Although steampunk has been around as a genre since the 1980s, it came into its own as a subculture and artistic movement in the mid-oughts of the twenty-first century. In these first issues of SteamPunk Magazine, some out of print for years, there are articles and interviews on music, fashion, politics, history, and mad science. Groundbreaking steampunk fiction and breathtaking illustration run beside bizarre philosophy and manifestos. Learn to etch copper, to build a pennyfakething from an old bike or a jacob's ladder from trash. Discover vertical windmills or sew a pair of spats. Here collected now are over 400 pages of awesome steampunkery. SteamPunk Magazine has always been known for keeping the punk in steampunk, for being willing to celebrate steampunk subculture as a part of the global counterculture. Includes contributions from Michael Moorcock, Alan Moore, Ann & Jeff Vandermeer, Jake von Slatt, and many more essential names in steampunk!
SteamPunk Magazine has long been a magazine dedicated to keeping the "punk" in steampunk. This eighth issue is our long-awaited return to print and is book-length, our biggest issue yet. Featuring history, opinion, interviews, DIY, and an astounding array of some of the finest voices in steampunk fiction. Featuring interviews with Collane di Ruggine, Shanna Germain, Steampunk Emma Goldman and Voltairine DeCleyre, Greg Rucka, Unwoman, and Thomas Willeford; and writing by Larry Amyett Jr., Cassandra Marshall, Profesor Calamity, Katherine Casey, The Catastrophone Orchestra, Mikael Ivan Eriksson, P. Fobbington, Kate Franklin, Margaret Killjoy, E.M. Johnson, S. Kimery, David Major, Dimitri Markotin, Screaming Mathilda, Wes Modes, Marie Morgan, David Z. Morris, Jamie Murray, Juan Navarro, Profesor Offlogic, Pinche, David Redford, Miriam Rosenberg Rocek, and James Schafer. Plus artwork from Manny Aguilera, Tina Black, Sarah Dungan, Doctor Geof, Allison Healy, Tommy Poirier-Morissette, Juan Navarro, E.M. Johnson, Larry Nadolsky, Kate Oliver, and Sergei Tuterov!
What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?
Victorian, Fantasy, and Mechanical Necklaces, Bracelets, and Earrings
Author: Jean Campbell
Publisher: Creative Publishing international
Category: Crafts & Hobbies
This how-to jewelry-making book features the work of an array of invited jewelry designers influenced by the growing Steampunk trend. In Steampunk circles, jewelry-makers are often master metalsmiths who combine found objects with fine metals to create elaborate pieces. In Steampunk-Style Jewelry, the projects focus on "no fire" techniques—like simple stringing, wirework, hammering, stamping, gluing, stitching, and off-loom beadwork—so that even a beginner can create pieces in the style. Each project provides a complete materials and tools list, step-by-step instructions, and clear illustrations. This book offers a broad overview of a growing design trend that is part of the literary, industrial design, fashion, and popular culture scene. Readers will learn about the art movement through the many photographic sidebars that explore the many aspects of the trend.
What began in the late 1980s as an underground community of science fantasy aficionados with a fetish for Victoriana now pervades almost every aspect of popular culture from music and movies to comics and computer games. Steampunk is much more than a retro-futuristic fashion statement or a subgenre of science fiction. On the surface its adherents profess a penchant for neo-Victorian fashion, fanciful clockwork accessories and have a desire to live in an alternative reality inhabited by airships and eccentric inventions. But the literature, art, music and movies of this burgeoning community offer a radical and irreverent re-imagining of society the way it might have evolved had history taken a sharp detour prior to the industrial revolution giving us a world without electricity, the infernal (sic) combustion engine and the technology that we take for granted today. The world of steampunk is the elegant gas lit world of Jules Verne and HG Wells, of Michael Moorcock and their literary antecedents for whom the digital age never dawned. Author and musician Paul Roland traces the history of Steampunk, covering every element of the genre, from fashion and jewelry to music and literature, drawing on exclusive quotes from leading writers, artists, musicians and filmmakers in the field.
Co-winner, Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture Once a small subculture, the steampunk phenomenon exploded in visibility during the first years of the twenty-first century, its influence and prominence increasing ever since. From its Victorian and literary roots to film and television, video games, music, and even fashion, this subgenre of science fiction reaches far and wide within current culture. Here Rachel A. Bowser and Brian Croxall present cutting-edge essays on steampunk: its rise in popularity, its many manifestations, and why we should pay attention. Like Clockwork offers wide-ranging perspectives on steampunk’s history and its place in contemporary culture, all while speaking to the “why” and “why now” of the genre. In her essay, Catherine Siemann draws on authors such as William Gibson and China Miéville to analyze steampunk cities; Kathryn Crowther turns to disability studies to examine the role of prosthetics within steampunk as well as the contemporary culture of access; and Diana M. Pho reviews the racial and national identities of steampunk, bringing in discussions of British chap-hop artists, African American steamfunk practitioners, and multicultural steampunk fan cultures. From disability and queerness to ethos and digital humanities, Like Clockwork explores the intriguing history of steampunk to evaluate the influence of the genre from the 1970s through the twenty-first century. Contributors: Kathryn Crowther, Perimeter College at Georgia State University; Shaun Duke, University of Florida; Stefania Forlini, University of Calgary (Canada); Lisa Hager, University of Wisconsin–Waukesha; Mike Perschon, MacEwan University in Edmonton, Alberta; Diana M. Pho; David Pike, American University; Catherine Siemann, New Jersey Institute of Technology; Joseph Weakland, Georgia Institute of Technology; Roger Whitson, Washington State University.
A glove full of Goth, a helping of Sci-Fi, and a vial of Cyberpunk all neatly wrapped inside a Victorian Satchel--the popular new genre of Steampunk is reverberating throughout our culture in art, fashion, style and music. Now you can hop aboard the airship and embark on a spiritual adventure that brings dramatic ritual and practical magic into your everyday life with Steampunk Magic. Gypsey Elaine Teague draws on her experience as a practicing High Priestess and magician and her love of Steampunk to bring readers an entirely new magical system. Steampunk Magic is a compendium of altar arrangements, spells, and magical tools--traditional Wicca and magic with a Steampunk twist. Teague shows how to craft and use a compass instead of a pentacle, use a rigging knife in place of an athame, and join an airship in lieu of a coven. Beautifully illustrated with photographs and art. From author: "This book describes the new magical system that stems from the tools and philosophies of Steampunk--the alternate Victorian history genre, and incorporates many of the tried and true methods of other crafts while applying quite a few very unique visioning and application tools specific to Steampunk. I believe that you will find this new system extremely interesting and applicable to your day to day magical and non-magical life."
Steampunk is a burgeoning counter-cultural movement; a genre, community, and artform. The Steampunk movement seeks to recapture the spirit of invention, adventure, and craftsmanship reminiscent of early-nineteenth-century industrialization, in part to restore a sense of wonder to a technology-jaded world. Packed with 1,000 full-color photographs, 1,000 Steampunk Creations features a stunning and mind-boggling showcase of modified technology, art and sculpture, home décor, fashion and haberdashery, jewelry and accessories, and curious weapons, vehicles, and contraptions.
Playfully mashing up the romantic elegance of the Victorian era with whimsically modernized technology, the wildly popular steampunk genre is here to stay. Now...long live the revolution! Steampunk Revolution features a renegade collective of writers and artists, including steampunk legends and hot, new talents rebooting the steam-driven past and powering it into the future. Lev Grossman’s “Sir Ranulph Wykeham-Rackham, GBE, a.k.a. Roboticus the All-Knowing” is the Six-Million-Dollar Steampunk Man, possessing appendages and workings recycled from metal parts, yet also fully human, resilient, and determined. Bruce Sterling’s “White Fungus” introduces steampunk’s younger cousin, salvage-punk, speculating on how cities will be built in the future using preexisting materials. Cat Valente’s “Mother Is a Machine” explores the merging of man and machine and a whole new form of parenting. In Jeff VanderMeer’s anti-steampunk story “Fixing Hanover,” a creator must turn his back on his creation because it is so utterly destructive. And Cherie Priest presents “The Clockroach,” a new and very unsettling mode of transportation. Going far beyond corsets and goggles, Steampunk Revolution is not just your granddad’s zeppelin—it’s an even wilder ride.