery Homicide Division is the calling card the killer left behind. For Hunter, there is no doubt that the killer is trying to communicate with the police, but the method is unlike anything he's ever seen before. And what could the hidden message be? Just as Hunter and his partner Garcia reckon they've found a lead, a new body is found - and a new calling card. But with no apparent link between the first and second victims, all the progress they've made so far goes out of the window. Pushed into an uncomfortable alliance with confident investigator Alice Beaumont, Hunter must race to put together the pieces of the puzzle . . . before the Death Sculptor puts the final touches to his masterpiece. Praise for Chris Carter: 'A touch of Patricia Cornwell about Chris Carter's plotting' Mail on Sunday 'Gripping . . . not for the squeamish' Heat 'A page-turner' Express
In Top 10 Sunday Times (UK) bestselling author Chris Carter’s electrifying follow-up to his “chilling” (Daily Mail) thriller An Evil Mind, the LAPD’s Ultra Violent Crimes Unit lead detective, Robert Hunter, races to stop a serial killer whose past secrets rival those of Hunter’s himself. Seven days after being abducted, the body of a twenty-year-old woman is found on a grassy area by the Los Angeles International Airport. She has been left with her limbs stretched out and spread apart, placing her in a five-point human star. The autopsy reveals that she has been tortured and murdered in a bizarre way but the surprises don’t end there. The killer likes to play, and he left something behind for the cops to find. Detective Robert Hunter is assigned to the case but almost immediately a second body turns up. Detective Hunter quickly realizes that he is chasing a monster—a predator whose past hides a terrible secret, whose desire to hurt people and thirst for murder can never be quenched—for he is DEATH. Fast-paced, action-packed, and filled with suspense, I Am Death is perfect for fans of Jeffery Deaver, Thomas Harris, and Chelsea Cain.
A thrilling ebook exclusive short story from Sunday Timesbestselling author Chris Carter. Meet Robert Hunter, the youngest Homicide Detective the Los Angeles Police has ever recruited, on his first day. As a rookie, he is given a simple suicide investigation to cut his teeth on. But when he arrives at the scene, he swiftly begins to suspect that something is not quite right. Despite the fact that the door was locked from the inside, and there is no other way out of the apartment, Hunter has a hunch that the victim did not commit suicide. But with a new Captain to impress and the evidence stacked against him, Hunter has a lot to prove if he is to solve the case and keep his place on the team.
When Kolya moves into a new flat in Kiev, he discovers an annotated manuscript hidden inside a copy of War and Peace and decides to track down its author, even if it means digging up the grave of a Ukranian nationalist who died in mysterious circumstances. An exhumation reveals that an item of great national importance is buried near a fort in Kazakstan so when, during his night shift as a security guard, Kolya is threatened with mysterious phone calls, he sets off on what turns out to be a very bizarre journey. Along the way he meets a host of unlikely characters including Bedouins, ex-KGB officers and a spirit-like companion in the form of a chameleon. From the author of cult bestseller, Death and the Penguin.
An Extraordinary Edwardian Case of Deception and Intrigue
Author: Piu Marie Eatwell
Publisher: Head of Zeus
Category: True Crime
The extraordinary story of the Druce-Portland affair, one of the most notorious, tangled and bizarre legal cases of the late Victorian and Edwardian eras. In 1897 an elderly widow, Anna Maria Druce, made a strange request of the London Ecclesiastical Court: it was for the exhumation of the grave of her late father-in-law, T.C. Druce. Behind her application lay a sensational claim: that Druce had been none other than the eccentric and massively wealthy 5th Duke of Portland, and that the – now dead – Duke had faked the death of his alter ego. When opened, Anna Maria contended, Druce's coffin would be found to be empty. And her children, therefore, were heirs to the Portland millions. The legal case that followed would last for ten years. Its eventual outcome revealed a dark underbelly of lies lurking beneath the genteel facade of late Victorian England.
The Journal of the Civil War Era Volume 3, Number 1 March 2013 TABLE OF CONTENTS Editor's Note William Blair Articles Amber D. Moulton Closing the "Floodgate of Impurity": Moral Reform, Antislavery, and Interracial Marriage in Antebellum Massachusetts Marc-William Palen The Civil War's Forgotten Transatlantic Tariff Debate and the Confederacy's Free Trade Diplomacy Joy M. Giguere "The Americanized Sphinx": Civil War Commemoration, Jacob Bigelow, and the Sphinx at Mount Auburn Cemetery Review Essay Enrico Dal Lago Lincoln, Cavour, and National Unification: American Republicanism and Italian Liberal Nationalism in Comparative Perspective Professional Notes James J. Broomall The Interpretation Is A-Changin': Memory, Museums, and Public History in Central Virginia Book Reviews Books Received Notes on Contributors The Journal of the Civil War Era takes advantage of the flowering of research on the many issues raised by the sectional crisis, war, Reconstruction, and memory of the conflict, while bringing fresh understanding to the struggles that defined the period, and by extension, the course of American history in the nineteenth century.
William Reid Dick (1878-1961) was one of a generation of British sculptors air-brushed out of art history by the modernist critics of the late twentieth century. This long-overdue monograph adds to the recent revival of interest in this group of forgotten sculptors, by describing the life and work of arguably the leading figure of the group in unprecedented depth. This study draws upon a wealth of previously unpublished material, including over 2000 letters, and press cuttings and photographs in the Tate Archive, as well as letters and photographs held by Reid Dick's family. The first monograph on Reid Dick since 1945, the book also includes images of over 40 of his works and a listing of over 200 works identified by the author.
Throughout the centuries, different cultures have established a variety of procedures for handling and disposing of corpses. Often the methods are directly associated with the deceased’s position in life, such as a pharaoh’s mummification in Egypt or the cremation of a Buddhist. Treatment by the living of the dead over time and across cultures is the focus of study. Burial arrangements and preparations are detailed, including embalming, the funeral service, storage and transport of the body, and forms of burial. Autopsies and the investigative process of causes of deliberate death are fully covered. Preservation techniques such as cryonic suspension and mummification are discussed, as well as a look at the “recycling” of the corpse through organ donation, donation to medicine, animal scavengers, cannibalism, and, of course, natural decay and decomposition. Mistreatments of a corpse are also covered.