What Is Cinema?

Author: André Bazin

Publisher: Univ of California Press

ISBN:

Category: Performing Arts

Page: 207

View: 967

"Although André Bazin died shortly before the onset of what we now regard as the modern cinema, our understanding of this cinema wouldn't be the same without him. He's also one of the most scrupulous humanists and polemicists we've had, on a par with George Orwell, and these essays map out the busy highways we're all still navigating."—Jonathan Rosenbaum, film critic for the Chicago Reader "What Is Cinema? remains an invaluable—and beautiful—landmark in film and media studies. In both my research and my classrooms I return to these essays again and again—not only for the richness of their arguments but also for their passionate belief that the cinema is a form of revelation vital to our lives."—Vivian Sobchack, Professor, Department of Film, Television, and Digital Media, University of California, Los Angeles

Remapping World Cinema

Identity, Culture and Politics in Film

Author: Stephanie Dennison

Publisher: Wallflower Press

ISBN:

Category: Performing Arts

Page: 203

View: 211

"Covering a broad scope, this collection examines the cinemas of Europe, East Asia, India, Africa and Latin America, and will be of interest to scholars and students of film studies, cultural studies and postcolonial studies, as well as to film enthusiasts keen to explore a wider range of world cinema."--Jacket.

The Emergence of Cinema

The American Screen to 1907

Author: Charles Musser

Publisher: Univ of California Press

ISBN:

Category: Performing Arts

Page: 613

View: 733

Looks at the early years of the motion picture industry through 1907.

An Accented Cinema

Exilic and Diasporic Filmmaking

Author: Hamid Naficy

Publisher: Princeton University Press

ISBN:

Category: Performing Arts

Page: 374

View: 524

An overview of the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of the text. The text presents comprehensive and global coverage of this genre.

The Cinema of Isolation

A History of Physical Disability in the Movies

Author: Martin F. Norden

Publisher: Rutgers University Press

ISBN:

Category: Performing Arts

Page: 384

View: 316

Filmmakers have often encouraged us to regard people with physical disabilities in terms of pity, awe, humor, or fearas "Others" who somehow deserve to be isolated from the rest of society. In this first history of the portrayal of physical disability in the movies, Martin Norden examines hundreds of Hollywood movies (and notable international ones), finds their place within mainstream society, and uncovers the movie industry's practices for maintaining the status quokeeping people with disabilities dependent and "in their place." Norden offers a dazzling array of physically disabled characters who embody or break out of the stereotypes that have both influenced and been symptomatic of societys fluctuating relationship with its physically disabled minority. He shows us "sweet innocents" like Tiny Tim, "obsessive avengers" like Quasimodo, variations on the disabled veteran, and many others. He observes the arrival of a new set of stereotypes tied to the growth of science and technology in the 1970s and 1980s, and underscores movies like My Left Foot and The Waterdance that display a newfound sensitivity. Nordens in-depth knowledge of disability history makes for a particularly intelligent and sensitive approach to this long-overlooked issue in media studies.

Cinema II

Author: Gilles Deleuze

Publisher: A&C Black

ISBN:

Category: Philosophy

Page: 352

View: 123

Offers a fascinating analysis of the representation of time in film and the cinematic treatment of memory, thought and speech, and looks at the work of Godard, Hitchcock and Welles.

Costume and Cinema

Dress Codes in Popular Film

Author: Sarah Street

Publisher: Wallflower Press

ISBN:

Category: Performing Arts

Page: 112

View: 472

Costume and Cinema: Dress Codes in Popular Film presents an overview of the literature on film costume, together with a series of detailed case studies which highlight how costume is a key signifier in film texts. Sarah Street demonstrates how costume relates in fundamental ways to the study of film narrative and mise-en-scène, in some cases constituting a language of its own. In particular the book foregrounds the related issues of adaptation and embodiment in a variety of different genres and investigates this under-explored area through extensive analysis of popular films including The Talented Mr Ripley, Desperately Seeking Susan, and The Matrix.

Fires Were Started

British Cinema and Thatcherism

Author: Lester D. Friedman

Publisher: Wallflower Press

ISBN:

Category: Performing Arts

Page: 341

View: 905

Fires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers.

The Cinema of Attractions Reloaded

Author: Wanda Strauven

Publisher: Amsterdam University Press

ISBN:

Category: Performing Arts

Page: 460

View: 475

Twenty years ago, noted film scholars Tom Gunning and André Gaudreault introduced the phrase “cinema of attractions” to describe the essential qualities of films made in the medium’s earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair’s debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars—and featuring contributions by Gunning and Gaudreault as well—The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence.

Transnational Cinema

The Film Reader

Author: Elizabeth Ezra

Publisher: Taylor & Francis

ISBN:

Category: Performing Arts

Page: 213

View: 827

Transnational cinema is a rapidly developing field within film studies. This reader offers an overview of key concepts & debates, drawing together seminal essays from a broad variety of sources.