Three young women--Margo Sullivan, Kate Powell, and Laura Templeton--who grew up together amidst the grandeur of Templeton House pursue their own individual dreams and destinies in a trilogy of romantic novels.
Presents eighteen commissioned articles on biblical exegesis in early Judaism, covering the period after the Hebrew Bible was written and before the beginning of rabbinic Judaism. -- from publisher description
Love: Tender. Spiritual. Lustful. Liberating. Suffocating. A different truth, a different quest for each of these lovers, dreamers and schemers. Katherine McKenzie, a young woman living in Boston in 1918, yearns for love but is afraid of it. When tragedy sets her adrift, she returns to her rural Kansas roots where she rediscovers her past and confronts her fears. In a second story, a lonely and discouraged man finds new hope in the mystical message of an inspired dreamer who reached for the heavens. Is music truly the food of love? A pair of cautionary tales warns that no matter how sweet the song, one must always ask, “Who is the singer?” The dark side of love lurks here too—in those who love only themselves and pay the price for their wicked dreams. And there is a bittersweet tale of love remembered on the threshold of death. The final pages, sadder still, speak of love forgotten when remembrance of things past has faded. These are eternal tales of Love—its many faces, its many meanings. Includes Readers Guide
The elegists, ancient Rome s most introspective poets, filled their works with vivid, first-person accounts of dreams. Emma Scioli examines these varied and visually striking textual dreamscapes, arguing that the poets exploited dynamics of visual representation to share with readers the intensely personal experience of dreaming. "
Verse in Medieval France from the "Rose" to the "Rhétoriqueurs"
Author: Adrian Armstrong
Publisher: Cornell University Press
Category: Literary Criticism
In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge. In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun's Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhétoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works-the Roman de la rose, the Ovide moralisé, and Boethius' Consolation of Philosophy-form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community.
From pop music's early LPs to its latest CDs, Top Pop Albums 1955-2001 is a sweeping, stunning saga of Billboard's Pop Albums chart. This artist-by-artist listing includes every charted album from 1955 through June 30, 2001 - over 22,000 in all by more than 5,200 recording artists, and the more than 225,000 cuts from those albums. Along with complete chart data, artist biographies and complete track listings for every artist, Top Pop Albums sports new features such as each album's CD availability, data from the newly researched Top Pop Catalog Albums chart, updated album pricing and more, making this the biggest, broadest, absolute best albums book ever! Hardcover, ISBN 0-89820-147-0.