A suspicious death, a pregnant woman suddenly gone missing: Quirke's latest case leads him inexorably toward the dark machinations of an old foe Perhaps Quirke has been down among the dead too long. Lately the Irish pathologist has suffered hallucinations and blackouts, and he fears the cause is a brain tumor. A specialist diagnoses an old head injury caused by a savage beating; all that's needed, the doctor declares, is an extended rest. But Quirke, ever intent on finding his place among the living, is not about to retire. One night during a June heat wave, a car crashes into a tree in central Dublin and bursts into flames. The police assume the driver's death was either an accident or a suicide, but Quirke's examination of the body leads him to believe otherwise. Then his daughter Phoebe gets a mysterious visit from an acquaintance: the woman, who admits to being pregnant, says she fears for her life, though she won't say why. When the woman later disappears, Phoebe asks her father for help, and Quirke in turn seeks the assistance of his old friend Inspector Hackett. Before long the two men find themselves untangling a twisted string of events that takes them deep into a shadowy world where one of the city's most powerful men uses the cover of politics and religion to make obscene profits. Even the Dead--Benjamin Black's seventh novel featuring the endlessly fascinating Quirke--is a story of surpassing intensity and surprising beauty.
In 1987 Mike Robbins, a 30-year-old London journalist, decided on a change of lifestyle and signed up for two years as an overseas volunteer. Some weeks later he found himself standing with his luggage in the middle of a featureless baked-earth plain in Eastern Sudan. It was over 100 deg F in the shade. And there was no shade. This is Robbins's account of the two years that followed, working with the Sudan Government in the last months of a failed democratic experiment, as the country coped with hundreds of thousands of refugees in the aftermath of the 1980s famine. But it is also a personal account of life as a development volunteer in a surprising, sometimes inspiring, country.
Even the Dead Have a Story to Tell by Tramain Fitzgerald is an intriguing story surrounding the lives of several young men from the 'hood' in New Jersey, who have been transplanted in Memphis, TN, where their mothers' hope is for them to start a 'new life.' Unfortunately, as teens they experience difficulty fitting into this gang-ridden area ruled by the East Coast and West Coast gangs, but initially keep his information to themselves. Try as they might to avoid being 'sucked in,' they find it impossible to create a lifestyle and, taking up with another young man, the three become the mind, body, and soul of the Blue Terrains. Now they not only become rivals with the other gangs, but are also up against corrupt cops hiding in the shadows. This fascinating tale depicts a sense of danger and the excitement of the game, but also shares the sad side of this lifestyle--death, secrets kept, and a mother's tears—certain to hold to the reader's attention to the very end.
This collection tracks across the political and emotional landscape of twenty years of South African experience. It makes available again the poems from Inside (1983); together with poems from Even the Dead (1997)
When the H1N1 “Swine Flu” virus mutates it begins to not only kill those who have received the vaccination, but also bring on the unthinkable: the dead reanimate. Cole Helman and his friends are not only survival experts, they’ve spent hours discussing and preparing for just this event and quickly head to the hills before the cities become clogged with looting and riots. But the group knows all too well that the living dead are just the beginning of their problems, and they’ll eventually have to deal with the worst qualities of the living—desperation, greed, selfishness, and cruelty—in this new post-apocalyptic world. And a chance encounter at a secret military installation may reveal a conspiracy bigger than any of them had imagined… Straight out of the apocalypse comes the chronicle of one small group and their experiences with life and death, survival and loss. In a world of the living dead, is one man capable of maintaining not only his community, but his own sanity?
Will Self possesses one of the greatest literary imaginations of any writer working today. How the Dead Live is his most extraordinary book yet—a novel that will challenge, entertain, and truly astonish. Lily Bloom is an aging American transplanted to England who has lost her battle with cancer and lies wasting away at the Royal Ear Hospital. As her two daughters—lumpy Charlotte, who runs a hugely successful chain of stationery stores called Waste of Paper, and beautiful Natasha, a junkie—buzz around her and the nurses pump her full of morphine, Lily slides in and out of the present, taking us on a surreal, opinionated trip through the stages of a lifetime of lust and rage. A career girl in the 1940s, a sexed-up, tippling adulteress in the 1950s and ‘60s, a divorced PR flak in the 1970s and ‘80s, Lily presents us with a portrait of America and England over sixty years of riotous and unreal change. And then it’s over: Lily catches a cab with the aboriginal wizard Phar Lap Jones, her guide to the shockingly banal world of the dead. It’s a world that is surreal but familiar, where she again works in PR and rediscovers how great smoking is, where her cohabitants include Rude Boy, the son who died at age nine and now swears a blue streak, and three eyeless, murmuring wraiths, the Fats—composed of the pounds, literally the whole selves, she lost and gained over her lifetime. As Lily settles into her nonexistence, the most difficult challenge for this staunchly difficult woman is how to understand that she’s dead, and how to leave the rest behind. How the Dead Live is an unforgettable portrait of the human condition, the struggle with life and with death. It’s a novel that will disturb and provoke, the work, in the words of one British reviewer, “of a novelist writing at the height of his powers.”
The Posthumous Salvation of Non-Christians in Early Christianity
Author: Jeffrey A. Trumbower
Publisher: Oxford University Press
Christianity is a religion of salvation in which believers have always anticipated post-mortem bliss for the faithful and non-salvation for others. Here, Trumbower examines how and why death came to be perceived as such a firm boundary of salvation. Analyzing exceptions to this principle from ancient Christianity, he finds that the principle itself was slow to develop and not universally accepted in the Christian movement's first four hundred years. In fact, only in the West was this principle definitively articulated, due in large part to the work and influence of Augustine.
A new mystery series starring a Memphis crime scene photographer with ghostly assistance Jackie Lyons, a former vice detective with the Memphis Police Department, is trying to put her life back together. Her husband has served her with divorce papers, she's broke, and her apartment has just gone up in flmaes. But a failed marriage, unemployment, and an incinerated home aren't her only problems: she also sees ghosts. Since Jackie left her job with the MPD, she's been making ends meet by photographing crime scenes for her old friends on the force, and for the occasional collector. When she's called to the murder scene of the Playhouse Killer's latest victim, she starts seeing crime scenes from a different perspective-- her new camera captures spectral images. As her camera brings her ghostly visitors into sharper relief, it also points her toward clues the ex-detective in her won't let go: Did the man she has just started dating kill his wife? Is the Playhouse Killer someone in her inner circle? As Jackie works to separate natural from supernatural, friend from foe, and light from dark, the spirit world and her own difficult past become the only things she can depend on to solve the case.