'A literary masterpiece . . . at once erudite and intimate, reflective and funny . . . it has the grit and pace of a thriller' Daily Telegraph A novel of high adventure, great storytelling and moral purpose, based on an extraordinary true story of eight years in the Bombay underworld. 'In the early 80s, Gregory David Roberts, an armed robber and heroin addict, escaped from an Australian prison to India, where he lived in a Bombay slum. There, he established a free health clinic and also joined the mafia, working as a money launderer, forger and street soldier. He found time to learn Hindi and Marathi, fall in love, and spend time being worked over in an Indian jail. Then, in case anyone thought he was slacking, he acted in Bollywood and fought with the Mujahedeen in Afghanistan . . . Amazingly, Roberts wrote Shantaram three times after prison guards trashed the first two versions. It's a profound tribute to his willpower . . . At once a high-kicking, eye-gouging adventure, a love saga and a savage yet tenderly lyrical fugitive vision.' Time Out
He immortalized movies on celluloid… An authentic, heartfelt, insightful and comprehensive account of one of India’s most respected and eminent filmmakers, who was an institution in himself… V. Shantaram (1901–90) stands out as a colossus in Indian cinema. As one of the pioneers in this field, he honed his skills not only as a producer and director but also as an actor, writer, cameraman, technician and editor. He effectively used the medium of cinema as a vehicle for creating awareness about numerous social problems (such as communalism, dowry and the cycle of debt and poverty) and tried to bring about a change in society. This riveting biography – penned by his daughter – brings alive the life and times of Shantaram and his contemporaries, while simultaneously throwing light on a bygone era of Indian cinema marked by struggles, uncertainties and difficulties but yet infused with hope, perseverance and determination. Among Shantaram’s prominent creations in Hindi are Ayodhya Ka Raja (1932), Sairandhari (1933; India’s first colour film), Amrit Manthan (1934), Duniya Na Maane (1937), Aadmi (1939), Padosi (1941), Dr Kotnis Ki Amar Kahani (1946), Dahej (1950), Janak Janak Pyal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Sehra (1963), Geet Gaya Pattharon Ne (1964) and Pinjra (1972)
Happily Hippie: Meet a Modern Ethnicity rethinks hippies. Hippiedom didnt die; rather, as with other outgroups, it became socially invisible. Happily Hippie argues that the Counterculture is a 50-year-old ethnicity and explains Hippiedoms ethnogenesis. Well learn how anti-Hippie demagoguery has warped American politics, how the War on Drugs is largely about persecuting Hippie-America and how todays legalization movement is really about Hippie-America fighting for social equality. Happily Hippie documents the Countercultures many accomplishments, including inventing the Personal Computer; it estimates over 30 million Hippie-Americans and shows readers crude demographic maps of Hippie-America. We look at Hippies in philanthropy, Hollywood, sports, various arts, new medicine, the natural-foods industry, the Green movement and around the globe. Well see how stereotypes of Hippies echo those of other minorities, explore Hippie self-esteem issues, look at Hippie generational transfer and do some fun media analysis. Well also consider the need for a Hippie-American Ethnic Organization and how we might begin one. If youre Hippie, if youve ever been Hippie, read this book. It will change your head; it can change this world.
It is believed that the novel is highly influenced by several real life events from the author’s life. The story covers seven years from the author’s amazing life. He had reached Mumbai, then called Bombay, in 1982. He left Mumbai in the late eighties, though it is only implied in the novel. During those seven years, Robert’s fictional self, Lin, the central character in the novel, takes part in several dangerous, funny, and violent events. He falls in love and he also takes part in the resistance against the Russians in Afghanistan. Ready Reference Treatise: Shantaram Copyright Chapter One: Introduction Chapter Two: Plot Overview Chapter Three: Some Facts about the Novel Chapter Four: Some of the Several Characters Chapter Five: Complete Summary Chapter Six: Critical Analysis
Mumbai? Bombay? How do we explain this city and ourselves within it? How do the city and the city dweller together allow for representations of urban life to arise in literature and the fine arts? This book is an understanding of Mumbai, both as an architectural and literary space, through the lens of spatial criticism and the technique of flânerie. As an icon of experiences, Mumbai is felt through the simultaneous acts of walking, observing, remembering and articulating. In analyzing four novels, namely Baumgartner’s Bombay, Ravan and Eddie, Shantaram and Baluta, the book claims that the characters and their authors offer an alternative vision of the city, as they also construct a transient place for themselves. This act of flânerie is an act of transgression as it turns the outside into the inside, changing public space into private space. As the characters serve to disrupt meaning, uncover hidden histories and expose power relations involved in the representation of place, they actualize many possibilities and meanings. Using the novel as a literary device, the authors have told stories, not only of the protagonist-flâneur, but also of people around them; sometimes in detail, sometimes in passing. In contesting, claiming and owning the lives, the stories, and the city, the humane aspect is never forgotten.
[Book 2 in the "Year of the Chick" series] What's a girl to do when she meets the Internet man of her dreams, he's better than she expected, but he lives an ocean away? And let's not forget her parents,who are trying to lock her up in arranged-marriage doom... In this fast-paced story of culture clash and romantic pursuits, there's a big fat Indian wedding, the struggle to keep a long-distance flame alive, and an unexpected mystery man who could set a new course in motion. All the while, our heroine abandons what was once an all-consuming man-search, which helps her remember the person she used to be, and the person she hopes to become; the history-loving nerd, the hopeless romantic, and the emerging author with dreams of ditching the corporate rat race. This is the book of living in the moment, making the grand gesture, and putting it all on the line. This is when Romi Narindra comes alive... ----------------------- "Last-Minute Love" is book two in the fictional "Year of the Chick" series. It follows closely from book one, but contains enough detail to be read as a stand-alone. Book three entitled "Never or Forever" is available now! LENGTH: 74,000 words or approximately 280 pages DISCLAIMER: this book contains occasional profanities and mild sexual references (chicklit,love,romance,romantic comedy,funny,humor,humour,long distance,multicultural,marriage,dating,relationships)
Read the fascinating story of this legendary filmmaker and also discover many forgotten tales of the history of moving images in India. Some of the most indelible images of Indian cinema came from his sensitive imagination. From the days of the black and while silent films to the advent of sound and color, the films of V Shantaram stood out for their originality and a passionate commitment to human values.
One man's search for the beer that built the British Empire
Author: Pete Brown
Publisher: Pan Macmillan
The original India Pale Ale was pure gold in a glass; a semi-mythical beer specially invented, in the 19th century, to travel halfway around the world, through storms and tropical sunshine, and arrive in perfect condition for a long, cold drink on an Indian verandah. But although you can still buy beers with ‘IPA’ on the label they are, to be frank, a pale imitation of the original. For the first time in 140 years, a keg of Burton IPA has been brewed with the original recipe for a voyage to India by canal and tall ship, around the Cape of Good Hope; and the man carrying it is the award-winning Pete Brown, Britain’s best beer write. Brazilian pirates and Iranian customs officials lie ahead, but will he even make it that far, have fallen in the canal just a few miles out of Burton? And if Pete does make it to the other side of the world with ‘Barry’ the barrel, one question remains: what will the real IPA taste like? Weaving first-class travel writing with assured comedy, Hops and Glory is both a rollicking, raucous history of the Raj and a wonderfully entertaining, groundbreaking experiment to recreate the finest beer ever produced.