For The Sake Of Heaviness is an inside look at how Brian Slagel built Metal Blade Records from a one-man operation in his mom's non-air-conditioned garage to the preeminent international home of heavy music that it is today. As a metal-obsessed Southern California kid, he cobbled together what he assumed would be a one-off compilation of fledgling bands from the LA scene. Released in 1982, the Metal Massacre LP included the debut recordings of Ratt, Metallica, and others. In the wake of the album's unexpected success Slagel stumbled into creating a proper record label and issued the first releases by Bitch, Armored Saint, and Slayer the following year.In this book, Brian shares his insights into signing and working with Amon Amarth, As I Lay Dying, Behemoth, The Black Dahlia Murder, Cannibal Corpse, Cirith Ungol, Corrosion of Conformity, Fates Warning, Gwar, King Diamond and Mercyful Fate, Lizzy Borden, Manowar, Sacred Reich, Six Feet Under, Trouble, Unearth, Whitechapel, and others.Featuring insights and extended guest interviews featuring friends, colleagues, Metal Blade staffers, and a long list of artists—including Metallica's James Hetfield, Slayer's Kerry King, King Diamond, and more—For The Sake Of Heaviness is, first and foremost, Brian Slagel's personal conversation about his life's passion, and the passion that drives Metal Blade: finding, exposing, and promoting the best heavy music on the planet.
Elena Weaver, in her skimpy dresses and bright jewellery, exuded intelligence and sexuality. A student at St Stephen's College, Cambridge, she lived a life of casual but intense physical and emotional relationships, with scores to settle and targets to achieve. Until someone, lying in wait on the bank of the River Cam, where Elena went running every morning, bludgeoned the young woman to death. Called into the rarefied world of academia, Inspector Thomas Lynley and his partner Barbara Havers find a tangled skein of love, obsession and desire - a maelstrom of emotion that has claimed Elena Weaver's life.
In Journey to the End of Islam, Michael Muhammad Knight — whose work has led to him being hailed as both the Jack Kerouac and Hunter S. Thompson of American Islam — wanders through Muslim countries, navigating between conflicting visions of his religion. Visiting holy sites in Pakistan, Syria, Egypt, and Ethiopia, Knight engages both the puritanical Islam promoted by Saudi globalization and the heretical strands of popular folk Islam: shrines, magic, music, and drugs. The conflict of “global” and “local” Islam speaks to Knight’s own experience approaching the Islamic world as a uniquely American Muslim with his own sources: the modern mythologies of the Nation of Islam and Five Percenters, as well as the arguments of Progressive Muslim thinkers for feminism and reform. Knight’s travels conclude at Islam’s spiritual center, the holy city of Mecca, where he performs the hajj required of every Muslim. During the rites of pilgrimage, he watches as all variations of Islam converge in one place, under the supervision of Saudi Arabia’s religious police. What results is a struggle to separate the spiritual from the political, Knight searching for a personal relationship to Islam in the context of how it's defined by the external world.
This is the extended and annotated edition including * an extensive biographical annotation about the author and his life Calvin produced commentaries on most of the books of the Bible. His commentaries cover the larger part of the Old Testament, and all of the new excepting Second and Third John and the Apocalypse. His commentaries and lectures stand in the front rank of Biblical interpretation. This edition is volume two out of four of Calvin's commentaries on the four last books of Moses, arranged in the form of a harmony.
This is the extended and annotated edition including * an extensive biographical annotation about the author and his life Calvin produced commentaries on most of the books of the Bible. His commentaries cover the larger part of the Old Testament, and all of the new excepting Second and Third John and the Apocalypse. His commentaries and lectures stand in the front rank of Biblical interpretation. This edition is volume one out of four of Calvin's commentaries on the four last books of Moses, arranged in the form of a harmony.