This remarkable first novel from award-winning short fiction writer Ken Scholes will take readers away to a new world—an Earth so far in the distant future that our time is not even a memory; a world where magick is commonplace and great areas of the planet are impassable wastes. But human nature hasn't changed through the ages: War and faith and love still move princes and nations. In Lamentation, the first entry in the Psalm of Isaak series, an ancient weapon has completely destroyed the city of Windwir. From many miles away, Rudolfo, Lord of the Nine Forest Houses, sees the horrifying column of smoke rising. He knows that war is coming to the Named Lands. Nearer to the Devastation, a young apprentice is the only survivor of the city—he sat waiting for his father outside the walls, and was transformed as he watched everyone he knew die in an instant. Soon all the Kingdoms of the Named Lands will be at each others' throats, as alliances are challenged and hidden plots are uncovered. The Psalms of Isaak #1 Lamentation #2 Canticle #3 Antiphon #4 Requiem #5 Hymn At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
n a frigid New Hampshire winter, Jay Porter is trying to eke out a living and maintain some semblance of a relationship with his former girlfriend and their two-year-old son. When he receives an urgent call that Chris, his drug-addicted brother, is being questioned by the sheriff about his missing junkie business partner, Jay feels obliged to come to his rescue. After Jay negotiates his brother's release from the county jail, Chris disappears into the night. As Jay begins to search for him, he is plunged into a cauldron of ugly lies and long-kept secrets that could tear apart his small hometown and threaten the lives of Jay and all those he holds dear. Powerful forces come into play that will stop at nothing until Chris is dead and the information he harbors is destroyed.
The stories and poems in Truth and Lamentation, written during and after the Holocaust, reveal the human faces hidden behind the all-too-familiar statistics of the event. International in scope, this volume brings together 20 short stories and 90 poems commenting on the essentially incomprehensible nature of the Holocaust. Milton Teichman and Sharon Leder have drawn from a remarkably varied range of writers, representing nine languages and including both Jews and Gentiles. The contributors include the well known and the as yet unknown. A critical introduction places the selections within two broad categories of literary response to the Holocaust - truthtelling and lamentation. The first reflects the desire of writers to transmit multiple truths; the second expresses sorrow and loss.
In this book, Alec Basson examines the divine metaphors in a selection of biblical Hebrew Psalms of Lamentation from a cognitive-anthropological perspective. The study signals a move beyond the more traditional approaches to the Psalms and argues that the textual information in these poems is more than literary information as such; it is also a cognitive representation of the psalmist's world. The divine portrayals arise from the supplicant's cognitive organisation and utilisation of cultural information, which include the everyday experiences. In situations of affliction, the poet employs various cognitive strategies viz. cultural models, image-schemas and conceptual metaphors as a means of portraying the deity. The exploration illustrates the link between the psalmist's cultural experience, cognitive construal of reality and the metaphorical representations. The utilisation of the different cognitive tools gives rise to new and recurring images of the deity and accounts for the multiple depictions of Yahweh. The investigation arrives at the conclusion that, to appreciate fully the divine metaphors used in the Psalms of Lamentation, one has to examine the cognitive world of the poet.
Matthew Shardlake is back in Lamentation, from the number one bestselling author C. J. Sansom. Summer, 1546. King Henry VIII is slowly, painfully dying. His Protestant and Catholic councillors are engaged in a final and decisive power struggle; whoever wins will control the government of Henry's successor, eight-year-old Prince Edward. As heretics are hunted across London, and the radical Protestant Anne Askew is burned at the stake, the Catholic party focus their attack on Henry's sixth wife, Matthew Shardlake's old mentor, Queen Catherine Parr. Shardlake, still haunted by events aboard the warship Mary Rose the year before, is working on the Cotterstoke Will case, a savage dispute between rival siblings. Then, unexpectedly, he is summoned to Whitehall Palace and asked for help by his old patron, the now beleaguered and desperate Queen. For Catherine Parr has a secret. She has written a confessional book, Lamentation of a Sinner, so radically Protestant that if it came to the King's attention it could bring both her and her sympathizers crashing down. But, although the book was kept secret and hidden inside a locked chest in the Queen's private chamber, it has - inexplicably - vanished. Only one page has been found, clutched in the hand of a murdered London printer. Shardlake's investigations take him on a trail that begins among the backstreet printshops of London but leads him and Jack Barak into the dark and labyrinthine world of the politics of the royal court; a world he had sworn never to enter again. Loyalty to the Queen will drive him into a swirl of intrigue inside Whitehall Palace, where Catholic enemies and Protestant friends can be equally dangerous, and the political opportunists, who will follow the wind wherever it blows, more dangerous than either. The theft of Queen Catherine's book proves to be connected to the terrible death of Anne Askew, while his involvement with the Cotterstoke litigants threatens to bring Shardlake himself to the stake. The previous books in the bestselling Shardlake series are Dissolution, Dark Fire, Sovereign, Revelation and Heartstone.
Saunders analyzes the ideological uses of loss in literary, philosophical, and social texts from the late 19th and 20th centuries through the lens of women's lament traditions and includes philosophical texts by Nietzsche, Heidegger, and Derrida; and literary works by William Faulkner, Stéphane Mallarmé, Dimitris Hatzis, and Tahar Ben Jelloun.
Naomi's words and images meander through shadows and light, between demons and angels, yet the poetry is always accessible. In this moving collection, she often goes back in time, to the days when her family lived in (and escaped from) Hitler's Europe. The journey helps inform who she is today, including the indelible scar worn by anyone whose family has borne witness to genocide. —Stewart Florsheim, author of The Short Fall from Grace. "(W)e are all/each other's/raw/material" writes Naomi Ruth Lowinsky in her wise and moving book Adagio and Lamentation, the "we" born not only of others but histories and places, all of this inspiring our very human connection over time to vitality and imagination. Lowinsky's music is poignant and haunting, moving the listeners and readers of her poems with the miracle of arrival that is all new life and the celebration of thriving. —Forrest Hammer, author of Call and Response, Middle Ear, and Rift. Naomi Lowinsky's poetry is both fierce and tender, political yet intimate; and, for her, the political is personal. Lowinsky's poems "voices from the ashes"and "great lake of my mother" are particularly moving. Her work is deeply lyrical and transformative. It makes you think and feel. It makes you wish you'd written these poems. Adagio and Lamentation is a stunning and memorable book. —Susan Terris, author of Contrariwise, Natural Defenses, and Fire is Favorable to the Dreamer. Naomi Ruth Lowinsky was the first child born in the New World to a family of German Jewish refugees from the Shoah. Many in her family were lost in the death camps. It has been the subject and the gift of her poetry and prose-to write herself out of the terror, into life. Naomi had a special tie with her only surviving grandparent, the painter Emma Hoffman, whom she called "Oma." Oma showed her that making art can be a way to transmute grief, a way to bear the unbearable. The cover of Adagio and Lamentation is a watercolor by Emma Hoffman-an interior view of the Berkeley home where Naomi visited her often as a teenager. Oma tried her best to make a painter of her, but Naomi was no good at it. Poetry was to be her vehicle. Adagio and Lamentation is Naomi's offering to her ancestors, a handing back in gratitude and love. It is also her way of bringing them news of their legacy-the cycle of life has survived all they suffered-Naomi has been blessed by many grandchildren.
Being a Short, But Perfect, Full, and True Account of the Scituation, Nature, Constitution and Product of Ireland. With an Impartial Historical Relation of the Most Material Transactions, Revolutions, and Miserable Sufferings of the Protestants There, from the Death of King Charles the Second, to the Latter End of April, 1689 ... To which is Added, A Letter from a Lieutenant in the Irish Army, Dated at Dublin, May 7. with an Account of Affairs to that Time