Meet the smart, sexy — supernatural — women of the otherworld. This is not your mother’s coven... Kelley Armstrong returns with the eagerly awaited follow-up to Dime Store Magic. Paige Winterbourne, a headstrong young woman haunted by a dark legacy, is now put to the ultimate test as she fights to save innocents from the most insidious evil of all.. . . In the aftermath of her mother’s murder, Paige broke with the elite, ultraconservative American Coven of Witches. Now her goal is to start a new Coven for a new generation. But while Paige pitches her vision to uptight thirty-something witches in business suits, a more urgent matter commands her attention. Someone is murdering the teenage offspring of the underworld’s most influential Cabals — a circle of families that makes the mob look like amateurs. And none is more powerful than the Cortez Cabal, a faction Paige is intimately acquainted with. Lucas Cortez, the rebel son and unwilling heir, is none other than her boyfriend. But love isn’t blind, and Paige has her eyes wide open as she is drawn into a hunt for an unnatural-born killer. Pitted against shamans, demons, and goons, it’s a battle chilling enough to make a wild young woman grow up in a hurry. If she gets the chance. From the Paperback edition.
The Case of the Half-Demon Spy, Dime Store Magic, Industrial Magic, Wedding Bell Hell
Author: Kelley Armstrong
Publisher: Vintage Canada
OMNIBUS Witches, Cabels, and Supernaturals...oh my! Paranormal superstar and internationally bestselling author Kelley Armstrong's second Otherworld omnibus includes Dime Store Magic and Industrial Magic, along with two short stories, Wedding Bell Hell & Case of the Half-Demon Spy. DIME STORE MAGIC: Paige Winterbourne was always either too young or too rebellious to succeed her mother as leader of one of the world's most powerful elite organizations--the American Coven of Witches. Now that she is twenty-three and her mother is dead, the Elders can no longer deny her. But even Paige's wildest antics can't hold a candle to those of her new charge--an orphan who is all too willing to use her budding powers for evil...and evil is all too willing to claim her. It's an initiation into adulthood, womanhood, and the brutal side of magic that Paige will have to do everything within her power to make sure they both survive. INDUSTRIAL MAGIC: Paige broke with the elite, ultraconservative American Coven of Witches and her goal is to start a new Coven for a new generation. But while she pitches her vision to uptight thirty-something witches in business suits, a more urgent matter commands her attention: someone is murdering the teenage offspring of the underworld's most influential Cabals--a circle of families that makes the mob look like amateurs. WEDDING BELL HELL: This story picks up three weeks before Paige and Lucas get married--and if you thought planning a wedding was complicated as a mere human, imagine being a witch marrying a sorcerer. CASE OF THE HALF-DEMON SPY: This story takes place when Paige and Adam were still in their early teens. Bored after being told to wait outside at a Council Meeting, they try to pass the time eavesdropping...until a stranger turns up, turns out to be an Exaudio demon, and things get really serious. From the Trade Paperback edition.
Through a dizzying array of references to subjects ranging from engineering to poetry, on-the-job experiences in academia and industry, conflicts between working-class and intellectual labor, the privatization of universities, and the contradictions of the modern environment, Joe Amato’s Industrial Poetics mounts a boisterous call for poetry communities to be less invested in artistic self-absorption and more concerned about social responsibility. s Amato focuses on the challenges faced by American poets in creating a poetry that speaks to a public engineered into complacency by those industrial technologies, practices, and patterns of thought that we cannot seem to do without, he brings readers face to face with the conflicting realities of U.S. intellectual, academic, and poetic culture. Formally adventurous and rhetorically lively, Industrial Poetics is best compared with the intellectually exploratory, speculative, risky, polemical work of other contemporary poet-critics including Kathleen Fraser, Joan Retallack, Bruce Andrews, Susan Howe, and Allen Grossman. Amato uses an exhilarating range of structural and rhetorical strategies: conventionally developed argument, abruptly juxtaposed aphorisms, personal narrative, manifesto-like polemic, and documentary reportage. With a critic’s sharply analytical mind, a poet’s verve, and a working-class intellectual’s sense of social justice, Amato addresses the many nonliterary institutions and environments in which poetry is inextricably embedded. By connecting poetry to industry in a lively demonstration against the platitudes and habitudes of the twentieth century, Amato argues for a reenergized and socially forceful poetics---an industrial poetics, rough edges and all. Jed Rasula writes, “I can’t say I pay much attention to talk radio, but this is what I imagine it might be like if the deejay were really smart, enviably well read, yet somehow retained the snarling moxie of the am format.”
A long time ago magic faded away, leaving behind only yo-yos, the extremely useful compass-pointing-to-North enchantment and the spell that keep bicycles from falling over. Things are about to change. Magical power is on the rise and King Snodd IV of Hereford has realised that he who controls magic controls almost anything. One person stands between Snodd and his plans for power and riches beyond the wildest dreams of avarice. Meet Jennifer Strange, sixteen-year-old acting manager of Kazam, the employment agency for sorcerers and soothsayers. With only one functioning wizard and her faithful assistant 'Tiger' Prawns, Jennifer must use every ounce of ingenuity to derail King Snodd's plans. It may involve a trip on a magic carpet at the speed of sound to the Troll Wall, the mysterious Transient Moose, and a powerless sorceress named Once Magnificent Boo. But one thing is certain: Jennifer Strange will not relinquish the noble powers of magic to big business and commerce without a fight.
A behind-the-scenes look at the world of special effects discusses a wide range of ingenious techniques--from computer graphics and optical compositing to matte printing and model construction--used in such films as "Star Wars," "Poltergeist," and "Raider
Nadia Stafford isn’t your typical nature lodge owner. An ex-cop with a legal code all her own, she’s known only as “Dee” to her current employers: a New York crime family who pays her handsomely to bump off traitors. But when Nadia discovers that a troubled teenage employee and her baby have vanished in the Canadian woods, the memory of a past loss comes back with a vengeance, and her old instincts go into overdrive. With her enigmatic mentor, Jack, covering her back, Nadia unearths sinister clues that point to an increasingly darker and deadlier mystery. Now, with her obsession over the case deepening, the only way Nadia can right the wrongs of the present is to face her own painful ghosts — and either bury them for good, or die trying. Because in her book, everyone deserves a chance. And everyone deserves justice.
In the second book in bestselling author Kelley Armstrong's exciting new Cainsville series, Olivia's newly discovered power to read omens leads to the discovery of a gruesome crime with troubling connections to her hometown. Omens, the first installment in Kelley Armstrong's Cainsville series, introduced Olivia Taylor-Jones, daughter of notorious serial killers, and Gabriel Walsh, the self-serving, morally ambiguous lawyer who became her unlikely ally. Together, they chased down a devious killer and partially cleared her parents of their horrifying crimes. Their success, however, is short lived. While Olivia takes refuge in the old, secluded town of Cainsville, Gabriel's past mistakes come to light, creating a rift between them just when she needs his help the most. Olivia finds a dead woman in her car, dressed to look like her, but the body vanishes before anyone else sees it. Olivia's certain it's another omen, a sign of impending danger. But then she learns that a troubled young woman with a connection to Cainsville went missing just days earlier--the same woman Olivia found dead in her car. Someone has gone to great lengths to kill and leave this young woman as a warning. But why? And what role has Olivia's new home played in this disturbing murder? Olivia's effort to uncover the truth places her in the crosshairs of old and powerful forces, forces that have their own agenda, and closely guarded secrets they don't want revealed.
All Chloe Saunders wants is a life like any normal teenager - the chance to get through school, make friends, and maybe meet a boy. But when she starts seeing ghosts, she knows that life will never be normal again. Soon ghosts are everywhere, demanding her attention. When Chloe finally breaks down, she's admitted to a group home for disturbed kids. At first Lyle House seems okay, but as she gets to know the other patients - charming Simon and his ominous, unsmiling brother Derek; obnoxious Tori; and Rae, who has a 'thing' for fire - Chloe begins to realise that something strange and sinister binds them all together, and it isn't your usual 'problem kid' behaviour. And they're about to discover that Lyle House is not your usual group home, either . . .