Auto/Biography and Identity

Women, Theatre and Performance

Author: Maggie B B. Gale

Publisher: Manchester University Press


Category: Performing Arts

Page: 260

View: 712

Arguing that women use autobiography and performance for expression and as a means of controlling their public and private selves, the contributors of these 11 essays examine the lives and work of a variety of artists ranging from actors as working women in the eighteenth century to monologists and performance artists today. Subjects include several performers, including Alma Ellerslie, Kitty Marion, Ina Rozant, Susan Glaspell, Adrienne Kennedy, Emma Robinson, Lena Ashwell, Tilly Wedekind, Clare Dowie, Janet Cardiff, Tracey Emin, and, in an interview, Bobby Baker, as well as essays on Latina theater and lesbians as performers constructing themselves and their community. Annotation : 2005 Book News, Inc., Portland, OR (

Text & Presentation, 2004

Author: Stratos E. Constantinidis

Publisher: McFarland


Category: Performing Arts

Page: 252

View: 361

Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 28th annual conference held in Columbus, Ohio. Topics covered include Euripides, German and Russian theatre, dramatic antecedents of the striptease, surrogate love in The Glass Menagerie, surrealist drama, Greek comedy and the American concept musical, and theatre and politics.

Performing Blackness

Enactments of African-American Modernism

Author: Kimberley W. Benston

Publisher: Routledge


Category: Literary Criticism

Page: 404

View: 814

Performing Blackness offers a challenging interpretation of black cultural expression since the Black Arts Movement of the 1960s. Exploring drama, music, poetry, sermons, and criticism, Benston offers an exciting meditation on modern black performance's role in realising African-American aspirations for autonomy and authority. Artists covered include: * John Coltrane * Ntozake Shange * Ed Bullins * Amiri Baraka * Adrienne Kennedy * Michael Harper. Performing Blackness is an exciting contribution to the ongoing debate about the vitality and importance of black culture.


A Suspense Thriller

Author: Doris Miller

Publisher: Hill Publications


Category: Fiction

Page: 572

View: 698

DANGEROUS DANA is a Mystery, Suspense, Thriller about a young gorgeous Caribbean woman living in New York who gets revenge by killing people, living a secret double life as a murderer. DANGEROUS DANA involves fistfights, chokings, stalkings, arrests, jail time, prison time and murders. Dana is muscular and is a physically strong person, especially when angry. She fights like a boxer and is very well known for breaking people's bones when she fights. She believes in fighting fire with fire. Is she a savior or is she a psycho? Is she a vigilante or is she a homicidal maniac?

Modern American Drama: Playwriting in the 1960s

Voices, Documents, New Interpretations

Author: Mike Sell

Publisher: Bloomsbury Publishing


Category: Literary Criticism

Page: 344

View: 491

The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).

African American Women Playwrights

A Research Guide

Author: Christy Gavin

Publisher: Routledge


Category: Literary Criticism

Page: 264

View: 112

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Black Theatre Movement in the United States and in South America

Author: Olga Barrios Herrero

Publisher: Universitat de València


Category: Literary Criticism

Page: 244

View: 905

El creixement dels moviments sociopolítics entre els anys seixanta i noranta als Estats Units i a Sud-àfrica va establir els ferms fonaments sobre els quals, amb una força i ímpetu sense precedents, es va forjar el teatre negre d'aquests anys. Forma i contingut van sorgir a l'una del compromís polític i artístic adoptat per aquests artistes contra l'imperialisme, el colonialisme i el racisme occidentals. Per primera vegada en la història, el teatre negre dels Estats Units i de Sud-àfrica analitzava i valorava les arrels negres per a poder il·luminar la recerca d'un futur de llibertat. No obstant això, el context sociopolític i les circumstàncies específiques de cada país han generat igualment els trets distintius del teatre afronord-americà i negre sud-africà (incloses les diferències de gènere) manifestos en ramificacions artístiques totalment heterogènies i úniques.

The Concise Oxford Companion to African American Literature

Author: William L. Andrews

Publisher: Oxford University Press


Category: Literary Criticism

Page: 512

View: 884

A breathtaking achievement, this Concise Companion is a suitable crown to the astonishing production in African American literature and criticism that has swept over American literary studies in the last two decades. It offers an enormous range of writers-from Sojourner Truth to Frederick Douglass, from Zora Neale Hurston to Ralph Ellison, and from Toni Morrison to August Wilson. It contains entries on major works (including synopses of novels), such as Harriet Jacobs's Incidents in the Life of a Slave Girl, Richard Wright's Native Son, and Lorraine Hansberry's A Raisin in the Sun. It also incorporates information on literary characters such as Bigger Thomas, Coffin Ed Johnson, Kunta Kinte, Sula Peace, as well as on character types such as Aunt Jemima, Brer Rabbit, John Henry, Stackolee, and the trickster. Icons of black culture are addressed, including vivid details about the lives of Muhammad Ali, John Coltrane, Marcus Garvey, Jackie Robinson, John Brown, and Harriet Tubman. Here, too, are general articles on poetry, fiction, and drama; on autobiography, slave narratives, Sunday School literature, and oratory; as well as on a wide spectrum of related topics. Compact yet thorough, this handy volume gathers works from a vast array of sources--from the black periodical press to women's clubs--making it one of the most substantial guides available on the growing, exciting world of African American literature.

Mathematical Foundations of Computer Science 2005

30th International Symposium, MFCS 2005, Gdansk, Poland, August29-September 2. 2005, Proceedings

Author: Joanna Jedrzejowicz

Publisher: Springer


Category: Computers

Page: 814

View: 317

This volume contains the papers presented at the 30th Symposium on Mathematical Foundations of Computer Science (MFCS 2005) held in Gdansk, Poland from August 29th to September 2nd, 2005.

Beyond Visibility

Feminism, Performance, and the Dramatic Text

Author: Johanna Frank




Page: 426

View: 374