No country is as misunderstood as North Korea, and no modern tyrant has remained more mysterious than the Dear Leader, Kim Jong Il. Now, celebrity ghostwriter Michael Malice pulls back the curtain to expose the life story of the "Incarnation of Love and Morality." Taken directly from books spirited out of Pyongyang, DEAR READER is a carefully reconstructed first-person account of the man behind the mythology. From his miraculous rainbow-filled birth during the fiery conflict of World War II, Kim Jong Il watched as his beloved Korea finally earned its freedom from the cursed Japanese. Mere years later, the wicked US imperialists took their chance at conquering the liberated nation—with devastating results. But that's only the beginning of the Dear Leader's story. In DEAR READER, Kim Jong Il explains: *How he can shrink time *Why he despises the Mona Lisa *How he recreated the arts in Korea *Why the Juche idea is the greatest concept ever discovered by man *How he handled the crippling famine *Why Kim Jong Un was chosen as successor over his elder brothers With nothing left uncovered, drawing straight from dozens of books, hundreds of articles and thousands of years of Korean history, DEAR READER is both the definitive account of Kim Jong Il's life and the complete stranger-than-fiction history of the world's most unique country.
The moving and joyous story of how books can change your life, packed with recommendations from one reader to another
Author: Cathy Rentzenbrink
Publisher: Pan Macmillan
Category: Biography & Autobiography
From the Sunday Times bestselling author of The Last Act of Love, Dear Reader is the ultimate love letter to reading and to finding the comfort and joy in stories. 'Exquisite' - Marian Keyes, author of Grown Ups 'A warm, unpretentious manifesto for why books matter’ - Sunday Express Growing up, Cathy Rentzenbrink was rarely seen without her nose in a book and read in secret long after lights out. When tragedy struck, it was books that kept her afloat. Eventually they lit the way to a new path, first as a bookseller and then as a writer. No matter what the future holds, reading will always help. A moving, funny and joyous exploration of how books can change the course of your life, packed with recommendations from one reader to another.
The Conscripted Audience in Nineteenth-century British Fiction
Author: Garrett Stewart
Category: Literary Criticism
"Ready now, reader? Easy then. That should put you in the right historical frame of mind, put you in mind of the right historical frame. For it did seem easier then, certainly more relaxed. Like the addressed and otherwise rendered nineteenth-century reader who is my subject of study, you are invited to take it slow while we back our way into the last century. We do so by moving from an unexpected modernist send-up of Victorian direct address, an early twist of phrase in E. M. Forster's 1907 The Longest Journey, to the underlying aesthetic of classic realism on which even this one rhetorical irony is by no means intended to pull the plug. On the way back to the nineteenth century, certain realist assumptions help mark out our course."--from Dear Reader With the "great tradition" from Austen through Dickens and Eliot to Hardy read here for the first time alongside the non-canonical best-sellers of the period, we get a revised picture of an evolving readership narrated rather than merely implied, the mass audience conscripted, written with, figured in. Redirecting response aesthetics away from the a priori reader function toward this reader figure, Garrett Stewart's Dear Reader intercepts two tendencies in the recent criticism of fiction: the blanket audience determinations of ideological critique and the thinness of historicizing discourse analysis when divorced from literary history's own discursive field.
In his single-poem sequence, Dear Reader, Bruce Bond explores the metaphysics of reading as central to the way we negotiate a world—the evasions of our gods and monsters; our Los Angeles in flames; the daily chatter of our small, sweet, and philosophical beasts. In light of an imagined listener and the world taken as a whole, Bond sees the summons of the self in the other, and in the way the other in the self informs our sacrifices and reckoning, our speechless hesitations, our jokes and our rituals of loss. Every moment of personal and political life, interpretation holds the page of the human face, not far but far enough, and all the while, beneath our gaze, the subtext that is no text at all, where the old argument between universals and particulars breaks down, exhausted, and the real in the imagined is, by necessity, renewed.
“Imaginative, exhilarating, genre-bending, and one of the best YA novels of the year.” —BookRiot “An audacious tale. Like much classic literature and like growing up, reading this immersive novel is all about the experience.” —The Horn Book An IndieNext Pick! Gilmore Girls meets Wuthering Heights in Mary O'Connell's Dear Reader, a whip-smart, poignant, modern-day take on Emily Brontë’s classic novel. For seventeen-year-old Flannery Fields, the only respite from the plaid-skirted mean girls at Sacred Heart High School is her beloved teacher Miss Sweeney’s AP English class. But when Miss Sweeney doesn't show up to teach Flannery's favorite book, Wuthering Heights, leaving behind her purse, Flannery knows something is wrong. The police are called, and Flannery gives them everything—except Miss Sweeney's copy of Wuthering Heights. This she holds onto. And good thing she does, because when she opens it, it has somehow transformed into Miss Sweeney's real-time diary. It seems Miss Sweeney is in New York City—and she's in trouble. So Flannery does something very unFlannery-like: she skips school and sets out for Manhattan, with the book as her guide. But as soon as she arrives, she meets a boy named Heath. Heath is British, on a gap year, incredibly smart—yet he's never heard of Albert Einstein or Anne Frank. In fact, Flannery can't help thinking that he seems to have stepped from the pages of Brontë's novel. Could it be that Flannery is spending this topsy-turvy day with her ultimate fictional romantic hero, Heathcliff, reborn in the twenty-first century?
There's a lot of good to be said about publishing, mainly about the food. The books, though - Robert Dubois feels as if he's read the books, but still they keep coming back to him, the same old books just by new authors. Maybe he's ready to settle into the end of his career, like it's a tipsy afternoon after a working lunch. But then he is confronted with a gift: a piece of technology, a gizmo, a reader... Dear Reader takes a wry, affectionate look at the world of publishing, books and authors, and is a very funny, moving story about the passing of the old and the excitement of the new. Paul Fournel was born in 1947. He worked as a publisher with Ramsay and Seghers, and chaired the Société des gens de lettres. He was head of the Alliance Française in San Francisco, and a cultural attaché in Cairo and London. He now writes full time and cycles during the rest of the day. As a third full-time job, he is the Provisionally Definitive Secretary and President of the literary collective known as Oulipo, whose members have included George Perec and Italo Calvino, among many others. He is also the author of numerous novels, short stories, plays, memoirs, and poetry. David Bellos is Director of the Program in Translation and Intercultural Communication at Princeton University, where he is also Professor of French and Comparative Literature. He has won many awards for his translations of Georges Perec, Ismail Kadare and others, including the Man Booker Translator Award, and received the Prix Goncourt de la biographie for George Perec: A Life in Words.
A wry commentary on the weirdness of modern life. This is a book for anyone who has wondered how we inhabit this surreal world with a new set of youngsters that live in the fantasyland and although are experts in Whatsapp, Facebook, Twitter plus all the gadgets you can imagine, they do not know the difference between a Picasso and a Warhol painting let alone discerning Chopin from Debussy. Someone once said that the Orientals invented gunpowder to use for fireworks during the festive seasons only to have the West turn it into a base for destruction by producing firearms. Man’s use of modern science, be it nuclear power, television, smart phones, motor cars, information technology including the monstrous Internet can all be consider in a similar vein. Although the potential to improve mankind’s short stay on this planet with the use of these new discoveries and inventions is there, man somehow continues to allow evil to creep in and dominate over good. This is a highly entertaining and witty collection of tales based around the follies and fascinations of modern technology and philosophical analysis as well as stories that are based on fact. Managing simultaneously to be both humorous and serious, the author portrays a variety of scenarios in which man becomes increasingly dominated and influenced by his own machines and bizarre creations. Other narratives take the form of anecdotes or personal adventures where human dram plays a central role. There is something for everyone; even computer lovers will be entertained and amused by the author’s images of the future in a collection of pieces which could be described as modern morality fables, albeit with some rather original and unexpected twists.
A Study Guide for James Tate's "Dear Reader," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.