Listening to Noise and Silence

Towards a Philosophy of Sound Art

Author: Salome Voegelin

Publisher: A&C Black

ISBN:

Category: Music

Page: 231

View: 103

A fresh, bold study of the emerging field of Sound Art, informed by the ideas of Adorno, Merleau-Ponty and others.

The Political Possibility of Sound

Fragments of Listening

Author: Salomé Voegelin

Publisher: Bloomsbury Publishing USA

ISBN:

Category: Music

Page: 240

View: 462

The essay is the perfect format for a crisis. Its porous and contingent nature forgives a lack of formality, while its neglect of perfection and virtuosity releases the potential for the incomplete and the unrealizable. These seven essays on The Political Possibility of Sound present a perfectly incomplete form for a discussion on the possibility of the political that includes creativity and invention, and articulates a politics that imagines transformation and the desire to embrace a connected and collaborative world. The themes of these essays emerge from and deepen discussions started in Voegelin's previous books, Listening to Noise and Silence and Sonic Possible Worlds. Continuing the methodological juxtaposition of phenomenology and logic and writing from close sonic encounters each represents a fragment of listening to a variety of sound works, to music, the acoustic environment and to poetry, to hear their possibilities and develop words for what appears impossible. As fragments of writing they respond to ideas on geography and migration, bring into play formless subjectivities and trans-objective identities, and practice collectivity and a sonic cosmopolitanism through the hearing of shared volumes. They involve the unheard and the in-between to contribute to current discussions on new materialism, and perform vertical readings to reach the depth of sound.

Sonic Possible Worlds

Hearing the Continuum of Sound

Author: Salome Voegelin

Publisher: A&C Black

ISBN:

Category: Music

Page: 216

View: 357

An inspired application of Possible World theory to approach and interpret the acoustic environment, music and sound art.

En Abime: Listening, Reading, Writing

An Archival Fiction

Author: Daniela Cascella

Publisher: John Hunt Publishing

ISBN:

Category: Literary Criticism

Page: 159

View: 650

En Abime explores listening and reading as creative and critical activities driven by memory and return, reshaped into the present. It introduces an idea of aural landscape as a historically defined cultural experience, and contributes with previously unexplored references to the emerging area of listening as artistic practice, adopting an expansive approach across poetry, visual art and literature. …poetic, incisive, grounded in politics and history yet continually pushing at the edges of what we now consider to be sound. She interrogates notions of music and the shifting experience that is silence with a freshness and coherence that is inspiring David Toop, Author of Ocean of Sound, Haunted Weather and Sinister Resonance … compulsive and fast, rushing with you through textual territories that seem spoken, direct and contemporary while being nostalgic - invoking a past that creates the present tense. Salomé Voegelin, author of Listening to Noise and Silence: Towards a Philosophy of Sound Art

Music and Ethics

Author: Marcel Cobussen

Publisher: Ashgate Publishing, Ltd.

ISBN:

Category: Music

Page: 180

View: 925

It seems self-evident that music plays more than just an aesthetic role in contemporary society. It is thus surprising that the subject of ethics is often neglected in discussions about music. Music and Ethics examines different ways in which music can contribute to theoretical discussions about ethics as well as concrete moral behaviour. Rather than offer a general musico-ethical theory, the book explores ethics as a practical concept, and demonstrates through concrete examples that the relation between music and ethics has never been absent.

In Pursuit of Silence

Listening for Meaning in a World of Noise

Author: George Prochnik

Publisher: Random House LLC

ISBN:

Category: Social Science

Page: 342

View: 226

Listening to doctors, neuroscientists, acoustical engineers, monks, activists, educators, marketers, and aggrieved citizens, George Prochnik examines why we began to be so loud as a society, what it is that gets lost when we can no longer find quiet, andwhat are the benefits of decluttering our sonic world.

Identity, Performance and Technology

Practices of Empowerment, Embodiment and Technicity

Author: Susan Broadhurst

Publisher: Palgrave Macmillan

ISBN:

Category: Performing Arts

Page: 234

View: 728

This project investigates the implications of technology on identity in embodied performance, exploring the interrelationship of & between identities in performance practices & considering how identity is formed, de-formed, blurred & celebrated within diverse approaches to technological performance practice.

Listening to Silences : New Essays in Feminist Criticism

New Essays in Feminist Criticism

Author: Elaine Hedges Professor of English and Director of Women's Studies Towson State University

Publisher: Oxford University Press, USA

ISBN:

Category:

Page: 336

View: 518

Reverberations

The Philosophy, Aesthetics and Politics of Noise

Author: Michael Goddard

Publisher: Bloomsbury Publishing USA

ISBN:

Category: Music

Page: 304

View: 650

Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution. This wide-ranging book examines the concept and practices of noise, treating noise not merely as a sonic phenomenon but as an essential component of all communication and information systems. The book opens with ideas of what noise is, and then works through ideas of how noise works in contemporary media, to conclude by showing potentials within noise for a continuing cultural renovation through experimentation. Considered in this way, noise is seen as an essential yet excluded element of contemporary culture that demands a rigorous engagement. Reverberations brings together a range of perspectives, case studies, critiques and suggestions as to how noise can mobilize thought and cultural activity through a heightening of critical creativity.Written by a strong, international line-up of scholars and artists, Reverberations looks to energize this field of study and initiate debates for years to come.