'As someone who respects comprehensive research, I am in awe of the level of detail and amount of time Philip Errington has dedicated to this slavishly thorough and somewhat mind-boggling bibliography.' J. K. Rowling This is the definitive bibliography of the writings of J. K. Rowling. In addition to complete bibliographic details of each edition of all her books, pamphlets and original contributions to published works, there is detailed information on the publishing history of her work, including fascinating extracts from correspondence, and information on Rowling at auction. This will be the first source on Rowling consulted by textual scholars, book dealers and collectors, auction houses, critics and researchers. The aim of the book is to record fact and dispel rumour on the fascinating publishing history of the Harry Potter series.
Convergencies from a historical and typological perspective
Author: Paolo Ramat
Publisher: John Benjamins Publishing
Category: Language Arts & Disciplines
This volume is a collection of 12 papers which originated from a research project on ‘Europe and the Mediterranean from a linguistic point of view: history and prospects’. The papers deal with specific morphosyntactic aspects of language structure and evolution. The comparative perspective is adopted both from a synchronic (typological) and a diachronic (historical) angle, focusing in particular on possible contact phenomena. Therefore, methodological key words of this book are areal typology and linguistic area. The issues addressed cover such diverse aspects of language structure and change as verb morphology, relative clause formation, Noun Phrase determination, demonstrative systems, possessive markers in Noun Phrases, conjunctive, disjunctive and adversative constructions, non-canonical object marking, impersonal constructions, reduplication and early translations of the Gospels. These topics are discussed particularly in relation to Romance, Germanic, Celtic and Semitic languages, both modern and ancient. This book will interest researchers in typological, historical, functional and general linguistics.
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 2,0, Technical University of Braunschweig (Englisches Seminar), course: British Popular Culture, 14 entries in the bibliography, language: English, abstract: When adapting a book into a film, different decisions have to be made concerning the narration, tense, point of view, and other formal devices. (Cf. Whelehan 1999: 9) This essay examines the differences and similarities between the novel Harry Potter and the Philosopher’s Stone and its film adaptation. It points out problems that occur when transposing a text to screen, and raises the question of the film’s authenticity towards the novel. Firstly, different critics are going to be scrutinized to get a better understanding of the discrepancy between literary criticism and film studies. Secondly, the characteristics of each medium shall be pointed at, combined with possible arising advantages and disadvantages. The following section evaluates the fictional source Harry Potter and the Philosopher’s Stone versus the filmic source, asking the question of the primary importance of the origin text. For a concise analysis of book and film, I provide a sequence protocol and chapter record in the appendix. Lastly, I want to consider the issue of popular culture, and examine the question of the demand of popular literature to be turned into a film. The focus of examination will always be the first Harry Potter book and film version, although some references to the later volumes are made. Yet, it would go beyond the scope of this paper to consider all written and filmic sources of the Harry Potter phenomenon.
Seminar paper from the year 2018 in the subject English - Literature, Works, Karlsruhe University of Education, language: English, abstract: The following essay aims to find answers to the question of how the combination of several different genres contributes to the fascination of the Harry Potter novels. This will, due to space restrictions, be achieved through an exemplary analysis of the three genres that were amongst the most frequently mentioned in connection with the Harry Potter books: Fantasy, the folktale, and the school story. Before taking a closer look at the three major genres of Harry Potter, the following chapter will first of all briefly define the concept of genre in general, give a short explanation of how genres can be used in terms of marketing strategies and of how they can influence the reader. The main emphasis of the essay will be on the following three chapters that are more or less constructed equally and contain in each case one of the above-mentioned genres. In the first part of each chapter, the genre will be defined and examined according to its origins, followed by an analysis of the main characteristics that constitute each genre. Subsequently, the characteristics of each genre will be analysed within Harry Potter and the Philosopher’s Stone, to show that Rowling’s book series actually incorporates the different genres. Finally, it will be illustrated, how the three different genres affect the reader, leading to the fascination of the novels. As the fantasy genre influences all the others, this genre will be presented first and the most extensive, followed by the folktale and ultimately the school story.
Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: very good, University of Erfurt (Anglistics/ American Studies), 7 entries in the bibliography, language: English, abstract: 1. Introduction It’s beyond doubt that J.K. Rowling’s Harry Potter books are one of the biggest surprise and success in literature history. They influenced the youths’ reading habits in a never known way. What is this great success founded on? This question can’t be answered sweepingly. The reasons are many-sided. In my opinion, an important reason is the combination of the youths’ real world with the fantastic and mystic world. The youths find their real experiences at school, with parents, friends and enemies combined with a realm of witchcraft, symbols superhuman skills and dangerous adventures. But a lot of youths know a big part of the mystic world, too. Subconsciously the old fairy tales and legends are waked up again. And so the fascination from childhood days is swinging in the background while reading Harry Potter. The youth find again well-known symbols and myths, e.g. mystic numbers, ghosts, struggle between good and evil, transformation and invisibility, animals like dragons, owls, rats and mystic places like a dark wood, an old hut, secret passageways etc. But they discover or learn about new aspects of the mystic world by reading Harry Potter, e.g. the wish for never ending life, the philosopher’s stone, desire and craving, meaning of unicorn or the search for wisdom. They get new experiences and see some new aspects of their own life. These delicate net of myths and symbols woven in the books make they very exiting for adults, too. Besides some new ideas, there are a lot of traditional symbols and myths with different origins and meanings. In this paper I am describing only the most important symbols and myths. I am going to explain the general meaning from history and the specific meaning in Harry Potter and the Philosopher’s Stone. [...]
Seminar paper from the year 2007 in the subject English - Literature, Works, grade: 1,0, Ernst Moritz Arndt University of Greifswald (Anglistik/ Amerikanistik), language: English, abstract: Table of contents 1 Why do we have to teach literature? 1.1 Tasks of literature: Cultural Enrichment, Language Enrichment, Personal Involvement 1.2 Teaching fiction in school 1.3 Criteria for text selection 2 The phenomenon „Harry Potter“ 2.1 Task proposals to teach „Harry Potter“ 3 Reading activities 3.1 Pre-reading activities 3.2 While-reading activities 3.3 Post-reading activities 4 Conclusion about teaching Harry Potter 5 5. Bibliography 5.1 Book sources 5.2 Internet sources
Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play received its world premiere in London’s West End on 30th July 2016. It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.
This thoroughly revised edition includes updated essays on cultural themes and literary analysis, and its new essays analyze the full scope of the seven-book series as both pop cultural phenomenon and as a set of literary texts. Critical Perspectives on Harry Potter, Second Edition draws on a wider range of intellectual traditions to explore the texts, including moral-theological analysis, psychoanalytic perspectives, and philosophy of technology. The Harry Potter novels engage the social, cultural, and psychological preoccupations of our times, and Critical Perspectives on Harry Potter, Second Edition examines these worlds of consciousness and culture, ultimately revealing how modern anxieties and fixations are reflected in these powerful texts. ("DISCLAIMER: This book is not authorized, approved, licensed, or endorsed by J.K. Rowling, Warner Bros. Entertainment Inc., or anyone associated with the Harry Potter books or movies.")
Pre-University Paper from the year 2010 in the subject English - Literature, Works, grade: 15,00 Punkte, , language: English, abstract: J. K. Rowling's famous Harry Potter series which started with Harry Potter and the Philosopher's Stone in 1997 is commonly known as a fantasy story. This is due to the fact that its most striking aspect is magic which is a typical sign for an ordinary fantasy novel. Accordingly, there has to be something more important than magic in the story in order to make it as popular, interesting and fascinating as it is. Of course magic is highly important for Harry Potter's popularity and to make a difference between the series and any other school story. Without magic the series would probably have been less popular than it is now, since it would not have been something special. The story is neither only a fantasy story nor is it only a school story. It is something less striking that is -at least- as important as magic for the series. In the following Detective Mystery will be explained and revealed as one of the most important elements of Harry Potter and the Chamber of Secrets. Moreover this paper seeks to prove that magic is not even necessary for the story itself.