I wrote this book to give believers greater strength in their belief and non-believers newfound strength to believe. Many times as I was writing the book, the Holy Spirit came and directed me to specific passages or to locate a word on which to meditate; I was merely an instrument of His wisdom. Every time I took time off on this project, someone or some incident would enter my life, convicting me to press on to completion. If God tells you to do something great, would you do it? You can do nothing greater in this life than trusting Christ to save you. Let me explain in unmistakable detail how to trust Jesus Christ as your Savior I promise you will never be sorry for trusting Him.
In "Neither Letters nor Swimming": The Rebirth of Swimming and Free-diving, John McManamon documents the revival of interest in swimming during the European Renaissance and its conceptualization as an art. Renaissance scholars realized that the ancients considered one truly ignorant who knew “neither letters nor swimming.”
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
The Dangerous Book for Men, not boys Every man has faced that emergency where a car needs to be broken into and hot-wired; just as every man needs to be able to mix the perfect dry Martini. The world is a dangerous and unpredictable place; a man never knows when he might be called upon to start a fire with just a coke can, win at croquet or drive a T34 tank. Twigger has plenty of experience of facing down bears, building coracles, swimming with sharks - now he shows every man how to cook a hedgehog, commit hara-kiri and land a Boeing 747.
'A jewel of a book, a paean to the wonders of water and our place within it' James Nestor, bestselling of author of Breath 'Glorious' The New York Times Take a dive into the deep and discover what it is about water that seduces us, heals us and brings us together. Join writer and swimming Bonnie Tsui as she explores the unique skill of swimming from the five angles of survival, wellbeing, community, competition and flow. Propelled by stories of polar swim champions, a Baghdad swim club, Olympian athletes and modern-day samurai swimmers, Why We Swim takes us around the globe in a remarkable, all-encompassing account of the world of swimming. This is a joyous meditation on our innate connection to water and a true celebration of the wonders of swimming.
RUN LONG. CLIMB HIGH. SWIM DEEP. GO FAR. The struggle to succeed and the drive to excel are at the heart of what makes someone into an endurance athlete. Their mindset—that of the adventurer, of the explorer, of the never-say-never—is what allows these athletes to go beyond the limits of what’s possible time and time again... both during and outside of events. Real life comes with its own set of challenges to meet, endure and overcome. GO FAR collects exhilarating stories from the worldwide endurance sports career of athlete Jennifer Strong McConachie, giving insight into her life philosophy and the principles that empower her success in ultrarunning, mountaineering, swimming, and more. The beginning of endurance, in sport and in life, is found in desire—not just to go, but to go far.
Swim is a celebration of swimming and the effect it has on our lives. It's an inquiry into why we swim -- the lure, the hold, the timeless magic of being in the water. It's a look at how swimming has changed over the millennia, how this ancient activity is becoming more social than solitary today. It's about our relationship with the water, with our fishy forebearers, and with the costumes that we wear. You'll even find a few songs to sing when you push out those next laps. Swimming enthusiast Lynn Sherr explores every aspect of the sport, from the biology of swimming to the fame of Esther Williams; from turquoise pools and wild water to the training of Olympians; and she reveals the secret of buoyancy so that anyone can avoid the example of the English poet Percy Bysshe Shelley, who lamented, "Why can't I swim, it seems so very easy?" When his friend, the biographer Edward John Trelawny, said, "because you think you can't," Shelley plunged into Italy's Arno River and dropped like a rock. With Swim, you can avoid that happening to you.
This book offers a fresh account of the Anzac myth and the bittersweet emotional experience of Gallipoli tourists. Challenging the straightforward view of the Anzac obsession as a kind of nationalistic military Halloween, it shows how transnational developments in tourism and commemoration have created the conditions for a complex, dissonant emotional experience of sadness, humility, anger, pride and empathy among Anzac tourists. Drawing on the in-depth testimonies of travellers from Australia and New Zealand, McKay shines a new and more complex light on the history and cultural politics of the Anzac myth. As well as making a ground breaking, empirically-based intervention into the culture wars, this book offers new insights into the global memory boom and transnational developments in backpacker tourism, sports tourism and “dark” or “dissonant” tourism.
"Tessa Wardley is a keen and knowledgeable guide” - Times Literary Supplement The Mindful Art of Wild Swimming explores how swimming in rivers, lakes, and seas is the very epitome of conscious living. Zen-seeker Tessa Wardley reconnects the physical and spiritual cycles of life to the changing seasons and flow of wild waters worldwide and leads the reader on to a mindful journey through the natural world. With expert insight and personal anecdote, she shares a sparkling clarity on why our relationship with open water is so fundamental to pure wellbeing, and reveals how wild swimming can be the ultimate Zen meditation.
A study of the literary reception of the love-story of Hero and Leander and its popularity from classical times to the present in different genres, from epigram to epic, and including drama, opera, burlesques and modern experimental works.
What is the difference between the movements in our bodies we cause personally ourselves, such as the movements of our legs or our lips when we walk or speak, and the movements we do not cause personally, such as the contraction of the heart? Is an act that is done under duress done voluntarily, out of choice? Should duress exculpate a defendant completely, or should it merely mitigate the criminality of an act? When we explain an intentional act by stating our reasons for doing it, do we explain it causally or teleologically, or both? Should we care whether our choices are guided by knowledge or mere true belief? In Action, Knowledge, and Will, John Hyman explores these and other central problems in the philosophy of action and the theory of knowledge, and connects these areas of enquiry in a new way. The main premise of the book is that human action has four irreducibly different dimensions, each with its own family of concepts: - a physical dimension, in which the principal concepts are those of agent, power, and causation; - a psychological dimension, with the concepts of desire, aim, and intention; - an ethical dimension, with the concepts of voluntariness and choice; - an intellectual dimension, with the concepts of reason, knowledge, and belief. Studying each of these dimensions of human action separately yields a string of original results, culminating in a new analysis of the relationship between knowledge and rational behaviour, which provides the foundation for a new theory of knowledge itself.
In a period characterised by an unprecedented cultural engagement with the past, individuals, groups and nations are debating and experimenting with commemoration in order to find culturally relevant ways of remembering warfare, genocide and terrorism. This book examines such remembrances and the political consequences of these rites. In particular, the volume focuses on the ways in which recent social and technological forces, including digital archiving, transnational flows of historical knowledge, shifts in academic practice, changes in commemorative forms and consumerist engagements with history affect the shaping of new collective memories and our understanding of the social world. Presenting studies of commemorative practices from Africa, Asia, Australia, Europe and the Middle East, War Memory and Commemoration illustrates the power of new commemorative forms to shape the world, and highlights the ways in which social actors use them in promoting a range of understandings of the past. The volume will appeal to scholars of sociology, history, cultural studies and journalism with an interest in commemoration, heritage and/or collective memory.
Beneath the mirth and action of Playboy Pook is a serious attempt by the author to recapture those lush days of England before the war, and to get inside the minds of the young people who were fortunate enough to enjoy that fascinating era. The book is a sequel to Pook’s Tender Years, enabling the reader to meet again some delightful friends of Pook’s childhood and those adults like Aunt Mabel whose impression on youngsters remains throughout their lives. And no Pook book is complete without Honners, the arrogant little nobleman, whose efforts to evade parachute-jump training with the school cadet corps must be ranked as funny as anything Pook has yet written. Playboy Pook contains several memorable scenes, not the least of which is an unforgettable educational cruise to Greece, where young Puddle tries to purloin part of the Parthenon, Honners discovers a unique way of entering nightclubs without paying and Pook becomes involved with a passionate lady of the town in an Athens casino which he mistakes for a tube station.