The Murrays are back in this thrilling new tale from New York Times bestselling author Hannah Howell . . . Responsible for protecting her younger siblings from their abusive father, Bethoc Matheson is in no position to rescue another soul in Scotland. Yet when she sees a bleeding man on the verge of drowning, that’s exactly what she does, securing him safely in a cave where she can return day after day to tend to his wounds. Sir Callum MacMillan can scarcely believe such a slight lass as Bethoc could save him from the grasp of death. But he knows the telltale marks of an angry fist on her skin, and he knows she has the soul of a fighter within her feminine frame. Raised to be a protector of the weak by his Murray clansmen, Callum would prefer to be the one saving her—and save her, he will. If he can first survive the treacherous attack that led him into her irresistible arms . . . Praise for Hannah Howell and her Highland novels... “Few authors portray the Scottish highlands as lovingly or colorfully as Hannah Howell.” —Publishers Weekly “Expert storyteller Howell pens another Highland winner.” —RT Book Reviews
An historically and critically sound - and contemporary - evaluation of tartan and tartanry based on proper contextualisation and coherent analysis. This critical re-evaluation of one of the more controversial aspects of recent debates on Scottish culture draws together contributions from leading researchers in a wide variety of disciplines, resulting in a highly accessible yet authoritative volume. This book, like tartan, weaves together two strands. The first, like a warp, considers the significance of tartan in Scottish history and culture during the last four centuries, including tartan's role in the development of diaspora identities in North America. The second, like a weft, considers the place of tartan and rise of tartanry in the national and international representations of Scottishness, including heritage, historical myth-making, popular culture, music hall, literature, film, comedy, rock and pop music, sport and 'high' culture. From Tartan to Tartanry offers fresh insight into and new perspectives on key cultural phenomena, from the iconic role of the Scottish regiments to the role of tartan in rock music. It argues that tartan may be fun, but it also plays a wide range of fascinating, important and valuable roles in Scottish and international culture.
Les Murray is one of Australia's finest poets, and a noted critic and essayist. He is also an original and controversial political thinker. Peter F. Alexander's pioneering biography reveals how this complex man endured the harshest and most anti-intellectual of childhoods to develop into one of the most famous poets writing in English today. Peter Alexander deals in absorbing and intimate detail with Murray's poverty-stricken upbringing on a New South Wales dairy farm, the terrible death of his mother when he was twelve, his miserable schooling, and his decision to become a poet. Then follow the wild years at Sydney University, the mental breakdown that led to Murray's discovery of the interior of his country, and his salvation through marriage to the beautiful Valerie Morelli. The biography details Murray's dedication to his poetry, his slow but steady rise to fame, and his role in the invigorating poetic wars that convulsed Australian writers for three decades. The book climaxes with Murray's breakdown of the late 1980s and the near-death experience that at last brought him escape from depression. This is a riveting story, told with all the psychological subtlety and narrative thrust of a good novel. It places Les Murray where he belongs, at the centre of his country literary life through the second half of the twentieth century.
El sábado 16 de diciembre de 1944 Hitler inició su “última jugada” en los bosques nevados de las Ardenas. Su intención era realizar un ataque por sorpresa que, avanzando hacia Amberes, dividiese los ejércitos aliados e hiciese posible infligirles una severa derrota: un nuevo Dunquerque que cambiase el curso de una guerra que había llegado a una situación angustiosa, con los ejércitos soviéticos avanzando en suelo alemán. El ataque, en el que intervendrían dos ejércitos blindados, se complementaba con la actuación en la retaguardia de un comando de soldados alemanes, con uniformes y vehículos norteamericanos. Como hiciera en Stalingrado, Beevor consigue aquí combinar una visión épica de la que fue la mayor batalla de la guerra en el frente occidental –una batalla librada en condiciones extremas, que llegó a implicar a un millón de hombres y en la que los dos bandos cometieron crímenes brutales- con una aproximación directa al heroísmo, el miedo y el sufrimiento de los seres humanos.
INTRODUCTION. Sir Walter Scott's "Letters on Demonology and Witchcraft" were his contribution to a series of books, published by John Murray, which appeared between the years 1829 and 1847, and formed a collection of eighty volumes known as "Murray's Family Library." The series was planned to secure a wide diffusion of good literature in cheap five-shilling volumes, and Scott's "Letters," written and published in 1830, formed one of the earlier books in the collection. The Society for the Diffusion of Useful Knowledge had been founded in the autumn of 1826, and Charles Knight, who had then conceived a plan of a National Library, was entrusted, in July, 1827, with the superintendence of its publications. Its first treatises appeared in sixpenny numbers, once a fortnight. Its "British Almanac" and "Companion to the Almanac" first appeared at the beginning of 1829. Charles Knight started also in that year his own "Library of Entertaining Knowledge." John Murray's "Family Library" was then begun, and in the spring of 1832—the year of the Reform Bill—the advance of civilization by the diffusion of good literature, through cheap journals as well as cheap books, was sought by the establishment of"Chambers's Edinburgh Journal" in the North, and in London of "The Penny Magazine."