In the deep midwinter, there's a murder to solve... Christmas is coming and the snow is falling, but with the de Luce family finances in a parlous state, Colonel de Luce has been forced to rent out the family home to a film company. For Flavia and her sisters it's as if all their belated Christmases have come at once - but filming is soon slowed by a series of nasty accidents and then brought to a halt as a heavy snowstorm cuts Buckshaw off from the outside world. As they prepare to wait out the weather, they are stunned by a gruesomely dramatic murder - and suddenly Flavia, in the midst of designing an experiment to prove the existence of Father Christmas - has another, far deadlier mystery to solve. Praise for the historical Flavia de Luce mysteries: 'The Flavia de Luce novels are now a cult favourite' Mail on Sunday 'A cross between Dodie Smith's I Capture The Castle and the Addams family...delightfully entertaining' Guardian Fans of M. C. Beaton's Agatha Raisin, Frances Brody and Alexander McCall Smith will enjoy the Flavia de Luce mysteries: 1. Sweetness at the Bottom of the Pie 2. The Weed That Strings the Hangman's Bag 3. A Red Herring Without Mustard 4. I Am Half Sick of Shadows 5. Speaking From Among the Bones 6. The Dead in Their Vaulted Arches 7. As Chimney Sweepers Come To Dust 8. Thrice the Brinded Cat Hath Mew'd 9. The Grave's a Fine and Private Place If you're looking for a cosy crime series to keep you hooked then look no further than the Flavia de Luce mysteries. * Each Flavia de Luce mystery can be read as a standalone or in series order *
From New York Times bestseller M. C. Beaton: Imagine if the rebellious sister from Downton Abbey and her maid got mixed up in murder. Captain Harry Cathcart and Lady Rose Summer have entered into an engagement of convenience-convenient for Rose, who wants to avoid being sent to India with all the other failed debutantes. Despite her considerable good looks, Rose's sharp intellect and radical ideas have served to repel her would be suitors. Rose's parents, unaware of the deception, are hardly thrilled that their only child is marrying a man in trade, but Harry comes from a good family, and at the very least, they hope he will keep their troublesome daughter out of mischief. Unfortunately, even a pretend engagement cannot save Rose from trouble. Bored with endless parties, teas, and balls, she befriends Dolly Tremaine, a beautiful young girl newly arrived from the country and overwhelmed by the demands of the Season. Rose is delighted to have a protégée but their friendship is cut tragically short when Dolly is found floating in a river. Harry is summoned immediately to help solve the mystery of Dolly's death, and to keep Rose from being the murderer's next victim. Sick of Shadows is the exciting third book in M.C. Beaton's sparkling Edwardian Murder Mysteries Series.
The Sweetness at the Bottom of the Pie, The Weed That Strings the Hangman's Bag, A Red Herring Without Mustard, I Am Half-Sick of Shadows
Author: Alan Bradley
Publisher: Delacorte Press
Award-winning author Alan Bradley is a master of the British cozy mystery, and in Flavia de Luce, he has created a wickedly clever and intrepid young sleuth, hailed as “one of the most remarkable creations in recent literature” (USA Today). Now, in this captivating eBook bundle, readers can follow Flavia as she stirs up trouble to solve the most confounding of crimes. THE SWEETNESS AT THE BOTTOM OF THE PIE “Delightful . . . [Flavia is] a combination of Eloise and Sherlock Holmes.”—The Boston Globe It is the summer of 1950—and at the once-grand mansion of Buckshaw, Flavia de Luce, an eleven-year-old aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath. For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. THE WEED THAT STRINGS THE HANGMAN’S BAG “A smart, irreverent, unsappy mystery.”—Entertainment Weekly Flavia de Luce, a genius at investigating murders, thinks that her days of crime-solving in the bucolic English hamlet of Bishop’s Lacey are over—until puppeteer Rupert Porson has his own strings sizzled in an unfortunate rendezvous with electricity. But who’d do such a thing, and why? All clues point toward a suspicious death years earlier and a case the local constables can’t solve—without Flavia’s help. But in getting so close to who’s pulling the strings of this dance of death, has Flavia gotten in way over her head? A RED HERRING WITHOUT MUSTARD “Irresistibly appealing.”—The New York Times Book Review In the hamlet of Bishop’s Lacey, the unflappable Flavia de Luce had asked a Gypsy woman to tell her fortune—never expecting to later stumble across the poor soul, bludgeoned almost to death in her own caravan. Was this an act of retribution by those convinced that the soothsayer abducted a local child years ago? As the red herrings pile up, Flavia must sort through clues fishy and foul to untangle dark deeds and dangerous secrets. I AM HALF-SICK OF SHADOWS “One of the most original, charming, devilishly creative and hilarious detectives of any age or any time.”—Bookreporter It’s Christmastime when a film crew arrives at Buckshaw, Flavia de Luce’s beloved home, to shoot a movie starring the famed Phyllis Wyvern. Amid a raging blizzard, the entire village of Bishop’s Lacey gathers to watch Wyvern perform, yet nobody is prepared for the evening’s shocking conclusion: a body found strangled to death with a length of film. Who among the assembled guests would stage such a chilling scene? As the storm worsens, Flavia must ferret out a killer hidden in plain sight.
New York Times bestselling author Alan Bradley is a master of the British cozy mystery, and in Flavia de Luce, he has created a wickedly clever and intrepid young sleuth, hailed as “one of the most remarkable creations in recent literature” (USA Today). Now readers can follow the captivating Flavia as she stirs up trouble to solve the most confounding of crimes in this six-volume eBook bundle: THE SWEETNESS AT THE BOTTOM OF THE PIE THE WEED THAT STRINGS THE HANGMAN’S BAG A RED HERRING WITHOUT MUSTARD I AM HALF-SICK OF SHADOWS SPEAKING FROM AMONG THE BONES THE DEAD IN THEIR VAULTED ARCHES Also includes an excerpt from Alan Bradley’s seventh Flavia de Luce novel, As Chimney Sweepers Come to Dust. It is the summer of 1950—and a series of inexplicable events has struck Buckshaw, the decaying English mansion that Flavia’s family calls home. A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Hours later, Flavia finds a man lying in the cucumber patch and watches as he takes his dying breath. For the appalled and delighted Flavia, an aspiring chemist with a passion for poison, life begins in earnest when murder comes to Buckshaw. Her investigation is the stuff of science: full of possibilities, contradictions, and connections. “I wish I could say I was afraid, but I wasn’t. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.” Praise for the Flavia de Luce series, winners of the Crime Writers’ Association Debut Dagger Award, Barry Award, Agatha Award, Macavity Award, Dilys Winn Award, and Arthur Ellis Award “One of the most remarkable creations in recent literature . . . Every Flavia de Luce novel is a reason to celebrate.”—USA Today “Part Harriet the Spy, part Violet Baudelaire from Lemony Snicket’s A Series of Unfortunate Events, Flavia is a pert and macabre pragmatist.”—The New York Times Book Review “Think preteen Nancy Drew, only savvier.”—Entertainment Weekly “This idiosyncratic young heroine continues to charm.”—The Wall Street Journal “Delightful . . . a combination of Eloise and Sherlock Holmes.”—The Boston Globe “The most intrepid and charming adolescent chemist/detective/busybody in all of rural, post–World War II England.”—The Seattle Times
As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.
Publisher: Oxford [England] : Oxford University Press
More than twenty thousand quotations from every era and location are combined in a comprehensive reference that also encompasses details of the earliest traceable source, birth and death dates, and career briefs for each entry, as well as a thematic and k
Parker shows the struggle with confusion and wonder about things Bishop can never make quiet or clear - about sexuality, politics, tbe burdens of imagination, the fate of the self. He explores Bishop's troubled family background and her concerns with gender and sexuality to offer new and persuasive readings of her poems and her poetic career.
Women's Ekphrastic Poetry from Marianne Moore to Susan Wheeler
Author: Jane Hedley
Publisher: University of Delaware Press
Category: Literary Criticism
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.
Avalon High, Ellie's new school, is pretty much what she'd expected. There's Lance, the hunky footballer. Jennifer, the cute cheerleader. Marco, the troublemaker. And then there's Will – the most gorgeous guy Ellie's ever met. She can hardly believe he likes HER. When Will says he thinks he's met Ellie before, things start getting a little weird. A feeling that grows as Ellie discovers the strange bonds that entwine Will, Lance, Jen, Marco – and herself. As darkness turns to danger, can Ellie stop the horrific chain of events that is about to engulf them all . . . Prophecy, myth and the legend of King Arthur come together as Ellie discovers her true destiny in Meg Cabot's New York Times bestselling Avalon High.