THE STORY: In the fast-moving milieu of Madison Avenue, social drinking is almost an occupational necessity, and one that fast-rising young Joe Clay adopts with too ready ease. Unfortunately the girl he meets and marries shares his proclivity, and
FARCE-An unexpected hit off Broadway THE CAPTAIN-Heroism from an unexpected source, real or imagined? BOND, JAMES BOND-The de-glamorized version of 007. Southern style. Bobbie Burns would understand this one-A DAY AT THE BEACH GROWING PAINS-Do we ever forget those special moments of childhood? HOW I MADE COLONEL THE HARD WAY-Improbable story of success. THE CRITIQUE-What a writer doesn't learn in Creative Writing class. CASANOVA JONES; A BASEBALL STORY-Curves, fastballs & indigestion. THE JEWELS OF KINGDOM EXCELSIOR-A Poe story within a story. MARK TWAIN SEZ-Ever wonder who wrote down all those famous quotes? WAR STORY-Chain of command frustrations; why things don't get done. TRAILER PARK BLUES-Stories of life and love in an upscale trailer park. SIDNEY, AN AMERICAN TRAVELER-Stick out American with cheek. IS ARCHEOLOGY REALLY A SCIENCE? Playful look at archeology. MORE SHORT STORIES ESSAYS AND A FABLE
With one of the longest and most controversial careers in Hollywood history, Blake Edwards is a phoenix of movie directors, full of hubris, ambition, and raving comic chutzpah. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Lubitsch, Sturges, Wilder. Like Wilder, Edwards’s propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, Days of Wine and Roses, and even The Pink Panther, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards’s Darling Lili nearly sunk the both of them and brought Paramount Studios to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, as he simultaneously fought the Hollywood tide and rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known.
A dazzling anthology of short stories by some of our most popular and well-loved writers to raise money for Breast Cancer Care: Diana Appleyard, Charlotte Bingham, Elizabeth Buchan, Mavis Cheek, Tracy Chevalier, Amanda Craig, Edwina Currie, Helen Dunmore, Barbara Erskine, Nicci Gerrard, Maeve Haran, Wendy Holden, Angela Lambert, David Lodge, Val McDermid, Hilary Mantel, Edna O'Brien, Imogen Parker, Sandi Toksvig, Barbara Toner, Joanna Trollope, Lynne Truss, Salley Vickers. It also includes three stories from the winners of the Woman & Home Short Story Competition and a foreword by Jerry Hall. At least a £1 from every book sold will go to Breast Cancer Care: www.breastcancercare.org.uk
In 1975, David Thomson published his Biographical Dictionary of Film, and few film books have enjoyed better press or such steady sales. Now, thirty-three years later, we have the companion volume, a second book of more than 1,000 pages in one voice—that of our most provocative contemporary film critic and historian. Juxtaposing the fanciful and the fabulous, the old favorites and the forgotten, this sweeping collection presents the films that Thomson offers in response to the question he gets asked most often—“What should I see?” This new book is a generous history of film and an enticing critical appraisal written with as much humor and passion as historical knowledge. Not content to choose his own top films (though they are here), Thomson has created a list that will surprise and delight you—and send you to your best movie rental service. But he also probes the question: after one hundred years of film, which ones are the best, and why? “Have You Seen . . . ?” suggests a true canon of cinema and one that’s almost completely accessible now, thanks to DVDs. This book is a must for anyone who loves the silver screen: the perfect confection to dip into at any point for a taste of controversy, little-known facts, and ideas about what to see. This is a volume you’ll want to return to again and again, like a dear but argumentative friend in the dark at the movies.
The Man Who Saved New York offers a portrait of one of New York’s most remarkable governors, Hugh L. Carey, with emphasis on his leadership during the fiscal crisis of 1975. In this dramatic and colorful account, Seymour P. Lachman and Robert Polner’s examine Carey’s youth, military service, and public career against the backdrop of a changing, challenged, and recession-battered city, state, and nation. It was Carey’s leadership, Lachman and Polner argue, that helped rescue the city and state from the brink of financial and social ruin. While TV comedians mocked and tabloids shrieked about the Big Apple’s rising muggings, its deteriorating public services, and the threats and walkouts by embattled police, firefighters, and teachers, all amid a brutal recession, Carey and his team managed to hold on and ultimately prevailed, narrowly preventing a huge disruption to the state, national, and global economy. At one point, the city came within a few hours of having to declare itself incapable of paying its debts and obligations, but in the end stability and consensus prevailed, and America’s largest city stayed out of bankruptcy court. The center held. Based on extensive interviews with Carey and his family, as well as numerous friends, observers, and former advisors, including Steven Berger, David Burke, John Dyson, Peter Goldmark, Judah Gribetz, Richard Ravitch, and Felix Rohatyn, The Man Who Saved New York aims to place Carey and his achievements at the center of the financial maelstrom that met his arrival in Albany. While others were willing to let the city go into default, Carey was strongly opposed, since it would not only affect the state as a whole but would have reverberations both nationally and internationally. In recounting the 1975 rescue of New York City and the aftershocks that nearly sank the state government, Lachman and Polner illuminate the often-volatile interplay among elite New York bankers, hard-nosed municipal union leaders, the press, and influential conservatives and liberals from City Hall to the Albany statehouse to the White House. Although often underappreciated by the public, it was Carey’s force of will, wit, intellect, judgment, and experiences that allowed the state to survive this unparalleled ordeal and ultimately to emerge on a stronger footing. Further, Lachman and Polner argue, Carey’s accomplishment is worth recalling as a prime example of how governments—local, state, and federal—can work to avoid the renewed the threat of bankruptcy that now confronts many overstretched states and localities.
Marvin Dozier has an innate creative ability. He is quick to point out that "the male/female relationship is like a wheel in constant motion; always moving, but sometimes going nowhere". He has created personalized poems for the individual or couple; which truly reads as though they themselves have written it. He has a keen insight into the feelings within the many people for whom he created a poem. This experience, in combination with his two practiced Masters; one in Social Work; the other in Human Services; has provided him with a well-rounded understanding of people he engages. His book is a compilation of selected pieces of original work; spanning over four decades. He examines the Male/Female relationship through a series of poems, prose, and essays. He presents a unique understanding of the various stages and phases within the female/male relationship; writing from both perspectives of the correlation; exposes the ups, downs, love, joy, anger, hopes, dreams, fantasies, truth, lies, deceit, honesty, drama, stability; changes, bitter and sweet, failures and successes. It is experiential and imagination. His feelings are spilled upon the pages, for the most part, from an experiential nature. He carefully portrays the relationships, which - at times - make you look for the tear-stains upon the paper; or causing you to look to the sky for the rainbows he writes about; or the roses in the garden or vase. He takes you into yourself and allows you to clearly identify with that of which he writes . . .