This is the first edited collection of its kind to analyse the distinct but overlapping topics of dress, costume, sport and leisure history. For researchers of bodily adornment and movement, sport and costume history are both primarily concerned with industrial practice and embodied experience. The ways in which bodies are adorned, embellished and clothed (or revealed) highlights the hybrid nature of dress history, encompassing as it does the everyday clothing solutions of the mass of people and the unusual or more ceremonial aspects of costume, as well as elite high fashion. Although this is as yet an under-researched area, there are an increasing number of fashion and clothing undergraduate and postgraduate courses that specialise in sport and leisurewear. This publication is intended to give an introductory overview of the historical and contemporary issues as it does for the growing number of sport marketing and sports studies courses concerned with dress, costume history and branding. This book was published as a special issue of Sport in History.
Football is unquestionably the world’s most popular and influential sport. There is no corner of the globe in which the game is not played or followed. More countries are affiliated to FIFA, football’s governing body, than to the United Nations. The sport has therefore become an important component of our social, cultural, political and economic life. The Routledge Handbook of Football Studies is a landmark work of reference, going further than any other book in considering the historical and contemporary significance of football around the world. Written by a team of leading sport scholars, the book covers a broad range of disciplines from history, sociology, politics and business, to philosophy, law and media studies. The central section of the book examines key themes and issues in football studies, such as the World Cup and international competition, governance and ownership, fandom and celebrity. The concluding section offers in-depth surveys of the culture and organisation of football in each of the regional confederations, from UEFA to CONCACAF. This book will be fascinating reading for any serious football fan and an essential resource for advanced students or scholars undertaking research in football or sport studies, and any practitioner or policy-maker working in football.
This innovative and timely volume of essays critically interrogates the shared histories between sport and a variety of leisure, entertainment and cultural pursuits. Sport’s Relationship with Other Leisure Industries: Historical Perspectives spans the bowling greens of early modern England to the postmodern exhibition halls of contemporary Las Vegas, and considers examples from Europe, North America and India. Utilizing a range of historical methods and sources, they describe how sport has interacted with a broad range of leisure forms, including tourism, shopping, theatre, circus, carnival and film. The collection takes into account the economic, cultural, geographic and political interactions sport has forged and poses a series of questions: about how sport has been forged in contemporary consumer capitalism; about the manner in which it has been shaped by space and place; and the ways in which entrepreneurs, sportspeople and artists have represented sporting competition. The collection will help both students and scholars conceptualise sporting networks, and will be of interest to those working in multiple fields. This book was previously published as a special issue of Sport in History.
Explores how the influence of fashion and sport extends from high performance textiles developed for competition, to high-end fashion and finally, through the filter of adapted advertising and magazine imagery, to the consumer, who adopts and adapts the styles to make their own unique fashion statements.
With an afterword by Roger Griffin. Fashion is often thought of as a matter of personal taste, completely unconnected with the public domain of political life and citizenship. Overturning this perspective, this absorbing book reveals that, from the French Revolution to post-revolutionary China, fashion has played a significant role in political participation and protest. Fashioning the Body Politic challenges the perception of helpless fashion victims, subject to manipulation by consumerism and the fashion industry, and shows how, in a range of historical and national contexts, certain styles of dress and display were significant for both men and women's political participation and the formation of their identities as citizens. How did 'dressing up' in a variety of ways allow suffragette women to perform unconventional forms of political protest? In what ways did the uniforms of scouts and guides function to erect gender, racial and religious boundaries? Following the ban on traditional clothing in Imperial Russia, how did Russians appropriate European fashions and ethnic costumes to fashion new identities for themselves? Using these and a wealth of other case studies, Fashioning the Body Politic offers a fresh perspective on the relationship between men, women and fashion and shows that the political domain has always been permeated with the cultural practices of dress, display and bodily performance.
This study explores the role played by clothing in the discourses of the gothic. It makes connections between the veils, masks and disguises of gothic convention and historically specific fashion discourses, from the chemise-dress worn by Marie Antoinette to the subcultural style of today's goths.
`The book is easy to use and its layout demonstrates some skill in constructing volumes that `work' as study guides and reference tools. The merit of this book goes well beyond its suitability for course applications. Contemporary ideas on identity provide new meanings for an old concept' - Multilingual and Multicultura In recent years, identity and difference have been the focus of key debates in cultural studies. This broad-ranging book examines the challenge of these debates and outlines their applications to central questions of gender, sexuality, embodiment, health, `race' and nation. The text renders accessible some of the most exciting and controversial issues in recent cultural studies. It comb
This book examines the economic, social and environmental impacts and issues associated with the development of sport tourism globally, including the lack of research and coordination between industry and government. The book suggests the need for a more balanced analysis of the impacts and issues associated with future sport tourism development.
A former New York Times music critic and award-winning author describes the contributions of the stage and film master director to the Gershwin's classic American folk opera that originally premiered in 1935. 10,000 first printing.
Our dress is our identity. In dress, we live, move and have our social being. This book shows how the dressed body is central to the construction of a recognizable identity and provides accessible accounts of the particular dress 'ways' associated with a considerable variety of lifestyles. Churchgoers, ballerinas, Muslim schoolgirls, glamour models, 'vampires', monks and country gents all fashion a social self through dress. These cultures all have characteristic forms of displaying the dressed body for social visibility - whether in religion, sex, performance, or on the street. In contrast to much of the literature on dress, which often assumes a lack of agency on the part of the wearer, contributors to this book focus on the conscious manipulation of dress to reflect an identity that is designed to look 'different'. Why do people choose to mark themselves off socially from others? What are the costs and benefits? For every dress 'identity', there is a corresponding set of entitlements and expectations as to behaviour and belief. 'Priestly' bodies inhabit a different universe of response from strippers, just as 'Gothic' bodies experience the public gaze differently from 'Methodist' ones. Where one look commands respect in one setting, in another it can incite antipathy and rejection. Contributors tackle head-on this 'paradox of dress' - its potent power to unite and divide. Evidence of the dressed body's social ambiguity as a medium of consensus, on the one hand, and conflict, on the other, provides a glimpse through dress into an elementary condition of social and cultural life that has all too rarely been part of historical and sociological discourse.