Christopher Isherwood Encyclopedia

Author: David Garrett Izzo

Publisher: McFarland

ISBN:

Category: Literary Criticism

Page: 198

View: 609

This comprehensive and accessible reference work serves Isherwood scholars who need quick access to people, places, novels, stories, essays and plays, introduces Isherwood to those who know little of him, expands the knowledge of the literate general reader, and refreshes teachers of literature with Isherwood details. Entries on Isherwood’s most influential friends, including W.H. Auden, Aldous Huxley and Stephen Spender, are significant. Included are all of the monumental “roles” Isherwood exemplified during his life—writer, rebel, gay-activist hero, and proud exponent of the Eastern philosophy known as Vedanta.

The Spenser Encyclopedia

Author: Albert Charles Hamilton

Publisher: University of Toronto Press

ISBN:

Category: Reference

Page: 858

View: 260

A reference book for scholarship on Edmund Spenser offering a detailed, literary guide to his life, works and influence. Over 700 entries by 422 contributors, an index and extensive bibliography.

Anatole Litvak

The Life and Films

Author: Michelangelo Capua

Publisher: McFarland

ISBN:

Category: Performing Arts

Page: 220

View: 465

During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films--along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956)--are considered classics, but his pictures don't offer many clues about Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work. This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as "an adept, adaptable and prolific man; the kind of director that Hollywood likes best."