Movie Acting, the Film Reader

Author: Pamela Robertson Wojcik

Publisher: Psychology Press

ISBN:

Category: Performing Arts

Page: 240

View: 411

Movie Acting: The Film Reader explores one of the most central but often overlooked aspects of cinema: film acting. Combining classic and recent essays, it examines key issues such as: What constitutes film acting? How is film acting different from stage acting? How has film acting changed over time? What signifies realism in film acting? How is acting different in different genres? What is the role of the character actor? In addition to theoretical essays, contributors provide detailed analyses of specific actors such as Lillian Gish, Marlon Brando and Sidney Poitier. Styles of acting discussed include silent film pantomime, 1930s comedic acting, the Method and acting in avant-garde films. Articles are grouped into thematic sections, each with an introduction by the editor. Any student of film studies and acting will find this an essential part of their research and reading.

Acting in the Cinema

Author: James Naremore

Publisher: Univ of California Press

ISBN:

Category: Performing Arts

Page: 316

View: 901

In this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications behind various approaches to acting, and suggests ways that behavior on the screen can be linked to the presentation of self in society. Naremore's discussion of such figures as Lillian Gish, Marlene Dietrich, James Cagney, and Cary Grant will interest the specialist and the general reader alike, helping to establish standards and methods for future writing about performers and their craft.

Technology and Culture, the Film Reader

Author: Andrew Utterson

Publisher: Psychology Press

ISBN:

Category: Performing Arts

Page: 152

View: 836

Technology and Culture: The Film Reader brings together key theoretical texts from more than a century of writing on film and technology. It begins by exploring the intertwined technologies of cinematic representation, reproduction, distribution and reception, before locating the technological history of cinema as one component of an increasingly complex technological culture. The selected articles encompass a range of disciplines, perspectives and methodologies, reflecting the multiplicity of contemporary approaches to technology. They are grouped into four thematic sections, each with an introduction by the editor. Origins and Evolution - examines the lineage of cinema's machines, while challenging the received notion that cinema began with a discrete moment of invention Definitions and Determinism - redefines technology, moving beyond an isolated description of cinema's physical tools to consider the forces that play a part in shaping their form and function Projections and Aesthetics - analyzes the exchange between cinematic and other technologies, in terms of cinema's capacity to reflect on and negotiate technologies other than its own Contexts and Consequences - situates the technologies of cinema within a broader framework, charting their engagement with the spheres of discourse at work within society

Transnational Cinema

The Film Reader

Author: Elizabeth Ezra

Publisher: Taylor & Francis

ISBN:

Category: Performing Arts

Page: 213

View: 223

Transnational cinema is a rapidly developing field within film studies. This reader offers an overview of key concepts & debates, drawing together seminal essays from a broad variety of sources.

The actor's eye

Author: Morris Carnovsky

Publisher: AJ Publishing Company

ISBN:

Category: Literary Criticism

Page: 202

View: 104

Queer Cinema

The Film Reader

Author: Harry M. Benshoff

Publisher: Psychology Press

ISBN:

Category: Performing Arts

Page: 242

View: 111

Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts. Clearly divided into an introductory overview and four topic areas, the Reader explores how recent critical thinking has approached queer sexualities in relation to the cinema. The four sections discuss: Authorship - examining the role of sexuality in the work of queer filmmakers such as George Cukor, Dorothy Arzner, Barbara Hammer, and the directors of New Queer Cinema Forms - exploring how genres such as the horror film, the musical, film noir, and the animated film construct queer cinematic spaces Camp - looking at how this reception strategy and mode of textual production, initially practised by pre-Stonewall queers, retains its critical charge even in contemporary mainstream popular culture Reception - considering three specific historical case-studies of how queer fans have interacted with media texts from Judy Garland to Star Trek. The Reader concludes with an essay that queerly rethinks classical gaze theory and allows students and scholars of the subject to draw their own conclusions in their studies.

Mel Brooks in the Cultural Industries

Author: Alex Symons

Publisher: Edinburgh University Press

ISBN:

Category: Performing Arts

Page: 232

View: 472

Alex Symons takes a unique, artist-focused approach in order to systematically identify the range of Brooks's adaptation strategies across the Hollywood film, Broadway theatre and American television industries.

The Apartment Plot

Urban Living in American Film and Popular Culture, 1945 to 1975

Author: Pamela Robertson Wojcik

Publisher: Duke University Press

ISBN:

Category: Performing Arts

Page: 310

View: 386

Rethinks films including Pillow Talk and Rear Window by identifying the apartment plot as a distinct genre, one in which the urban apartment figures as a central narrative device.

Omnibus Films

Author: David Scott Diffrient

Publisher: Edinburgh University Press

ISBN:

Category: Performing Arts

Page: 192

View: 632

As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and tr

Making Sense of Movies: Filmmaking in the Hollywood Style

Author: Robert Stanley

Publisher: McGraw-Hill Humanities/Social Sciences/Languages

ISBN:

Category: Performing Arts

Page: 408

View: 372

Making Sense of Movies is a film appreciation text that focuses on the Hollywood style of moviemaking to examine the aesthetic, historical, and theoretical aspects of film studies. The text focuses on a limited number of significant movies to provide greater depth of knowledge and understanding, gradually expanding the number of films with each chapter.