Making, Matting, Mounting, Embellishing, Displaying and More
Author: Katie DuMont
Publisher: Lark Books
Category: Crafts & Hobbies
“Fundamentals are covered in some detail, complete with photographs and step-by-step illustrations. Twenty-two crafty projects feature a variety of techniques, from faux gilded to Indian quill frames...tips for arranging, hanging, and decorating with pictures. An idea gallery ready for implementation.”—Booklist.
Since 1973, Storey's Country Wisdom Bulletins have offered practical, hands-on instructions designed to help readers master dozens of country living skills quickly and easily. There are now more than 170 titles in this series, and their remarkable popularity reflects the common desire of country and city dwellers alike to cultivate personal independence in everyday life.
A pioneering study of a unique narrative form, Words about Pictures examines the special qualities of picture books--books intended to educate or tell stories to young children. Drawing from a number of aesthetic and literary sources, Perry Nodelman explores the ways in which the interplay of the verbal and visual aspects of picture books conveys more narrative information and stimulation than either medium could achieve alone. Moving from "baby" books, alphabet books, and word books to such well-known children's picture books as Nancy Ekholm Burkert's Snow White and the Seven Dwarfs, Gerald McDermott's Arrow to the Sun, Maurice Sendak's Where the Wild Things Are, and Chris Van Allsburg's The Garden of Abdul Gasazi, Nodelman reveals how picture-book narrative is affected by the exclusively visual information of picture-book design and illustration as well as by the relationships between pictures and their complementary texts.
A Mother's Photographs, a Prosecutor's Zeal, and a Small Town's Response
Author: Lynn Powell
Publisher: The New Press
Category: Family & Relationships
The harrowing true story of a mother whose innocent photos of her daughter resulted in child pornography charges—“an enthralling book” (Robert Coles). When Oberlin, Ohio, resident Cynthia Stewart dropped off eleven rolls of film at a drugstore near her home, she had no idea that two snapshots of her eight-year-old daughter would cause the county prosecutor to arrest her, take her away in handcuffs, threaten to remove her child from her home, and charge her with crimes that carried the possibility of sixteen years in prison. Thankfully, Cynthia’s community came to her defense and supported her through the long legal battle. In Framing Innocence, poet and author Lynn Powell—who was one of Cynthia’s neighbors—brilliantly probes the many questions raised: when does a photograph of a naked child cross the line from innocent snapshot to child pornography? When does a prosecution cross the line from vigorous to overzealous? When does the parent, and when does the state, know best? This “fascinating . . . immediate and compelling” story plumbs the perfect storm of events that put a loving family in a small American town at risk (Booklist). “[A] well-written, absorbing book.” —The Plain Dealer
Situations of conflict offer special insights into the history of the interpreter figure, and specifically the part played in that history by photographic representations of interpreters. This book analyses photo postcards, snapshots and press photos from several historical periods of conflict, associated with different photographic technologies and habits of image consumption: the colonial period, the First and Second World War, and the Cold War. The book’s methodological approach to the "framing" of the interpreter uses tools taken primarily from visual anthropology, sociology and visual syntax to analyse the imagery of the modern era of interpreting. By means of these interpretative frames, the contributions suggest that each culture, subculture or social group constructed its own representation of the interpreter figure through photography. The volume breaks new ground for image-based research in translation studies by examining photographic representations that reveal the interpreter as a socially constructed category. It locates the interpreter’s mediating efforts at the core of the human sciences. This book will be of interest to researchers and advanced students in translation and interpreting studies, as well as to those working in visual studies, photography, anthropology and military/conflict studies.