James Turrell

Geometrie des Lichts

Author: James Turrell

Publisher: Hatje Cantz Pub

ISBN:

Category: Art

Page: 127

View: 724

Nobody who has experienced an installation by James Turrell forgets the encounter--he makes light tangible in ways that boggle perception and almost seem to defy physics, as if you could reach into the space you see when you close your eyes. A lifelong explorer of perceptual psychology, Turrell is undoubtedly the most influential contemporary light artist, as well as one of America's most popular artists. In Geometry of Light, the first significant Turrell survey in many years, an extraordinary body of work covering several decades is assessed. At the book's center is the series of works known as Sky Spaces, a signature Turrell conception in which the sky is made to seem "on top of" the room's ceiling, and which has become a mini-genre unto itself within light art. Academic, philosophical and art-historical essays explicate these perceptual spaces, whose evolution is closely allied to Turrell's development of the Roden Crater Project in the Arizona desert, where he began constructing an observatory in 1974. Also included is the latest installation, "Skyspace/Camera Obscura Space," which Turrell conceived for the Zentrum fur Internationale Lichtkunst in Unna, Germany. As an undergraduate, James Turrell(born in Los Angeles, 1943) studied psychology and mathematics, transitioning to art only at MFA level. A practicing Quaker, one of his earliest memories is of his grandmother inviting him to "go inside and greet the light" at Quaker meetings. The recipient of several prestigious awards such as Guggenheim and MacArthur Fellowships, Turrell lives in Arizona.

Bilder aus Licht

James Turrell im Kontext der amerikanischen Kunst nach 1945

Author: Ulrike Gehring

Publisher: Kehrer Verlag Heidelberg

ISBN:

Category: Art

Page: 351

View: 791

The California light artist James Turrell founded a new, spatially defined light art in the 1960s. In this volume, art historian Ulrike Gehring examines the various qualities of light in American art. The transition from painted light in a picture to staged light in space is traced in the examples of James Turrell, Mark Rothko, Barnett Newman, and Dan Flavin.

James Turrell

The Art of Light and Space

Author: Craig E. Adcock

Publisher: Univ of California Press

ISBN:

Category: Art

Page: 272

View: 273

"A much needed antidote to 'Art Writing' as it is encountered in the art mags . . . his writing is fluent and the style attractive and engaging."--Stephen Foster, University of Iowa

James Turrell eclipse

Author: James Turrell

Publisher: Hatje Cantz Pub

ISBN:

Category: Art

Page: 95

View: 793

Edited by Michael Hue-Williams. Texts by Maurice Merleau-Ponty, Robert Solso.

James Turrell

spirit and light

Author: Lynn McLanahan Herbert

Publisher:

ISBN:

Category: Art

Page: 71

View: 973

This book documents an exhibition at the Contemporary Arts Museum of Houston of the work of the internationally renowned American artist James Turrell (b. 1943), whose installations combine concerns for light with structural issues of space. It has essays by four scholars concerning such themes as the relation of Turrell's art to science, architecture, religion/psychology, and art history. Also included is a complete listing of permanent Turrell works in public collections throughout the world.

James Turrell

a life in light

Author: James Turrell

Publisher: Somogy Editions D'Art

ISBN:

Category: Art

Page: 75

View: 589

James Turrell

Author: Carmen Giménez

Publisher: Solomon R Guggenheim Museum

ISBN:

Category: Art

Page: 127

View: 545

Published on the occasion of an exhibition held at the Solomon R. Guggenheim Museum, New York, N.Y., June 21-September 25, 2013. Concurrent exhibitions held at the Los Angeles County Museum of Art, May 26, 2013-April 6, 2014 and the Museum of Fine Arts, Houston, June 9-September 22, 2013.

James Turrell

Within Without

Author: National Gallery of Australia

Publisher:

ISBN:

Category: Art

Page: 32

View: 822

James Turrell's Skyspace, Within Without is site-specific, its location chosen by the artist to complement and accord with the Australian Garden on the southern perimeter of the grounds of the National Gallery of Australia. Because the structure is partly subterranean, only a small part of the stupa is visible from outside. Not only does this establish the sculpture as an integral part of the landscape, its placement also muffles extraneous sounds and reduces light pollution. This publication includes images of the Skyspace from both inside and out, a series of the light-cycle and a visual development of the five and a half year construction process.