Detectives work the streets--an arena of action, vice, lust, greed, aggression, and violence--to gather shards of information about who did what to whom. They also work the cumbersome machinery of the justice system--semi-military police hierarchies with their endless jockeying for prestige, procedure-driven district attorney offices, and backlogged courts--transforming hard-won street knowledge into public narratives of responsibility for crime. Street Stories, based on years of fieldwork with the New York City Police Department and the District Attorney of New York, examines the moral ambiguities of the detectives' world as they shuttle between the streets and a bureaucratic behemoth. In piecing together street stories to solve intriguing puzzles of agency and motive, detectives crisscross the checkerboard of urban life. Their interactions in social strata high and low foster cosmopolitan habits of mind and easy conversational skills. And they become incomparable storytellers. This book brims with the truth-is-stranger-than-fiction violence of the underworld and tells about a justice apparatus that splinters knowledge, reduces life-and-death issues to arcane hair-splitting, and makes rationality a bedfellow of absurdity. Detectives' stories lay bare their occupational consciousness--the cunning and trickery of their investigative craft, their self-images, moral rules-in-use, and judgments about the players in their world--as well as their personal ambitions, sensibilities, resentments, hopes, and fears. When detectives do make cases, they take satisfaction in removing predators from the streets and helping to ensure public safety. But their stories also illuminate dark corners of a troubled social order.
In the past few years, Detroit bandmates Jack and Meg White have in conjunction with a stream of similar-minded bands, revitalised rock music. Their sound is raw, stripped right back -- back to the primal fury and alienation of bluesmen like Son House and protopunks The Stooges and the MC5. In the Stripes' hard knocks hometown of Detroit, an entire scene has emerged -- rudimentary, primordial garage rock championed by legendary names such as Mick 'Dirtbombs' Collins, Jack White's own Third Man Records, Electric Six and producer Jim Diamond. Over in Brooklyn meanwhile, loft parties are all the rage -- illegal happenings put on in abandoned buildings, fuelled by vodka stills and loud music, featuring names such as Yeah Yeah Yeahs, Liars and Oneida. Writer Everett True has already covered much of this music in his own underground rock magazine Careless Talk Costs Lives. Now he goes public with his passion, delving deep into the lives of the personalities who make up the scenes -- the countless hours touring, the celebrity girlfriends, the parties, the power and the people.