The Art And Science Of Cinema Provides A Clear And Concise Study Of The Film World. The Book Deals With The Film Technology, Movie History, Great Filmmakers, Actors, Pictures & Aesthetics, Narrative, Genres, Plays And Documentaries.The Reader Will Find Exciting, Informative And Entertaining Study Of Everything Related To Film. It Also Deals With Still Photography, Production Works And Oscar Facts.Whatever Your Interest In Film, This Book Will Give You The Vital Informations And Critical Skills To Understand Films Better Than Before, As It Has Been Lavishly-Illustrated. Fact Filled Pages Make It The Most Comprehensive, Detailed And Explicit Book On The Subject.This Book Is Useful For Film Students, Actors As Well As Lovers Of World Cinema.
As screenwriters come to be seen as the storytellers of the age this book presents the fundamentals of writing a really compelling screenplay. Parker's new approach to writing for film and TV covers everything from finding an idea to writing a finished piece, containing advice on how to apply creative vision and the needs of the market. Parker breaks from the dominant concerns of act structure and character-driven narratives with a six-part framework comprising story, plot, dramatic structures, narrative and style.
Techniques for Visual Effects, Animation and Motion Graphics
Author: Ron Brinkmann
Publisher: Morgan Kaufmann
The classic reference, with over 25,000 copies in print, has been massively expanded and thoroughly updated to include state-of-the-art methods and 400+ all-new full color images! "At ILM, compositing is one of the most important tools we use. If you want to learn more, this excellent 2nd-edition is detailed with hundreds of secrets that will help make your comps seamless. For beginners or experts, Ron walks you through the processes of analysis and workflows - linear thinking which will help you become deft and successfully tackle any shot." --Dennis Muren ASC, Senior Visual Effects Supervisor, Industrial Light & Magic "Ron Brinkman's book is the definitive work on digital compositing and we have depended on this book as a critical part of our in-house training program at Imageworks since the 1999 Edition. We use this book as a daily textbook and reference for our lighters, compositors and anyone working with digital imagery. It is wonderful to see a new edition being released and it will certainly be required reading for all our digital artists here at Imageworks." --Sande Scoredos, Executive Director of Training & Artist Development, Sony Pictures Imageworks The Art and Science of Digital Compositing is the only complete overview of the technical and artistic nature of digital compositing. It covers a wide range of topics from basic image creation, representation and manipulation, to a look at the visual cues that are necessary to create a believable composite. Designed as an introduction to the field, as well as an authoritative technical reference, this book provides essential information for novices and professionals alike. 17 new case-studies provide in-depth looks at the compositing work done on films such as Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Golden Compass, The Incredibles, King Kong, The Lord of the Rings: The Return of the King, Sin City, Spider-Man 2, Wallace and Gromit: The Curse of the Were-Rabbit, and Star Wars: Episode 3 – Revenge of the Sith. Includes new sections on 3D compositing, High Dynamic Range (HDR) imaging, Rotoscoping, and much more! All disc-based content for this title is now available on the Web. 17 new case-studies provide in-depth looks at the compositing work done on films such as Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Golden Compass, The Incredibles, King Kong, The Lord of the Rings: The Return of the King, Sin City, Spider-Man 2, Wallace and Gromit: The Curse of the Were-Rabbit, and Star Wars: Episode 3 – Revenge of the Sith. Includes new sections on 3D compositing, High Dynamic Range (HDR) imaging, Rotoscoping, and much more!
Steve Tomasula's work exists at the cutting edges of scientific knowledge and literary techniques. As such, it demands consideration from multiple perspectives and from critics who can guide the reader through the formal innovations and multimedia involutions while providing critical scientific, aesthetic, historical, and technical contexts. This book, the first of its kind, provides this framework, showing readers the richness and relevance of the worlds Tomasula constructs. Steve Tomasula's work is redefining the form of the novel, reinventing the practice of reading, and wrestling with the most urgent questions raised by massive transformations of media and biotechnologies. His work not only charts these changes, it formulates the problems that we have making meaning in our radically changing technological contexts. Vast in scope, inventive in form, and intimate in voice, his novels, short stories, and essays are read and taught by a surprisingly diverse array of scholars in fields ranging from contemporary experimental writing and literary criticism to the history of science, biotechnology and bioart, book studies, and digital humanities.
Charge-coupled Devices (CCDs) have revolutionised astronomy. Even affordable CCD cameras can be ten times a sensitive as photographic film, and they deliver a digitised image that is easy to enhance using a personal computer. David Ratledge has brought together contributions from twelve leading amateurs from around the world, people who are routinely producing astronomical images of a quality that rivals those of professional observatories only of 10 years ago. These experts describe their techniques and solutions, and offer essential tips and advice for anyone who is choosing or using a CCD camera. Now glance through the Colour Gallery at the back of this book to see just what they have done!
Technological innovations and new drugs have led to an explosion in the costs of medical care, and also to the realization among both medical and allied practitioners and patients that such innovation has not necessarily led to more effective care. A gap exists between theory and real-life practice – one that this book attempts to bridge. Thought-provoking essays by an array of distinguished contributors, based on contemporary research and wide-ranging experience in clinical practice, show how we can and must go beyond pure technology in order to improve clinical care. Cultural and social factors on the part of the patients; the practitioner’s own personality and other “soft factors”; society trends such as increased migration; communication skills; techniques ranging from mindfulness, cognitive psychology, and narrative medicine, to humor. All these and other human factors that medical professionals and those in training (physicians, nurses, counselors, and others) need to integrate into practice to provide effective and cost-effective care are explored and illuminated here by leading experts from a variety of disciplines.
This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?
Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations. Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.