In the last days of WWII, the Third Reich makes a desperate grab to retrieve its most valuable asset – Die Wespe, a spy buried deep in the Manhattan Project. The man chosen for this mission is Alexander Braun---American born, Harvard educated, and a ruthless killer. British Intelligence learns of the Nazi plan. Unable to convince their American counterparts of the magnitude of the threat, they dispatch Major Michael Thatcher to track down Braun. The trail leads to Rhode Island, where Lydia Cole, a young heiress, has unwittingly taken Braun back into her life. Braun is forced to run, and there is one place where he must go--Los Alamos, home of the Manhattan Project. On July 16, 1945, the world’s first atomic bomb is tested – code name Trinity. In the days that follow, four people – a tenacious British investigator, a determined young woman, a killer, and the spy who could compromise America’s greatest scientific endeavor – will have a fateful rendezvous, all vying for control of the secret that will shape the world.
She’s an expert at getting into places she doesn’t belong. The government created Megan, transforming her into a Valkyrie—a deadly operative only whispered about in certain circles. They took everything from her and made her into a weapon. Now someone is leaking secret information about her sisters-in-arms, betraying them for money. Loyal Unto Death is the Valkyrie motto. So when Megan is recruited to find who leaked the files, she takes the high-risk assignment. Even if it means working with the man who betrayed her trust long ago. Even if it means giving her life. Because she’ll do whatever it takes to find justice. But this is one situation she can’t escape from on her own. Tyler Bergstrom never forgot the resourceful woman who escaped during the toughest phase of SERE school. So when he learns the stunning truth about her and his unwitting part in her past, he volunteers to work alongside Megan for a chance at redemption. Except she doens’t want a partner. Doesn’t want to let anyone into her life, including him—hell, especially him. Yet whether she likes it or not, for this mission they’re partners. Now it’s a race against the clock to bring down the shadowy figure targeting Valkyries. But the threat goes deeper then they ever imagined. No one is safe. And if they can’t overcome the past and learn to trust each other, they’re both dead.
Dive into the Tables of the Heart, an anthology filled with a wide variety of stories and poems created by high school students. Over a span of two years, these teen authors pulled their best works together to share their voices and passions with the world, for the glory of God. This literary collection has a diverse range of genres, time periods and settings, each deriving itself from the creative minds of the authors/ from romance to suspense to humor, from the plains of the Midwest to a kingdom in the sky, you will visit the writers worlds, both real and imagined. Be engulfed by the creative artwork of the Christian Authors Club illustrator, whose works portray the themes and thoughts of several of the selections. Be enthralled by the wit, the charm, the thrill, and the truth within Tablets of the Heart, and enjoy an anthology that promises to be like no other.
Narratives of Agency and Identity in Later Anglo-Saxon England
Author: Katherine O'Brien O'Keeffe
Publisher: University of Toronto Press
Narratives of monastic life in Anglo-Saxon England depict individuals as responsible agents in the assumption and performance of religious identities. To modern eyes, however, many of the ‘choices’ they make would actually appear to be compulsory. Stealing Obedience explores how a Christian notion of agent action – where freedom incurs responsibility – was a component of identity in the last hundred years of Anglo-Saxon England, and investigates where agency (in the modern sense) might be sought in these narratives. Katherine O'Brien O'Keeffe looks at Benedictine monasticism through the writings of Ælfric, Anselm, Osbern of Canterbury, and Goscelin of Saint-Bertin, as well as liturgy, canon and civil law, chronicle, dialogue, and hagiography, to analyse the practice of obedience in the monastic context. Stealing Obedience brings a highly original approach to the study of Anglo-Saxon narratives of obedience in the adoption of religious identity.
“[Robert Bly] is . . . the most recent in a line of great American transcendentalist writers.”—New York Times Selected from throughout Robert Bly’s monumental body of work from 1950 through the present, Stealing Sugar from the Castle represents the culmination of an astonishing career in American letters. Bly has long been the voice of transcendentalism and meditative mysticism for his generation. Influenced by Emerson and Thoreau, inspired by spiritual traditions from Sufism to Gnosticism, his vision is “oracular” (Antioch Review). From the rich, earthy simplicity of Silence in the Snowy Fields (1962) to the wild yet intricately formal ghazals of My Sentence Was a Thousand Years of Joy (2005) and the striking richness and authority of Talking into the Ear of a Donkey (2011), Bly’s poetry is spiritual yet worldly, celebrating the uncanny beauty of the everyday. “I am happy, / The moon rising above the turkey sheds. // The small world of the car / Plunges through the deep fields of the night,” he writes in “Driving Toward the Lac Qui Parle River.” Here is a poet moved by the mysteries of the world around him, speaking the language of images in a voice brilliant and bold.
This book treats Pannenberg's stated ambition to write 'a theology more thoroughly Trinitarian than any I know of'. It evaluates it by answering two questions: What does Pannenberg mean by his theology being thoroughly Trinitarian? How far has his subsequent work, especially Systematic Theology, been successful in realizing his stated goal?