Inspired by her transgender son, activist Jodie Patterson explores identity, gender, race, and authenticity to tell the real-life story of a family’s history and transformation. “A courageous and poetic testimony on family and the self, and the learning and unlearning we must do for those we love.”—Janet Mock As an African American growing up on Manhattan’s Upper West Side in the 1970s, when neighborhoods defined people, Jodie Patterson learned early on to engage with her community for strength and comfort. But then in 2009 this mother of five had her world turned upside down. Realizing that her definition of community wasn’t wide enough for her own child’s needs, Patterson forced the world wide open. In The Bold World, we witness a mother reshaping her attitudes and beliefs, as well as those of her community, to meet the needs of her transgender son, Penelope— and opening the minds of everyone in her family who absolutely, unequivocally refused to conform. As we walk alongside Patterson on her journey, we meet the Southern women who came before her—the mother, grandmothers, and aunts who raised and fortified her, all the while challenging cultural norms and gender expectations. She shares her family’s history—particularly incidents within the Black community around sexism, racism, and civil rights. We learn about her children, who act as a vehicle for Jodie Patterson’s own growth and acceptance of her diverse family, and her experiences as a wife, mother, and, eventually, activist. The result is an intimate portrait and an exquisite study in identity, courage, and love. Patterson’s relentless drive to change the world will resonate with and inspire us all, reflecting our own individual strength and tenacity, our very real fears, and, most of all, our singular ability to transform despite the odds. Advance praise for The Bold World “In The Bold World, Jodie Patterson makes a case for respecting everyone’s gender identity by way of showing how she came to accept her son, Penelope. In tying that struggle to the struggle for race rights in this country during her own childhood, she paints a vivid picture of the permanent work of social justice.”—Andrew Solomon, bestselling author of The Noonday Demon and Far from the Tree “Patterson leaves no emotional stone unturned in her powerful chronicle. . . . [This] raw tour de force illustrates the strength of a loving and determined mother.”—Publishers Weekly
Random Family meets Orange Is the New Black in A Little Piece of Light, a memoir of survival, redemption, hope, and sisterhood from a bold new voice on the front lines of the criminal justice reform movement. Like so many women before her and so many women yet to come, Donna Hylton's early life was a nightmare of abuse that left her feeling alone and convinced of her worthlessness. In 1986, she took part in a horrific act and was sentenced to 25 years to life for kidnapping and second-degree murder. It seemed that Donna had reached the end--at age 19, due to her own mistakes and bad choices, her life was over. A Little Piece of Light tells the heartfelt, often harrowing tale of Donna's journey back to life as she faced the truth about the crime that locked her away for 27 years...and celebrated the family she found inside prison that ultimately saved her. Behind the bars of Bedford Hills Correctional Facility, alongside this generation's most infamous criminals, Donna learned to fight, then thrive. For the first time in her life, she realized she was not alone in the abuse and misogyny she experienced--and she was also not alone in fighting back. Since her release in 2012, Donna has emerged as a leading advocate for criminal justice reform and women's rights who speaks to politicians, violent abusers, prison officials, victims, and students to tell her story. But it's not her story alone, she is quick to say. She also represents the stories of thousands of women who have been unable to speak for themselves, until now.
To go through the pages of the Autobiography of Mario Bunge is to accompany him through dozens of countries and examine the intellectual, political, philosophical and scientific spheres of the last hundred years. It is an experience that oscillates between two different worlds: the different and the similar, the professional and the personal. It is an established fact that one of his great loves was, and still is, science. He has always been dedicated to scientific work, teaching, research, and training men and women in multiple disciplines. Life lessons fall like ripe fruit from this book, bringing us closer to a concept, a philosophical idea, a scientific digression, which had since been uncovered in numerous notes, articles or books. Bunge writes about the life experiences in this book with passion, naturalness and with a colloquial frankness, whether they be persecutions, banishment, imprisonment, successes, would-be losses, emotions, relationships, debates, impressions or opinions about people or things. In his pages we pass by the people with whom he shared a fruitful century of achievements and incredible depths of thought. Everything is remembered with sincerity and humor. This autobiography is, in truth, Bunge on Bunge, sharing everything that passes through the sieve of his memory, as he would say. Mario’s many grandchildren are a testament to his proud standing as a family man, and at the age of 96 he gives us a book for everyone: for those who value the memories that hold the trauma of his life as well as for those who share his passion for science and culture. Also, perhaps, for some with whom he has had disagreements or controversy, for he still deserves recognition for being a staunch defender of his convictions.
Beyond Mad Men: Tales from the Mad, Mad World of Advertising
Author: Richard Kirshenbaum
Publisher: Open Road Media
Category: Biography & Autobiography
A thrilling and irreverent memoir about the transformation of the advertising business from the 1980s to today Richard Kirshenbaum was born to sell. Raised in a family of Long Island strivers, this future advertising titan was just a few years old when his grandfather first taught him that a Cadillac is more than a car, and that if you can’t have a Trinitron you might as well not watch TV. He had no connections when he came to Madison Avenue, but he possessed an outrageous sense of humor that would make him a millionaire. In 1987, at the age of twenty-six, Richard put his savings on the line to launch his own agency with partner Jonathan Bond, and within a year, had transformed it from a no-name firm into the go-to house for cutting-edge work. Kirshenbaum and Bond pioneered guerilla marketing by purchasing ad space on fruit, spray-painting slogans on the sidewalk, and hiring actors to order the Hennessy martini in nightclubs. They were the bad boys of Madison Avenue—a firm where a skateboarding employee once bowled over an important client—but backed up their madness with results. Packed with business insight, marketing wisdom, and a cast of characters ranging from Princess Diana to Ed McMahon, this memoir is as bold, as breathtaking, and as delightful as Richard himself.
Autobiography and the Rhetoric of Self-representation in Spain
Author: James D. Fernández
Publisher: Duke University Press
Category: Literary Criticism
Who writes "I"? How is the scene of writing represented in autobiographical texts? To whom are autobiographies addressed? What kinds of readers are inscribed in autobiographical narratives? In Apology to Apostrophe, James D. Fernandez offers a lucid and powerful meditation on the nature of autobiographical writing through his investigation of the historical conditions and literary stagings of autobiographical writing in Spain. As Fernandez demonstrates, recent developments in critical theory provide new and fruitful approaches to autobiographical works that have long been neglected, misunderstood, or - in some cases, like Joseph Blanco White's Life - virtually unknown. Focusing primarily but not exclusively on nineteenth-century Spain, Fernandez exposes a rhetorical tension that often occurs in autobiographical discourse, between self-justification, or "apology," and the transcendence of this worldly impulse, or "apostrophe." This tension, he argues, is of particular interest in the case of Spain, with its strong tradition of opposing being to historical existence, personal identity to worldly experience, and national identity to participation in "the modern." It is, however, not peculiar to that nation, and his investigation of this rhetorical opposition leads to insightful considerations of many canonical European autobiographies, including those of Saint Augustine, Rousseau, Saint Teresa, and Cardinal Newman. Considering Spanish autobiography in the context of first-person narrative in Europe and in terms of current debates on the relationship between writing and selfhood, Apology to Apostrophe marks a significant advance in our historical understanding and critical discussion of the genre. This book will be of great value not only to Hispanists but also to those interested in autobiography and cultural history.
Tracing the Maternal in Stories by American Jewish Women
Author: Janet Burstein
Publisher: University of Illinois Press
Category: Literary Criticism
Writing Mothers, Writing Daughters contains thematically organized chapters, each discussing the literary works of several 'daughters.' Whereas early immigrant daughters translated their mothers' behavior into the vernacular of their own American experiences, some later daughters attempted to sever connections with the traditional ethnic and gendered givens of their mothers' lives.
I was fortunate to have three sisters and two brothers. I would be the youngest of three or the oldest of four. Growing up would not be an ordinary experience for any of us. Yet, amazingly we persevered. I believe all of us were determined and chose to do and be better not repeat the same mistakes. Memories of our mother gentle and loving but frail and medicated too often. Our father instilled fear for he never was taught or shown real nurturing love himself. Later, we would all understand the dynamics of both our parents and we would forgive. My dreams were to be a singer, dancer, artist and missionaryone day. I have done it all in some small capacity and on borrowed time. I would marry while a junior in high school and have a son on my husbands birthday. Then, we were young and in love and determined to defy the odds. We would have three children and achieve incredible fi nancial success during the process. But, in the end I would be sacrifi ced and my husband rewarded. Divorced, appealed and annulledI was compelled to write my fi rst bookmy story, for understanding and to make a difference . . . . - Xlibris Podcast Part 1: http://www.xlibrispodcasts.com/the-value-of-a-homemaker-1/ - Xlibris Podcast Part 2: http://www.xlibrispodcasts.com/the-value-of-a-homemaker-2/ - Xlibris Podcast Part 3: http://www.xlibrispodcasts.com/the-value-of-a-homemaker-3/ - Xlibris Podcast Part 4: http://www.xlibrispodcasts.com/the-value-of-a-homemaker-4/ - Xlibris Podcast Part 5: http://www.xlibrispodcasts.com/the-value-of-a-homemaker-5/
The Case of La Familia de Pascual Duarte and Los Santos Inocentes
Author: Patricia J. Santoro
Publisher: University of Delaware Press
Category: Performing Arts
"The United States has come to know Spain, its people, and its land through its literature and, more recently, through the international distribution of many of its films. This analysis aims to probe the creative Spanish soul in greater depth through the particular prism of the cinematic adaptation." "The analysis of the Spanish novels La familia de Pascual Duarte and Los santos inocentes and their cinematic adaptations Pascual Duarte (1975) and Los santos inocentes (1984) is based on the intersection of literary and cinematic theory." "The first chapter of this study summarizes various theories whose integration forms a basis for the analysis of the cinematic adaptation. Structuralism, semiotics, deconstruction, reader criticism, and Freudian/Lacanian psychology serve both film and literary criticism in their analysis of texts. The theories examined in this chapter are inflected in later chapters into the criticism and analysis of the novels and films in question." "The second chapter provides general background information on agrarian Spain - the historical, economic, and ideological context of both La familia de Pascual Duarte and Los santos inocentes. While in most cases the texts refer only obliquely to the reigning ideology that is responsible for the plight of the rural worker, the history of the province of Extremadura, where rural poverty is and was a social and economic phenomenon, is crucial to the understanding of all four texts whose stories are set in this province."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved