'An engrossing and inspiring story of loss, love and hope, set against a backdrop of art, activism and addiction.' Observer The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbour, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly's and Jared's lives in ways none of them can anticipate. Meanwhile, the couple's adopted son, Mateo, grows to appreciate the opportunities for both self-realization and oblivion that New York offers. As the junkies and protestors of the 1980s give way to the hipsters of the 2000s and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020s, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.
“Murphy artfully connects multiple narratives to produce a sprawling tale of love, family, duty, war, and displacement. It is above all a stinging indictment of the ill-fated war in Iraq and the heavy tolls it continues to exact on its people.”—Khaled Hosseini, author of The Kite Runner The world is Rita Khoury’s oyster. The bright and driven daughter of a Boston-area Irish-Arab family that has risen over the generations from poor immigrants to part of the coastal elite, Rita grows up in a 1980s cultural mishmash. Corned beef and cabbage sit on the dinner table alongside stuffed grape leaves and tabooleh, all cooked by Rita’s mother, an Irish nurse who met her Lebanese surgeon husband while working at a hospital together. The unconventional yet close-knit family bonds over summers at the beach, wedding line-dances, and a shared obsession with the Red Sox. Rita charts herself an ambitious path through Harvard to one of the best newspapers in the country. She is posted in cosmopolitan Beirut and dates a handsome Palestinian would-be activist. But when she is assigned to cover the America-led invasion of Baghdad in 2003, she finds herself unprepared for the warzone. Her lifeline is her interpreter and fixer Nabil al-Jumaili, an equally restless young man whose dreams have been restricted by life in a deteriorating dictatorship, not to mention his own seemingly impossible desires. As the war tears Iraq apart, personal betrayal and the horrors of conflict force Rita and Nabil out of the country and into twisting, uncertain fates. What lies in wait will upend their lives forever, shattering their own notions of what they’re entitled to in a grossly unjust world. Epic in scope, by turns satirical and heartbreaking, and speaking sharply to America’s current moment, Correspondents is a whirlwind story about displacement from one’s own roots, the violence America promotes both abroad and at home, and the resilience that allows families to remake themselves and endure even the most shocking upheavals.
From 1912 to 1940, social worker Harry Hopkins committed himself to the ideal of government responsibility for impoverished Americans. This look at Hopkins' life and social work career broadens our understanding of the political and cultural currents that led to the Social Security Act of 1935, the bedrock of the American welfare state. Hopkins' experiences as an advocate and administrator of work relief and widows' pensions in New York City during the Progressive Era informed his contribution to welfare legislation during the New Deal years. Written by his granddaughter June Hopkins, this book not only clarifies the emergence of welfare policy but sheds considerable light on the present welfare debate. It also illuminates the life of one of the most influential Americans of the twentieth century.