After more than a century of silence, the true story of one of history's most notorious mutinies is revealed in Joan Druett's riveting "nautical murder mystery" (USA Today). On May 25, 1841, the Massachusetts whaleship Sharon set out for the whaling ground of the northwestern Pacific. A year later, while most of the crew was out hunting, Captain Howes Norris was brutally murdered. When the men in the whaleboats returned, they found four crew members on board, three of whom were covered in blood, the other screaming from atop the mast. Single-handedly, the third officer launched a surprise attack to recapture the Sharon, killing two of the attackers and subduing the other. An American investigation into the murder was never conducted--even when the Sharon returned home three years later, with only four of the original twenty-nine crew on board. Joan Druett, a historian who's been called a female Patrick O'Brian by the Wall Street Journal, dramatically re-creates the mystery of the ill-fated whaleship and reveals a voyage filled with savagery under the command of one of the most ruthless captains to sail the high seas.
After more than a century of silence, the true story of one of history's most notorious mutinies aboard the whaleship "Sharon" revealed in a hair-raising tale of murder and madness on the high seas by an award-winning maritime historian.
Schizophrenia has long puzzled researchers in the fields of psychiatric medicine and anthropology. Why is it that the rates of developing schizophrenia—long the poster child for the biomedical model of psychiatric illness—are low in some countries and higher in others? And why do migrants to Western countries find that they are at higher risk for this disease after they arrive? T. M. Luhrmann and Jocelyn Marrow argue that the root causes of schizophrenia are not only biological, but also sociocultural. This book gives an intimate, personal account of those living with serious psychotic disorder in the United States, India, Africa, and Southeast Asia. It introduces the notion that social defeat—the physical or symbolic defeat of one person by another—is a core mechanism in the increased risk for psychotic illness. Furthermore, “care-as-usual” treatment as it occurs in the United States actually increases the likelihood of social defeat, while “care-as-usual” treatment in a country like India diminishes it.
One Step Beyond isn't the best album in the world - it's not even the best album by Madness. It is, however, a great record and an exceptional debut album -fully formed despite half the band still being in their teens - and it remains as exhilarating, inspiring and as much fun as when people first heard it nearly 30 years ago. Through extensive interviews with the band, as well as producers Clive Langer & Alan Winstanley, Terry Edwards tells the inside story of how Madness rose to be the most successful singles band of the 1980s in the UK charts.
Manic cake-baking at midnight. After-school activities and young social lives that require dedicated and complex organisation. Mother-of-the-birthday-boy meltdowns. No Sex. No Nights out. No Sleep. Ever. What's wrong with this picture? That's the question Judith Warner asked herself after taking a good, hard look at the world of modern motherhood, at anxious women at work and in bed with unhappy husbands. By moving personally between the worlds of stay-at-home and working motherhood, interviewing numerous women and reading and seeing what our popular culture and politicians had to offer on the subject of motherhood in our time, Warner comes to a stark conclusion: that what is now happening in the culture of motherhood is nothing less that perfect madness. Written in a lively, accessible and often amusing tone, this is a book that all mothers will be able to relate to.
The first book in school counseling to provide a comprehensive introduction to the thought of Michel Foucault and his significance for understanding youth as the subject of counseling, the moral constitution of youth, professional ethics, and the new mode of narrative therapy.
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
The Oxford Handbook of Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.
Uncovers the politics of nostalgia and madness inherent in the Arabic novel. The Arabic novel has taken shape in the intercultural networks of exchange between East and West, past and present. Wen-chin Ouyang shows how this has created a politics of nostalgia which can be traced to discourses on aesthetics, ethics and politics relevant to cultural and literary transformations of the Arabic speaking world in the 19th and 20th centuries. She reveals nostalgia and madness as the tropes through which the Arabic novel writes its own story of grappling with and resisting the hegemony of both the state and cultural heritage.
Contemporary critiques of sexuality have their origins in the work of Michel Foucault. While Foucault's seminal arguments helped to establish the foundations of queer theory and greatly advance feminist critique, Lynne Huffer argues that our interpretation of the theorist's powerful ideas remains flawed.
Global Turmoil, Narco-Accumulation, and the Post-Sovereign State
Author: Gareth Williams
Publisher: Fordham University Press
Category: Literary Criticism
This book makes a case for infrapolitics as an enactment of intellectual responsibility in the face of a tumultuous world of war and of technological value extraction on a planetary scale. Infrapolitical Passages proposes to clear a way through some of the dominant political determinations and violent symptoms of contemporary globalization. In doing so, Gareth Williams makes a case for infrapolitics as an enactment of intellectual responsibility in the face of a tumultuous world of war and of technological value extraction on a planetary scale. The book offers a theory of globalization as a gigantic, directionless crisis in humanity’s symbolic organization, as well as a theory of global economic warfare as the very positing of directionlessness and, at the same time, facticity. Williams’s infrapolitics stands at a distance from the biopolitical, which it understands as domination presenting itself as the production of specific forms of subjectivity in the face of the commodity. The subsequent obscuring of being signals the need to circumvent the instrumentalization of life as subordination to the metaphysics of subjectivity, representation, and politics. Infrapolitical Passages works to confront that which is unavailable in subjectivity and representation, opening a way for facticity in the age of globalization in order to make room for the infrapolitical question for existence.
British and American Arthurian Literature Since 1800
Author: Beverly Taylor
Publisher: Boydell & Brewer Ltd
The revival of interest in Arthurian legend in the 19th century was a remarkable phenomenon, apparently at odds with the spirit of the age. Tennyson was widely criticised for his choice of a medieval topic; yet The Idylls of the Kingwere accepted as the national epic, and a flood of lesser works was inspired by them, on both sides of the Atlantic. Elisabeth Brewer and Beverly Taylor survey the course of Arthurian literature from 1800 to the present day, and give an account of all the major English and American contributions. Some of the works are well-known, but there are also a host of names which will be new to most readers, and some surprises, such as J. Comyns Carr's King Arthur, rightly ignored as a text, but a piece oftheatrical history, for Sir Henry Irving played King Arthur, Ellen Terry was Guinevere, Arthur Sullivan wrote the music, and Burne-Jones designed the sets. The Arthurian works of the Pre-Raphaelites are discussed at length, as are the poemsof Edward Arlington Robinson, John Masefield and Charles Williams. Other writers have used the legends as part of a wider cultural consciousness: The Waste Land, David Jones's In Parenthesis and The Anathemata, and the echoes ofTristan and Iseult in Finnigan's Wake are discussed in this context. Novels on Arthurian themes are given their due place, from the satirical scenes of Thomas Love Peacock's The Misfortunes of Elphin and Mark Twain's A Connecticut Yankee at King Arthur's Court to T.H. White's serio-comic The Once and Future King and the many recent novelists who have turned away from the chivalric Arthur to depict him as a Dark Age ruler. The Return of King Arthurincludes a bibliography of British and American creative writing relating to the Arthurian legends from 1800 to the present day.
We have puzzled over dreams for centuries. From ancient societies, believing dreams to be messages from the gods, Freud's theory of dreams revealing our unconscious minds to modern day experiments in psychology and neuroscience, dreams continue to fascinate but also be a source of mystery. Are dreams just mental froth or do they have a purpose? This book argues that, originally, we dreamed to survive. Dreaming brains identify non-obvious associations, taking people, places, and events out of their waking-life context to uncover complex and, seemingly, unrelated connections. In our evolutionary past, survival depended on being able to detect these divergent, associative patterns to anticipate what predators and other humans might do, as we moved around to secure food and water and meet potential mates. Making associations drives many, if not all, brain functions. In the present day, dream associations may support memory, emotional stability, creativity, unconscious decision-making and prediction, while also contributing to mental illness. Written in a lively and accessible style, and showing the reader how to identify patterns in their own dreams, this book presents a highly original theory of dreaming and will be a compelling read for anyone interested in psychology, consciousness, and the arts, as well as those involved in dream research.
Approaching disability as a cultural construction rather than a medical pathology, this book studies the impact of disability and concepts of disability on composers, performers, and listeners with disabilities, as well as on discourse about music and works of music themselves. For composers with disabilities--like Beethoven, Delius, and Schumann--awareness of the disability sharply inflects critical reception. For performers with disabilities--such as Itzhak Perlman and Evelyn Glennie--the performance of disability and the performance of music are deeply intertwined. For listeners with disabilities, extraordinary bodies and minds may give rise to new ways of making sense of music. In the stories that people tell about music, and in the stories that music itself tells, disability has long played a central but unrecognized role. Some of these stories are narratives of overcoming-the triumph of the human spirit over adversity-but others are more nuanced tales of accommodation and acceptance of life with a non-normative body or mind. In all of these ways, music both reflects and constructs disability.
From the best-selling author of Snow Falling on Cedars: a poignant, searching memoir about one man's fall into depression in the wake of a national tragedy, and his brave struggle to return to normalcy. Like most of the country and the world, David Guterson woke up on Tuesday, September 11th, 2001, not thinking history was about to change. He was in Washington, D.C., with a group of fellow writers, evaluating grant applications for the National Endowment of the Arts. But before their work day had even begun, the Pentagon was bombed; the Twin Towers were down in New York City; and havoc was wreaked irrevocably on our collective sense of happiness, security, and national pride. Scrambling to get out of the city and back home any way he could, David, along with two fellow writers, rented a car and drove 2,600 miles across the country to Seattle. But the attacks triggered something inside him, a pervasive feeling of hopelessness, fear, despair--a clinical depression that that would not go away. He lost interest in his work, family, friends--his life. Inspired by William Styron's masterful Darkness Visible, Guterson's Descent is the searing account of one man's envelopment by the darkest of human emotions, and his tunneling out. Powerful, intense, and deeply felt, it is at once personal and universally illuminating--a confession from a great literary mind who takes us on a journey of what it feels like, and means, to lose one's grasp on the world--and to find it once more, even if by fumbling in the dark.