Andrew and Sonnet hated each other in high school. Always rivals for the best grades and top academic honors, there was no love lost between these two nerds after graduation. Ten years later, they've both been named heirs to property in Bethany Beach, Delaware, after the passing of its owner, Penelope Vaughn. Ms. Vaughn was Andrew's Great Aunt and Sonnet's beloved next door neighbor growing up. The quaint beach cottage needs serious work before going on the market. Andrew and Sonnet are both willing to bury the hatchet in exchange for drills and saws, especially since they stand to make a pretty penny with the beachfront property, which will finance Drew's dream of opening a business and Sonnet's plan to earn her doctorate in astrophysics. But when they face a multitude of home improvement obstacles, will these two former adversaries be able to pull off a successful flip? Or did Great Aunt Penny have something else in mind with her bequest? The Flip is Book 2 in the Romance in Rehoboth Series, where the ladies are strong and independent, and the men are actually nice guys. These delightful romantic comedies are set against the backdrop of Rehoboth Beach, Delaware's top vacation destination. Make sure to check out Book 1, Fat Girl. Book 3 will be out in 2018!
*Or How I Learned to Stop Worrying and Love My Implants
Author: Micki Myers
Publisher: Simon and Schuster
Category: Health & Fitness
Daring, sly, and unlike any other book you’ve read, this memoir-in-poems tackles cancer with a bawdy wit guaranteed to “make you laugh in cancer’s face” (Marisa Acocella Marchetto, author of Cancer Vixen). As a vibrant woman in her late thirties, a mother of two, poet, artist, and teacher, Micki Myers decided to confront her cancer diagnosis head on with the sharpest tools in her arsenal: namely, her sense of humor and unbridled poetic license. The result is a charming, poignant, laugh-out-loud collection that hits all the highs (morphine) and lows (everything else) of being a cancer patient and surviving with your spirit intact (even if your boobs are not). It’s Probably Nothing. . .* provides the perfect blend of wit and pathos to help you or a loved one achieve much-needed perspective on this frightening journey, whether recently diagnosed or reveling in remission. From losing your hair (even, ahem, down there) and gaining two bouncy silicone strangers, to the pitfalls of marijuana therapy and the endless chemo-room muzak “that makes you think / survival might be overrated,” Myers reminds you that you’re not alone and that it’s okay to laugh.
On the first day of Lillian's summer-before-college, she gets a message on her cell from her sort-of friend, Penny. Not only has Penny faked her own kidnapping, but Lil is the only one who figures it out. She knows that Penny's home life has been rough, and that her boyfriend may be abusive. Soon, Penny's family, the local police, and even the FBI are grilling Lil, and she decides to head out to Oregon, where Penny has mentioned an acquaintance. And who better to road-trip across the country with than Lil's BFF, Josh. But here's the thing: Lil loves Josh. And Josh doesn't want to "ruin" their amazing friendship. Josh has a car and his dad's credit card. Lil has her cellphone and a hunch about where Penny is hiding. There's something else she needs to find: Are she and Josh meant to be together?
LOUISIANA PLAYS by Hiram Ed Taylor is a collection of 4 plays developed in workshops or staged readings at the New Orleans Theatre Experiments Lab, a group dedicated to creating new works about Louisiana. The first play, PROPHECY a comedy about the future of mankind was given two staged readings before an audience at the Contemporary Arts Center. The second play SAVAGE PRIDE, a ghost play about survival, was also given a reading at the CAC. The third a musical about sex, BOURBON STREET had 5 songs performed at the DramaRama Festival at the CAC and then a staged presentation at LePetit Theatre du Vieux Carre. The last musical about life after death, HEAVENS BAR was presented at the Firehouse Theatre in Mobile, Alabama. Taken as a group they represent a body of work by Mr. Taylor over the past 8 years. All four scripts are comedy, although they border on serious themes and are dramatic and tragic in places. Louisiana serves as a place where life and human folly are examined in comic detail. There is an abundance of terrific roles for women in each play; especially for older actresses over 40. They seem to represent the MotherGoddess who controls the flow of the script through the mess the men characters make of their lives. Wife, mother, fortune teller, heavenly bartender (god) or whore, they are the power in each script. The scripts may not seen commercial because of their content and language. Musicals about sex with S&M numbers and Homosexuality presented as normal every day events are hard to get produced in current regional theaters concerned with their grants being cut because of the current government standards. Although Southern Baptist audiences in Mobile, Alabama loved HEAVENS BAR, script readers in other parts of the country have decided it is too much about religion for their theaters to take a chance on possibly offending someones beliefs. So, we have chosen to publish the plays as written without care who they may outrage. They are bold and they are daring and isnt that what good theater is suppose to be about? They are also highly theatrical and deserve to be on a stage performed live for an audience. But, until that time, here they are in print.
Praised by New York Times bestselling author Lauren Myracle as “hilarious, moving and flat-out fun,” and Kirkus as a “pitch-perfect rendering … of the teen experience,” Ten Things I Did (and Probably Shouldn't Have) has captured the hearts of critics and readers alike. Fans of Sarah Dessen, E. Lockhart, and Maureen Johnson will love this hilarious and heartwarming tale of a girl on her own for the first time. If given the opportunity, what sixteen-year-old wouldn’t jump at the chance to move in with a friend and live parent-free? Although maybe “opportunity” isn’t the right word, since April had to tell her dad a tiny little untruth to make it happen (see #1: “Lied to Our Parents”). But she and her housemate Vi are totally responsible and able to take care of themselves. How they ended up “Skipping School” (#3), “Buying a Hot Tub” (#4), and, um, “Harboring a Fugitive” (#7) is a mystery to them. To get through the year, April will have to juggle a love triangle, learn to do her own laundry, and accept that her carefully constructed world just might be falling apart . . . one thing-she-shouldn’t-have-done at a time.
When Victory England bought the house in Waverly, Ohio from Percy Justice, she had no idea that she was also purchasing a ghost, in fact two of them. The irritating and violent acts perpetrated by one of the ghosts sends her running back to her realtor, Gift Bradford, and to the people who sold the house to her, her neighbors Percy Justice and his terminally ill wife Catherine, for answers. With help from Gift Bradford she starts to research the history of the house and of the land the house sets on, trying to identify the ghost. Meanwhile, she has problems with an ex husband, struggles to help her dying neighbor, deals with personal issues between herself and her mother, and develops a special relationship with Gift Bradford, all of this while trying to diet! Can she protect herself from an angry ghost who claims her house as her own while working in opposition to that ghost by delving into issues the ghost wants to remain secret? This question builds the book Spooked to a crashing climax.
A powerful and gripping contemporary YA from the author of I'm Not Her that's "Just right for fans of Sarah Dessen and Jodi Picoult."-Booklist The truth is that Jess knows she screwed up. She's made mistakes, betrayed her best friend, and now she's paying for it. Her dad is making her spend the whole summer volunteering at the local soup kitchen. The truth is she wishes she was the care-free party-girl everyone thinks she is. She pretends it's all fine. That her "perfect" family is fine. But it's not. And no one notices the lie...until she meets Flynn. He's the only one who really sees her. The only one who listens. The truth is that Jess is falling apart and no one seems to care. But Flynn is the definition of "the wrong side of the tracks." When Jess's parents look at him they only see the differences-not how much they need each other. They don't get that the person who shouldn't fit in your world... might just be the one to make you feel like you belong.
V.1-20 are, like missing vols. 21-26, also freely available online at the the China-America Digital Academic Library (CADAL), & can be accessed with the following individual urls: http://lookup.lib.hku.hk/lookup/bib/B3144507Xv1 Note: Click to view v.1 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv2 Note: Click to view v.2 via CADAL http://lookup.lib.hku.hk/lookup/bib/B3144507Xv3 Note: Click to view v.3 via CADAL http://lookup.lib.hku.hk/lookup/bib/B3144507Xv4 Note: Click to view v.4 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv5 Note: Click to view v.5 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv6 Note: Click to view v.6 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv7 Note: Click to view v.7 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv8 Note: Click to view v.8 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv9 Note: Click to view v.9 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv10 Note: Click to view v.10 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv11 Note: Click to view v.11 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv12 Note: Click to view v.12 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv13 Note: Click to view v.13 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv14 Note: Click to view v.14 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv15 Note: Click to view v.15 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv16 Note: Click to view v.16 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv17 Note: Click to view v.17 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv18 Note: Click to view v.18 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv19 Note: Click to view v.19 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv20 Note: Click to view v.20 via CADAL.
A ghost saved twelve-year-old Maddie’s life when she was an infant, her Granny Lane claims, so Maddie must always remember that she is special. But it’s hard to feel special when you’ve spent your life shuffled from one foster home to another. And now that she’s at the East Tennessee Children’s Home, Maddie feels even less special. She longs for a place to call home. She even has a “book of houses” in which she glues pictures of places she’d like to live. Then one day, a new girl, Murphy, shows up at the Home armed with tales about exotic travels, being able to fly, and boys who recite poetry to wild horses. When Murphy offers Maddie something she has never had before, Maddie begins to wonder if she has finally found someone who feels like home.