The cinema book

Author: Pam Cook

Publisher: British Film Institute


Category: Performing Arts

Page: 610

View: 904

First published in 1985, The Cinema Book was hailed as a landmark film studies text, presenting in accessible form two decades of intellectual activity on the subject. The second edition (1999) consolidated The Cinema Book's international reputation as the leading guide to film studies. This new edition has been extensively revised, expanded, and updated to include brand new chapters together with original essays and case studies written by leading scholars from around the globe. It provides comprehensive coverage of seven major areas: Hollywood Cinema and Beyond; Stars; Technologies; World Cinemas; Genre; Authorship; and Developments in Theory. New topics include Global Hollywood; Contemporary Women Directors; Queer Theory; and Postmodernism. All sections are supported by in-depth analyses of films from the earliest days to the present.

Acting in the Cinema

Author: James Naremore

Publisher: Univ of California Press


Category: Performing Arts

Page: 316

View: 520

In this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications behind various approaches to acting, and suggests ways that behavior on the screen can be linked to the presentation of self in society. Naremore's discussion of such figures as Lillian Gish, Marlene Dietrich, James Cagney, and Cary Grant will interest the specialist and the general reader alike, helping to establish standards and methods for future writing about performers and their craft.

Psychiatry and the Cinema

Author: Glen O. Gabbard

Publisher: American Psychiatric Pub


Category: Medical

Page: 408

View: 785

Psychiatry and the Cinema explores this complementary relationship from two angles, psychiatrists who have studied the movies and movies that have depicted psychiatry. This second edition has updated this definitive text with a discussion of new trends in psychoanalytically oriented film theory, and an expanded list of movies is analyzed.

The Cinema of John Carpenter

The Technique of Terror

Author: Ian Conrich

Publisher: Wallflower Press


Category: Performing Arts

Page: 219

View: 627

This book gives Carpenter's output the sustained critical treatment it deserves. It contains essays by an international group of scholars that address the whole of Carpenter's work, as well as others which focus on a smaller number of key films. Some essays take on wide-ranging issues such as Carpenter's approach to remakes and the question of genre, while others are organized around a specific theme or technical aspect of Carpenter's filmmaking. The book also features an exclusive interview with John Carpenter.

The Cinema of France

Author: Phil Powrie

Publisher: Wallflower Press


Category: Performing Arts

Page: 283

View: 612

An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carné, François Truffaut, Jean-Luc Godard, Alain Resnais, Agnès Varda and Luc Besson. Set in chronological order, The Cinema of France provides an illuminating history of this essential national cinema and includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samouraï (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995).

Postmodernism in the Cinema

Author: Cristina Degli-Esposti

Publisher: Berghahn Books


Category: Performing Arts

Page: 264

View: 205

Postmodernism concepts have been discussed in philosophy, political thought, and the arts, yet it still has an amorphous nature. This anthology offers discussions of a number of key issues in relation to postmodernism in cinema.

Hindi Film Songs and the Cinema

Author: Anna Morcom

Publisher: Routledge


Category: Music

Page: 306

View: 324

Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed as ?purely commercial?, this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India?s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.

Chronicle of the Cinema

Author: Robyn Karney

Publisher: DK Publishing (Dorling Kindersley)


Category: Motion picture actors and actresses

Page: 920

View: 376

Featuring 920 pags of text and pictures with cinema news from the birth of cinema to the 1995 Oscars. Starring over 3000 photos and rare archive material.

The Cinema of Tony Richardson

Essays and Interviews

Author: James M. Welsh

Publisher: SUNY Press


Category: Performing Arts

Page: 297

View: 463

Critically surveys the films of Tony Richardson, one of Britain’s most inventive directors of stage and screen.

The Cinema of Hong Kong

History, Arts, Identity

Author: Poshek Fu

Publisher: Cambridge University Press


Category: Performing Arts

Page: 348

View: 119

This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.