Facing the Music investigates the practices and ideas that have grown from some five decades of cultural diversity in music education, developments in ethnomusicology, and the rise of 'world music'. Speaking from rich, hands-on experience of more than thirty years at various levels of music education (music in schools, community organizations and professional training courses), Huib Schippers makes a powerful case for the crucial role of learning music in shaping rich and diverse musical environments for the 21st century, both in practical terms and at a conceptual level: "what we hear is the product of what we believe about music." Advocating a contemporary, positive and realistic approach to cultural diversity in music education and transmission, Schippers advocates taking into account and celebrating the natural dynamics of music. He argues that "most music travels remarkably well", and regards every musical act as an expression of the 'here and now', as do many of the musicians and scholars he quotes. In this way, he challenges stifling directives to recreate 'authentic contexts', which in fact constantly change (and have always changed) in the cultures of origin as well. This liberates music educators to seek with integrity appropriate ways of presenting music at all levels of education: in schools, community settings, and professional training. In seven succinct chapters that each approach the issues from a different angle, Schippers gradually unfolds the complexities of learning and teaching music 'out of context' in an accessible manner, and presents a coherent model to approach these, as well as lucid suggestions for translating the resulting ideas in practice. While mapping the various factors that determine all acts of music transmission, he also comes to surprising insights into the nature and preconceptions underlying much formal music education settings across the world, including those focusing on western classical music. Facing the Music provides a rich resource for reflection and practice for all those involved in teaching and learning music, from policy maker to classroom teacher.
Jennifer Knapp’s meteoric rise in the Christian music industry ended abruptly when she walked away and came out publicly as a lesbian. This is her story—of coming to Christ, of building a career, of admitting who she is, and of how her faith remained strong through it all. At the top of her career in the Christian music industry, Jennifer Knapp quit. A few years later, she publicly revealed she is gay. A media frenzy ensued, and many of her former fans were angry with what they saw as turning her back on God. But through it all, she held on to the truth that had guided her from the beginning. In this memoir, she finally tells her story: of her troubled childhood, the love of music that pulled her through, her dramatic conversion to Christianity, her rise to stardom, her abrupt departure from Christian Contemporary Music, her years of trying to come to terms with her sexual orientation, and her return to music and Nashville in 2010, when she came out publicly for the first time. She also talks about the importance of her faith, and despite the many who claim she can no longer call herself a believer, she maintains that she is both gay and a Christian. Now an advocate for LGBT issues in the church, Jennifer has witnessed heartbreaking struggles as churches wrestle with issues of homosexuality and faith. This engrossing, inspiring memoir will help people understand her story and to believe in their own stories, whatever they may be.
Facing the Music is a book about worship leading. But it is also a book about much more than just the act of leading or the theory of leadership. It dives deep into the calling, spirit and motivation of the worship leader. It invites us to move beyond "singing the song" and towards "becoming the song." It speaks of worship not as something we do, but rather something we are. It celebrates a lifestyle of worship and leads us to a level of transparency and intimacy before Jesus Christ. Facing the Music may challenge your preconceptions about worship leading-it may make you uncomfortable about some things. But in the end, the call, as A.W. Tozer once said, to "Take worship out of the hands of man and place it in the hands of God where it belongs," rings loud and clear throughout its passages. Dr. Robert Dusek is the Worship and Arts Pastor at Centerpoint Community Church in Arvada, Colorado. Prior to being called to the ministry, Dr. Dusek toured as a concert pianist and had several of his compositions and performances published and recorded. His passion now is for a rebirth of authenticity and transparency in the worship of God, and to that end he has worked with and coached several Denver area praise teams and has been a proponent of multi-church praise and worship gatherings. Robert lives at home with his wife whom he loves and his dog whom he tolerates.
A lively, captivating story set in the Glastonbury Festival that will appeal to all fans of contemporary fiction, especially festival goers, music lovers and those interested in family relationships. The release of the book coincides with the start of the festival season this June. Facing the Music is a vibrant, uplifting novel that will transport readers to the very heart of the Glastonbury Festival, setting their pulses racing from the start. Without moving from their seats, readers will be swept up by the crowds and immersed in the sights and sounds of this extraordinary event, soaking up the atmosphere, absorbing the energy and experiencing the rain, the mud and the toilets. Readers will explore Glastonbury with the central character, Gary Cochrane, whose rebellious teenagers are straining to break free and assert their independence. Gary is a single parent who is desperate to cling onto his children, but he’s hiding a secret that starts to force them apart. He made a pledge and he intends to keep it - but the festival has a way of exposing the truth, and Gary is no longer master of his own fate... This page-turning novel explores family relationships, love, loss and betrayal. Facing the Music is a vivid portrayal of Glastonbury itself: an iconic festival that, once a year, turns a sleepy valley in the south west of England into a small city; a non-stop festival of lights, colour and noise; a festival bursting with excitement and surprises, with the power to change a life forever. Tim Thorogood’s influences include contemporary novelists such as Nick Hornby, David Nicholls and SJ Watson. He plans to donate half of all profits to the three charities that Glastonbury currently supports - Greenpeace, Water Aid and Oxfam. Readers’ comments – “very evocative”, “really nails Glastonbury”, “I liked the mix of darkness and humour”, “it made the whole Glastonbury experience come to life”.
When going for a drink with her boyfriends sister, Ryana, an attractive girl, realising its no ordinary pub, but a brothel, she runs away. The owner, Harry Trimboli wants her and caught her, but she escapes to her boyfriend Richard who had just passed his violin examination. As Richard is playing with the Symphony Orchestra, Ryana watches him on television and excitedly phones her brother Nicholas in New York when theres a knock on the door calling fl owers. When she sees its Harry, she screams as he drugs her and takes her to an old house he just bought. Nicholas still on the phone alerts police who are there when Richard arrives home to fi nd out Ryanna has been kidnapped, and blaming himself he smashes his violin.
Facing the Music, Larry Brown’s first book, was originally published in 1988 to wide critical acclaim. As the St. Petersburg Times review pointed out, the central theme of these ten stories “is the ageless collision of man with woman, woman with man--with the frequent introduction of that other familiar couple, drinking and violence. Most often ugly, love is nevertheless graceful, however desperate the situation.” There’s some glare from the brutally bright light Larry Brown shines on his subjects. This is the work of a writer unafraid to gaze directly at characters challenged by crisis and pathology. But for readers who are willing to look, unblinkingly, along with the writer, there are unusual rewards.
In this sizzling and hilarious contemporary e-book romance, pop sensation Ivy Hudson returns to her small town to face her ex. Only trouble is, she made her Taylor-Swift-like career with the hit song “Size Matters”—and the football hero has had to live it down ever since. Five years ago, high school sweethearts Ivy and Blake’s relationship imploded and both their lives were changed forever. Ivy became a rock star and Blake lost not only his dreams of a successful NFL career, but his reputation. Ivy’s angry song about their breakup, called “Size Matters,” hit the top of the charts and Blake became a national laughingstock. He’s salvaged his career and returned to Rosewood to be the high school football coach, regaining his status as town hero and leading the boys to the state championships. When a tornado whips through town and destroys the high school gymnasium and stadium, a committee is formed to help rebuild and plan some charity fundraisers. Blake’s grandmother requests that Ivy return to Rosewood for the events. Forced back together for the good of their hometown and their careers, Ivy and Blake have no choice but to put aside their differences, stop running from their pasts, and finally face the music. For fans of Kristen Proby and Colette Auclair, Facing the Music hits a perfect balance between small-town romance and big-time success. Follow Ivy and Blake as they fall back in love and figure out what does matter in the end…
Facing the Music explores the dark side of ambition and the ambiguous passions which surround creativity. Duncan Bayle is a successful composer whose genius has faltered. He blames his problems on the sudden and inexplicable disappearance of his daughter, Anna, whom he has long regarded as his muse. Duncan believes that if he is to work again, Anna must return. But she had good cause to leave and even better reason to stay away.
Julian Rush is a United Methodist minister who served churches in Dallas, Denver, Boulder, and Colorado Springs for 17 years until his suppressed homosexual orientation surfaced. With Julian's acknowledgement of his sexuality, in the early '80s, First United Methodist Church of Boulder decided he was no longer suitable to minister to the congregation and chose to stop paying his salary. Julian's situation with the Boulder church and United Methodism became widely publicized as the denomination continued to grapple with the issue of homosexuality. This is Julian's own record of his struggles with being unacknowledged as a gay child, his religion, family and community both before and after the discovery of his orientation and the reaction of those his life has touched. These include persons who are non-gay but supportive, gays and lesbians who are out, non-supportive persons, and an outpouring of pain and suffering from those closeted people who could not reveal themselves. Through a tortuous journey, Julian continues to discover his niche in communities that can benefit from his ministry. He last served as Executive Director for the Colorado AIDS Project as an appointed United Methodist minister. This is the story of how it all began.