This book investigates the development of crime fiction in the 1880s and 1890s, challenging studies of late-Victorian crime fiction which have given undue prominence to a handful of key figures and have offered an over-simplified analytical framework, thereby overlooking the generic, moral, and formal complexities of the nascent genre.
This physician’s true stories carry the reader from his roots in rural America into a turbulent Congo devastated by dictator Mobutu’s excesses; into refugee camps on Cambodia’s border, a Cambodia ravaged by dictator Pol Pot; into the Artibonite Valley beside Haitian peasants victimized by dictator Baby Doc Duvalier’s bungling; and into an interlude working with the Lakota, Chippewa, and Quinault Tribes of Native Americans. Medical Doctor Jim Fett says, “I want the reader to garner a sense of sharing and searching in the lives and stories of these persons who deal with victory and defeat, life and death, healing and hope.”
This book is a literary analysis of J.M. Barrie’s Peter Pan in all its different versions -- key rewritings, dramatisations, prequels, and sequels -- and includes a synthesis of the main critical interpretations of the text over its history. A comprehensive and intelligent study of the Peter Pan phenomenon, this study discusses the book’s complicated textual history, exploring its origins in the Harlequinade theatrical tradition and British pantomime in the nineteenth century. Stirling investigates potential textual and extra-textual sources for Peter Pan, the critical tendency to seek sources in Barrie’s own biography, and the proliferation of prequels and sequels aiming to explain, contextualize, or close off, Barrie’s exploration of the imagination. The sources considered include Dave Barry and Ridley Pearson’s Starcatchers trilogy, Régis Loisel’s six-part Peter Pan graphic novel in French (1990-2004), Andrew Birkin’s The Lost Boys series, the films Hook (1991), Peter Pan (2003) and Finding Neverland (2004), and Geraldine McCaughrean’s "official sequel" Peter Pan in Scarlet (2006), among others.
The film Hero, directed by Zhang Yimou and released in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster. A big expensive film with multiple stars, spectacular scenery, and astonishing action sequences, it touched on key questions of Chinese culture, nation and politics, and was both a domestic sensation and an international hit. This book explores the reasons for the film’s popularity with its audiences, discussing the factors which so resonated with those who watched the film. It examines questions such as Chinese national unity, the search for cultural identity and role models from China’s illustrious pre-communist past, and the portrayal of political and aesthetic values, and attitudes to gender, sex, love, and violence which are relatively new to China. The book demonstrates how the film, and China’s growing film industry more generally, have in fact very strong international connections, with Western as well as Chinese financing, stars recruited from the East Asian region more widely, and extensive interactions between Hollywood and Asian artists and technicians. Overall, the book provides fascinating insights into recent developments in Chinese society, popular culture and cultural production.
Psychiatry has undergone a dynamic evolution in the last 40 years, an evolution to which Dr. Louis West made many contributions. Psychiatry today and Dr. West's career are intertwined in a mosaic of interaction. It is therefore fitting that this compilation of essays in honor of Dr. West is entitled The Mosaic of Contemporary Psychiatry: Current Perspectives. The papers collectively form a snapshot of the field of psychiatry today. Each chapter offers a historical perspective of the topic discussed, followed by a description of modern day issues and a look at the future of psychiatry. This book will enhance the knowledge and technical skills of psychiatrists as well as other clinicians in the mental health care field.
The Saffron Connection is a story about how people’s minds are easily corrupted by money, or the promise of money. Loyalties are forgotten. Previous character traits are bent in a dangerous direction, while the characters become somebody they never intended to be. The story takes place in Italy and stretches to Switzerland and overseas. But are humans able to learn from their missteps?
Smoke. Shadows. Moody strains of jazz. Welcome to the world of "noir musical" films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. In her pioneering study, Music in the Shadows, film noir expert Sheri Chinen Biesen explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. While noir musical films like A Star Is Born include musical performances, their bleak tone and expressionistic aesthetic more closely resemble the visual style of film noir. Their narratives unfold behind a stark noir lens: distorted, erratic angles and imbalanced hand-held shots allow the audience to experience a tortured, disillusioned perspective. While many musicals glamorize the quest for the spotlight in Hollywood's star factory, brooding noir musical films such as Blues in the Night, Gilda, The Red Shoes, West Side Story, and Round Midnight stretch the boundaries of film noir and the musical as film genres collide. Deep shadows, dim lighting, and visual composition evoke moodiness, cynicism, pessimism, and subjective psychological points of view. As in her earlier study of film noir, Blackout: World War II and the Origins of Film Noir, Biesen draws on extensive primary research in studio archives to situate her examination within a historical, industrial, and cultural context. -- Brian Taves, author of Thomas Ince: Hollywood's Independent PioneerThomas Schatz, The University of Texas at Austin
In the bestselling sequel to Find You in the Dark, A. Meredith Walters continues the emotional story of Maggie, Clay, and the power of unconditional love. How do you keep going when you feel like your life is over? Maggie never thought she’d see Clay again. So, she attempts to put her life back together after her heart has been shattered to pieces. Moving on and moving forward, just as Clay wanted her to. Clay never stopped thinking of Maggie. Even after ripping their lives apart and leaving her behind to get the help he so desperately needed. He is healing…slowly. But his heart still belongs to the girl who tried to save him. When a sudden tragedy brings Maggie and Clay face-to-face again, nothing is the same. Yet some things never change. Can the darkness that threatened to consume them be transformed into something else and finally give them what they always wanted? And can two people who fought so hard to be together, finally find their happiness? Or will their demons and fear drive them apart for good? The thing about love is that even when it destroys you, it has a way of mending what is broken. And in the shadows, you can still see the light.
Psychopolitical Aspects of Myth and Reality in Israel, Revised Edition
Author: Erel Shalit
Publisher: Fisher King Press
In an era in which all seemed to dwell in the self-imposed solitary confinement of virtual reality, life in vitro behind the screen, the young take to the streets and gather in the squares. Attempting to break the bonds of oppressive regimes and cold-hearted mammonism, they have raised their voice across the globe, demanding freedom, solidarity, and justice. Will these voices persevere to withstand the strong, silencing forces of darkness, of ruthlessness and oppression? Will the Voice of Wisdom be listened to, so that we may "dwell safely, without fear of evil." (Prov. 1:33) The Hero and His Shadow: Psychopolitical Aspects of Myth and Reality in Israel introduces a psychological perspective on the history, development, and myths of modern Israel. The realization of Zionism relied on the pioneer, who revolted against the Way of the Father and sought spiritual redemption through the revival of Mother Earth in the ancient land. Myth and history, psyche and matter are constantly intertwined in the birth and development of Israel, for example when in the Declaration of Independence we are told that pioneers make deserts bloom, the text actually says they make spirits blossom. Pioneer, guardsman and then warrior were admired hero-ideals. However, in the shadow of the hero and the guiding myths of revolt, redemption, strength and identity-change, are feelings of despair, doubt, weakness and fear. Within renewal, lurks the threat of annihilation. Suppressed aspects of past and present myths, which linger in the shadow, are exposed. Psychological consequences of Israel's wars, from independence to the present war of terror, are explored on a personal note and from a psychoanalytic perspective. Shadow aspects of the conflicting guiding myths Peace and Greater Israel are examined, as well as mythical connections, such as between Jerusalem and the respective archetypal images of Wholeness and Satan.
The Shadow Hero is based on the adventures of the Green Turtle, who solved crimes and fought injustice just like any other comics hero of the 1940s. But this mysterious masked crusader was hiding something more than your run-of-the-mill secret identity . . . The Green Turtle was the first Asian American superhero. Now, New York Times–bestselling author Gene Luen Yang has created a riveting, hilarious, and moving origin story for the Green Turtle. With artwork by the unmatched Sonny Liew, this gorgeous graphic novel about heroism and heritage is also a loving tribute to the long, rich tradition of American superhero comics.