This new edition of Dr. Faustus presents the play in its original spelling with extensive commentary and textual apparatus. Based on the edition of 1604, the book includes an introduction that presents a new theory of the text and its transmission, and appendices that outline differenttheories of the text and provide both the alternative passages from the 1616 edition and extracts from The English Faustbook, which was the play's principal source.
Doctor Faustus exists in two versions, both of which were edited from performances in the time of Marlowe. Both are considered to be authentic, but there are notable differences, both the b text containing additional scenes as well as different wording. Doctor Faustus: A text Written to help students make the transition from GCSE to AS/A level; Contains a detailed introductory section that puts the play in its historical context; Provides in-depth textual notes; Contains exam-style questions; Includes carefully selected extracts from key critical works on the play; Offers additional study skills for AS and A2 learning.
Doctor Faustus, is Christopher Marlowe's most popular play and is often seen as one of the overwhelming triumphs of the English Renaissance. It has had a rich and varied critical history often arousing violent critical controversy. This guide offers students an introduction to its critical and performance history, surveying notable stage productions from its initial performance in 1594 to the present and including TV, audio and cinematic versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated biography provide a basis for further individual research.
Doctor Faustus is a classic; its imaginative boldness and vertiginous ironies have fascinated readers and playgoers alike. But the fact that this play exists in two early versions, printed in 1604 and 1616, has posed formidable problems for critics. How much of either version was written by Marlowe, and which is the more authentic? Is the play orthodox or radically interrogative? Michael Keefer’s early work helped to establish the current consensus that the 1604 text was censored and revised; the Keefer edition, praised for its lucid introduction and scholarship, was the first to restore two displaced scenes to their correct place. Most competing editions presume that the 1604 text was printed from authorial manuscript, and that the 1616 text is of little substantive value. But in 2006 Keefer’s fresh analysis of the evidence showed that the 1604 quarto’s Marlovian scenes were printed from a corrupted manuscript, and that the 1616 quarto (though indeed censored and revised) preserves some readings earlier than those of the 1604 text. This edition has been updated and revised. Keefer’s critical introduction reconstructs the ideological contexts that shaped and deformed the play, and the text is accompanied by textual and explanatory notes and excerpts from sources.
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Key Features: Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms
"The Longman Anthology of British Literature, Volume 1B: The Early Modern Period, 3/E" is a comprehensive and thoughtfully arranged anthology that offers a rich selection of major British authors throughout the Early Modern Period. The book includes Perspectives, Companion Readings, and "and Its Time" sections which show how major literary writings interrelate with and respond to various social, historical, and cultural events of Great Britain in the Early Modern period. With a generous representation of fiction, drama, and poetry, the second edition includes major additions of important works and an expanded illustration program. Fresh and up-to-date introductions and notes are written by an editorial team whose members are all actively engaged in teaching and in current scholarship, and illustrations show both artistic and cultural developments of the Early Modern Period. For those interested in British Literature of the Early Modern Period.
The goal of this anthology is to present a wealth of poetry, prose, and drama from the full sweep of the literary history of the British Isles, and to do so in ways that will bring out both the works' original cultural contexts and their lasting aesthetic power.-