50th anniversary edition of the ultimate Tolkien Parody ! Sometimes childish, sometimes rude, always clever and always very, very funny, this book has delighted most, and outraged a few, Tolkien fans in the US for more than 40 years. Pulling in references to popular culture and fantasy literature as a whole, this is a killingly effective parody of THE LORD OF THE RINGS. From the dreary Goddamn (Gollum) to the feckless Arrowroot (Aragorn), the bungling Goodgulf (Gandalf) to the timid, mean-minded boggies Frito (Frodo) and Dildo (Bilbo), no character is safe. Fleeing the Nozdrul, bored by acid-casualty Tim Benzedrine and harassed throughout by the minions of Sorhed, the fellowship move through a Middle Earth like no other. Short, sharp and very much to the point, even Tolkien would be hard-pressed to surpress a giggle at BORED OF THE RINGS.
A Parody of J.R.R. Tolkien's The Lord of the Rings
Author: Henry Beard
Sometimes childish, sometimes rude, always clever and always very, very funny, this book has delighted most, and outraged a few, Tolkien fans in the US for more than 40 years. Pulling in references to popular culture and fantasy literature as a whole, this is a killingly effective parody of THE LORD OF THE RINGS. From the dreary Goddamn (Gollum) to the feckless Arrowroot (Aragorn), the bungling Goodgulf (Gandalf) to the timid, mean-minded boggies Frito (Frodo) and Dildo (Bilbo), no character is safe. Fleeing the Nozdrul, bored by acid-casualty Tim Benzedrine and harassed throughout by the minions of Sorhed, the fellowship move through a Middle Earth like no other. Short, sharp and very much to the point, even Tolkien would be hard-pressed to surpress a giggle at BORED OF THE RINGS.
How did audiences across the world respond to the films of "The Lord of the Rings"? This book presents findings from the largest film audience project ever undertaken, drawing from 25,000 questionnaire responses and a wide array of other materials. Contributors use these materials to explore a series of widely speculated questions: why is film fantasy important to different kinds of viewers? Through marketing, previews and reviews, debates and cultural chatter, how are audiences prepared for a film like this? How did fans of the book respond to its adaptation on screen? How do people choose their favorite characters? How was the films' reception shaped by different national and cultural contexts? The answers to these questions shed fresh light on the extraordinary popularity of "The Lord of the Rings" and provide important new insights into the global reception of cinema in the twenty-first century.
" With New Line Cinema's production of The Lord of the Rings film trilogy, the popularity of the works of J.R.R. Tolkien is unparalleled. Tolkien's books continue to be bestsellers decades after their original publication. An epic in league with those of Spenser and Malory, The Lord of the Rings trilogy, begun during Hitler's rise to power, celebrates the insignificant individual as hero in the modern world. Jane Chance's critical appraisal of Tolkien's heroic masterwork is the first to explore its "mythology of power"--that is, how power, politics, and language interact. Chance looks beyond the fantastic, self-contained world of Middle-earth to the twentieth-century parallels presented in the trilogy.
With contributions from 29 leading international scholars, this is the first single-volume guide to the appropriation of medieval texts in contemporary culture. Medieval Afterlives in Contemporary Culture covers a comprehensive range of media, including literature, film, TV, comics book adaptations, electronic media, performances, and commercial merchandise and tourism. Its lively chapters range from Spamalot to the RSC, Beowulf to Merlin, computer games to internet memes, opera to Young Adult fiction and contemporary poetry, and much more. Also included is a companion website aimed at general readers, academics, and students interested in the burgeoning field of Medieval afterlives, complete with: - Further reading/weblinks - 'My favourite' guides to contemporary medieval appropriations - Images and interviews - Guide to library archives and manuscript collections - Guide to heritage collection See also our website at https://medievalafterlives.wordpress.com/.
The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond
Author: Brian J. Robb
Publisher: Race Point Publishing
DIVThe painstakingly crafted world that J.R.R. Tolkien created for The Hobbit, The Lord of the Rings, and The Silmarillion is so vivid that it’s easy to briefly imagine Middle-earth as a real place—even Tolkien himself had said it existed somewhere on Earth. From the languages spoken and the creatures that peopled it to the wars and cosmology, the richly imagined Middle-earth has left many artists and fans worldwide imagining what it would look and feel like to inhabit such a wildly inspired world. Tolkien left out no details in his picture so it is no surprise that Middle-earth has inspired such inventiveness in turn./divDIV /divDIVMiddle-earth Envisioned is the first book to explore the artistic legacy left by Tolkien’s world. Paintings, drawings, theatrical performances, radio serials, and films inspired by The Hobbit and The Lord of the Rings are all discussed in a manner that further illuminates the brilliance of Tolkien’s creation. Readers will discover details surrounding an attempted Beatles live-action version (with Paul McCartney as Frodo Baggins), a nearly four-hour Canadian musical, the West End stage production of Lord of the Rings, and of course, the Peter Jackson films—including the Hobbit trilogy—and much more. In this beautifully illustrated gift book, discover the richness of Middle-earth anew, through the works of the artists inspired by it./divDIV /divDIVFrom NYT bestselling author Brian J. Robb and Paul Simpson, TV guide writer/reporter and the former editor of the Star Trek magazine./div
Did you know that the idea behind the Radio City Music Hall Rockettes was first tried out in Toronto? That Canada produced the world’s longest-running annual revue? Few people realize the Canadian influences that are at the heart of American and British culture. Author Mel Atkey’s research for Broadway North included interviews with Norman and Elaine Campbell and Don Harron, creators of Anne of Green Gables-The Musical; Mavor Moore, founder of the Charlottetown Festival and of Spring Thaw; John Gray, author of Billy Bishop Goes to War; Ray Jessel and Marian Grudeff, Spring Thaw writers who had success on Broadway with Baker Street; Dolores Claman, composer of the Hockey Night In Canada theme, who also wrote the musicals Mr. Scrooge and Timber!!; and Galt MacDermot, the composer of Hair who started out writing songs for the McGill University revue My Fur Lady. Included is the phenomenal success of The Drowsy Chaperone. Atkey also draws on his own experience as a writer and composer of musicals, and tells the story of why a show that should have starred James Doohan (Star Trek’s Scotty) didn’t happen. Composer, lyricist and author, Mel Atkey is currently based in the U.K. Proud of his Canadian cultural roots, he has long been fascinated with the notion of a distinctive Canadian musical theatre.