Oxford Anthology of the Brazilian Short Story

Author: K. David Jackson Professor in the Department of Spanish and Portuguese Yale University

Publisher: Oxford University Press, USA

ISBN:

Category: Literary Collections

Page: 542

View: 191

The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by Joao Guimaraes Rosa. The remaining 34 authors include Mario de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry. The anthology is divided into four major periods, "Tropical Belle-Epoque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mario de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubiao), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nelida Pinon), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.

Oxford Anthology of the Brazilian Short Story

Author: K. David Jackson Professor in the Department of Spanish and Portuguese Yale University

Publisher: Oxford University Press, USA

ISBN:

Category: Literary Collections

Page: 542

View: 716

The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by Joao Guimaraes Rosa. The remaining 34 authors include Mario de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry. The anthology is divided into four major periods, "Tropical Belle-Epoque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mario de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubiao), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nelida Pinon), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.

The Oxford Book of Latin American Short Stories

Author: Roberto Gonzalez Echevarria

Publisher: Oxford University Press

ISBN:

Category: Fiction

Page: 481

View: 407

This collection brings together 53 stories that span the history of Latin American literature and represent the most dazzling achievements in the form. It covers the entire history of Latin American short fiction, from the colonial period to present.

Machado de Assis

Author: Earl E. Fitz

Publisher: Twayne Pub

ISBN:

Category: Literary Criticism

Page: 149

View: 726

Mário de Andrade

The Creative Works

Author: Jose I. Suarez

Publisher: Bucknell University Press

ISBN:

Category: Literary Criticism

Page: 195

View: 836

Mario de Andrade is an international reference on the Brazilian modernist movement that began in 1922. This is the first English-language critical assessment of this Brazilian writer's poetry, novels, and short stories, all of which are examined within the development and framework of Brazilian Modernism.

Adverse Genres in Fernando Pessoa

Author: K. David Jackson

Publisher: Oxford University Press

ISBN:

Category: Literary Criticism

Page: 288

View: 347

Poet, short-story writer, feverish inventor--Fernando Pessoa was one of the most innovative figures shaping European modernism. Known for a repertoire of works penned by multiple invented authors--which he termed heteronyms--the Portuguese writer gleefully subverted the notion of what it means to be an author. Adverse Genres in Fernando Pessoa offers an introduction to the fiction and the "profusion of selves" that populates the enigmatic author's uniquely imagined oeuvre. To guide readers through the eclectic work fashioned by Pessoa's heteronyms, K. David Jackson advances the idea of "adverse genres" revealing genre clashes to be fundamental to the author's paradoxical and contradictory corpus. Through the invented "coterie of authors," Pessoa inverted the usual relationships between form and content, authorship and text. In an inspired, paradoxical, and at times absurd mixing of cultural referents, Pessoa selected genres from the European tradition (Ricardo Reis's Horatian odes, ?lvaro de Campos's worship of Walt Whitman, Alberto Caeiro's pastoral and metaphysical verse, and Bernardo Soares's philosophical diary), into which he inserted incongruent contemporary ideas. By creating multiple layers of authorial anomaly Pessoa breathes the vitality of modernism into traditional historical genres, extending their expressive range. Through examinations of "A Very Original Dinner," the "Cancioneiro," love letters to Ophelia Queir?s, "The Adventure of the Anarchist Banker," Pessoa's collection of quatrains derived from Portuguese popular verse, the Book of Disquietude, and the major poetic heteronyms, Jackson enters the orbit of the artist who exchanged a normal life for a world of the imagination.

Clarice Lispector

Spinning the Webs of Passion

Author: Maria José Somerlate Barbosa

Publisher: University Press of the South Incorporated

ISBN:

Category: Social Science

Page: 117

View: 379