The most likeable serial killer on the block is back... 'Dark, devious and devilishly funny' Evening Telegraph Being a blood spatter analyst who hates the sight of blood has always made Dexter's work for the Miami PD tough. But it means he's very neat when it comes to his out-of-hours hobby: murder. Of course, the fact Dexter only kills bad people helps too. Now Dex is facing a disturbing situation. He's used to blood at work, and blood when he's out with the dark passenger (the voice that guides him on his deadly outings). But he's not sure what to make of the man who says blood is art. Using bodies as his canvas, someone is out there expressing themselves in the most lethal and painful of ways. If Dexter's to escape the scalpel and avoid becoming the latest exhibit, he needs somewhere to run... and he might just have found the perfect place. With his wedding looming, completing his nice-guy disguise, Dexter's honeymoon might just save his skin. From the most original voice in crime fiction, DEXTER BY DESIGN is an enthralling, macabre and gruesomely entertaining thriller.
"Back from his surprisingly glorious honeymoon in Paris, Miami blood spatter analyst Dexter Morgan is one step closer to perfecting his human disguise...But old habits die hard...and Dexter's work for the Miami Police Department never fails to offer up ne
Dexter Morgan: Police forensic analyst. Family man. Serial killer. And the star of Showtime’s most-watched series, Dexter. Aimed at Dexter devotees and armchair psychologists, The Psychology of Dexter takes on the psychological complexities of the popular series with an eye towards insight and accessibility. It analyzes not just the title character, but his family, coworkers, and even his viewers. What makes Dexter tick? And what makes a show about a serial killer so appealing to those of us at home? From the implications of faking normalcy (could it be behind Dexter’s still-in-progress emotional growth?) to where the show weighs in on the psychological debate between nature and nurture, The Psychology of Dexter gives fans a peek inside Dexter’s—and Dexter’s—psyche.
What explains the huge popular following for Dexter, currently the most-watched show on cable, which sympathetically depicts a serial killer driven by a cruel compulsion to brutally slay one victim after another? Although Dexter Morgan kills only killers, he is not a vigilante animated by a sense of justice but a charming psychopath animated by a lust to kill, ritualistically and bloodily. However his gory appetite is controlled by “Harry’s Code,” which limits his victims to those who have gotten away with murder, and his job as a blood spatter expert for the Miami police department gives him the inside track on just who those legitimate targets may be. In Dexter and Philosophy, an elite team of philosophers don their rubber gloves and put Dexter’s deeds under the microscope. Since Dexter is driven to ritual murder by his “Dark Passenger,” can he be blamed for killing, especially as he only murders other murderers? Does Dexter fit the profile of the familiar fictional type of the superhero? What part does luck play in making Dexter who he is? How and why are horror and disgust turned into aesthetic pleasure for the TV viewer? How essential is Dexter’s emotional coldness to his lust for slicing people up? Are Dexter’s lies and deceptions any worse than the lies and deceptions of the non-criminals around him? Why does Dexter long to be a normal human being and why can’t he accomplish this apparently simple goal?
'Law and Justice on the Small Screen' is a wide-ranging collection of essays about law in and on television. In light of the book's innovative taxonomy of the field and its international reach, it will make a novel contribution to the scholarly literature about law and popular culture. Television shows from France, Canada, the United Kingdom, Germany, Spain and the United States are discussed. The essays are organised into three sections: (1) methodological questions regarding the analysis of law and popular culture on television; (2) a focus on genre studies within television programming (including a subsection on reality television), and (3) content analysis of individual television shows with attention to big-picture jurisprudential questions of law's efficacy and the promise of justice. The book's content is organised to make it appropriate for undergraduate and graduate classes in the following areas: media studies, law and culture, socio-legal studies, comparative law, jurisprudence, the law of lawyering, alternative dispute resolution and criminal law. Individual chapters have been contributed by, among others: Taunya Banks, Paul Bergman, Lief Carter, Christine Corcos, Rebecca Johnson, Stefan Machura, Nancy Marder, Michael McCann, Kimberlianne Podlas and Susan Ross, with an Introduction by Peter Robson and Jessica Silbey.
With 1.7 million copies of the Dexter novels sold, and ever-increasing critical acclaim, Jeff Lindsay returns to his groundbreaking and beloved character with his most entertaining book yet. Get ready for a grisly send-up of Hollywood, and a full dose of dark Dexter wit. Lights. Camera. Mayhem. You won't find this story on television. Hollywood gets more than it bargained for when television's hottest star arrives at the Miami Police Department and develops an intense, professional interest in a camera-shy blood spatter analyst named Dexter Morgan. Mega-star Robert Chase is famous for losing himself in his characters. When he and a group of actors descend on the Miami Police Department for "research," Chase becomes fixated on Dexter Morgan, the blood spatter analyst with a sweet tooth for doughnuts and a seemingly average life. To perfect his role, Chase is obsessed with shadowing Dexter's every move and learning what really makes him tick. There is just one tiny problem . . . Dexter's favorite hobby involves hunting down the worst killers to escape legal justice, and introducing them to his special brand of playtime. It's a secret best kept out of the spotlight and away from the prying eyes of bloated Hollywood egos if Dexter wants to stay out of the electric chair. The last thing he needs is bright lights and the paparazzi. . . but even Dexter isn't immune to the call of fame. Jeff Lindsay's razor sharp, devilish wit, and immaculate pacing prove that he is in a class of his own, and this new novel is his most masterful creation yet.
Serial killer Dexter Morgan reevaluates his life views upon the birth of his daughter and investigates the disappearance of a teenage girl who has been running with a group of goths rumored to be engaging in cannibalism.
List of Dexter Characters, Dexter Morgan, Rita Bennett, Lumen Pierce, Debra Morgan, Arthur Mitchell, María Laguerta
Author: Source: Wikipedia
Publisher: Books LLC, Wiki Series
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 43. Chapters: List of Dexter characters, Dexter Morgan, Rita Bennett, Lumen Pierce, Debra Morgan, Arthur Mitchell, Mar a LaGuerta, Angel Batista, James Doakes, Harry Morgan, Joey Quinn, Vince Masuka. Excerpt: This is a list of characters from the Showtime TV series Dexter and the Jeff Lindsay novels, including Darkly Dreaming Dexter (on which the show was based), Dearly Devoted Dexter, Dexter in the Dark, Dexter by Design, and Dexter is Delicious. Dexter Morgan (born Moser) is the main character and narrator of the series. Dexter is a forensics expert and blood spatter analyst employed by the Miami Metro Police Department, but has a double life as a serial killer. As young boys, he and his older brother Brian witnessed the murder of their mother, Laura Moser, and were left for two days in a shipping container filled with blood. The incident left them psychologically scarred. Soon afterwards, Dexter was adopted by Harry Morgan, who hoped to help repress his memory of the death of his mother. However, he soon realized that Dexter had an insatiable urge to kill that would begin to intensify. Harry, frustrated with the amount of people who avoided justice, decided to train Dexter as a killer who would target and dispatch other killers. Dexter considers himself emotionally divorced from the rest of humanity; in his narration, he often refers to "humans" as if he is not one of them. Dexter makes frequent references to an internal feeling of emptiness, leading to several attempts in his youth to "feel alive." Dexter claims to have no feelings or conscience and that all of his emotional responses are part of a well-rehearsed act to conceal his true nature. In the first season of the television series he had no interest in romance or sex; this changed when he became involved with Lila in the second season. He initially considered his rela...