Painting on Location

Techniques for painting outside with watercolours and oils

Author: David Curtis

Publisher: Pavilion Books

ISBN:

Category: Art

Page: 128

View: 351

David Curtis is one of the most successful and celebrated artists working in the UK today. His books are bestsellers and in his latest book he discusses and demonstrates his approach to painting outside on location. He paints on site whenever possible as he finds that working directly from the subject gives his work a sense of immediacy, dynamism, light and drama. Many artists are interested in painting outside but lack the confidence to successfully work in this way. Here David shows how to develop the necessary skills. He looks at every aspect, from preliminary planning to appropriate painting techniques and, above all, how to capture the essence of the scene in front of you. He includes location sketching as well as advice on essential equipment to take with you. With practical advice and inspirational paintings covering a wide variety of subjects, Painting on Location will prove valuable to all those who wish to paint outdoors, whether to make finished paintings in their own right on location, or to use the experience and information gathered as a basis for further work in the studio.

Drawing and Painting on Location

A guide to en plein-air

Author: Kevin Scully

Publisher: The Crowood Press

ISBN:

Category: Art

Page: 300

View: 201

Working en plein-air is a French term that means literally 'in the open air' and, although artists have been doing just that for centuries, the concept is experiencing a resurgence today. Sketchers and painters alike are leaving their studios and heading out into the open air. This book encourages you to join them. Full of in-depth advice and practical instruction, it explains how to make the most of painting outside and how to capture the very essence of a scene with a far greater authenticity than can be achieved when working from a second-hand image. It covers an array of mediums including pencils, pastels, pens, watercolours, oils and acrylics and advises on the best materials and accessories, from sketchbooks to easels. Also suggests suitable locations and subject matter including landscapes, seascapes and people, explaining the importance of good composition, colour harmony, tonal values and perspective. It further encourages the exploration of new ideas by examining other artists' work, and the development of personal style. Beautifully illustrated with 213 colour images.

Watercolor painting on location

how to create a "portable studio" and capture the unique qualities of the outdoors in your paintings

Author: El Meyer

Publisher: Writers Digest Books

ISBN:

Category: Art

Page: 160

View: 632

Suggests what equipment and materials to take on painting trips, demonstrates watercolor techniques, and discusses composition, color, washes, and glazes

On Location - Plein Air Painting In Pastel

Author: Richard McDaniel

Publisher: International Artist

ISBN:

Category: Art

Page: 128

View: 298

In this helpful guide, one of the giants of landscape painting gives invaluable advice that will help artists make the most of plein air painting. Readers will find instruction on application methods, procedures, and techniques that work, as well as how to transport finished pastels so they aren't damaged; 6 full-length, step-by-step demonstrations painted on site showing readers how to evaluate a scene and capture the mood; and, guidance for making quick on-site reference sketches that can be turned into full-scale paintings back in the studio.Once readers try these proven methods, they'll be so satisfied with their outdoor work that they'll want to go straight back out again.

One Painting A Day

A 6-Week Course in Observational Painting--Creating Extraordinary Paintings from Everyday Experiences

Author: Timothy Callaghan

Publisher: Quarry

ISBN:

Category: Art

Page: 128

View: 904

One Painting A Day offers you an inspiring six-week course exploring the timeless traditions of observational painting through daily experience and routine. This motivational guide is broken up into three parts to focus on the three major traditions of observational painting: still life, landscape, and portraiture. Each of the 42 daily exercises launches a small, immediate, and responsive painting based on a theme drawn from your daily experience. You will find suggestions on technique, approach, and materials for each day, while the “weekly lessons” explore a format or a rhythm for creating content, inspiring you to make the ordinary extraordinary as you create from every day experience. This beautiful collection of contemporary paintings serves as a workbook of ideas for aspiring artists, art students, professional designers, and art lovers alike.